Notes on Ficus carica Leaves in Liuzhou in February

This poem was written in Liu Zhou's secretariat. It's February, in the warm zone of the south. Liuzhou is already full of flowers and beautiful spring. However, an unexpected storm looted the flowers and sent away the spring scenery. This is undoubtedly a spiritual blow to poets living in exile. Originally, he could also put his feelings in the scenery and relieve his inner troubles, but the reality is so ruthless! Sad mood triggered his poetic thinking.

"The official feels sad, and spring is like autumn." This poem begins with a straightforward expression of the mind. "Official sense" and "thought" are intrinsically related. Who is not moved by the hardships of traveling abroad for many years, the hardships of staying away from relatives in hometown and the sadness of leaving relatives and friends? Being demoted repeatedly should be doubly heavy. The word "* * * sad" truly shows the author's special mentality at this time. The pain of "official feeling" and the depth of "thinking" overlap and hit the poet's heart. He wanted to get rid of it, but there was nothing he could do. Under the control of this mentality, he had to walk out of the study and walk in the yard. And when he witnessed the past half of spring, his mood became heavier and heavier. "Spring is half like autumn", which is plain and fresh. It is a unique feeling that ordinary people have never had and will never have. It is indeed the scenery in the eyes of sad people and the condensation of mutual affection in their hearts. The word "lost in mind", with the meaning of "spring is half like autumn", is extremely confusing and annoying.

Three or four sentences, emphasizing narrative description. It seems that it is still difficult for people to understand the weight and connotation of rain, so the word "let a hundred flowers blossom" was added immediately. This rain is not the rain that moistens everything in early spring. It swept through the mountain city, and it rained heavily, washing everything away. This sentence is far from the point, which puts the second sentence "spring is like autumn" into practice and leads to the last sentence. "The leaves of banyan trees are full of songbirds." Dalbergia odorifera in Liuzhou has a large crown and four branches, so it can not be injured for a long time. But after the looting of this storm, those century-old banyan trees are also full of leaves. These scenes make the poet sad, and the warbler's voice adds a heavy sadness. The word "chaos" is obviously a true reflection of the poet's distracted mental state.

This poem describes the scenery and kills the article. The writing is dignified and profound. In February, when the spring was strong, it turned out to be a scene of flowers dying and banyan leaves full of autumn, which aroused the poet's officialdom feelings and thoughts. His thoughts are different from his normal state, and his words and expressions are extremely dull. Su Shi's inscription on Dongpo once commented on Liu Zongyuan's and Tao Yuanming's poems, saying: "What is expensive is dry and light, which means that the cream is dry outside and beautiful, and it is also deep and thick." The works with rich content but slightly dry and indifferent words are actually the result of the poet's painstaking tempering, which is the highest realm of poetry creation art. Such works are often "see the fiber in simplicity and see the indifference in taste", and only after careful chewing for a long time can we get the real taste. One yuan orpiment: there are banyan trees in Fujian and Guangxi. Zi Hou collected the poem "No Ficus Ye Quan in Liuzhou in March": "From the rain in the city to the flowers, Ficus leaves are full of warblers." Dongpo's poem says, "The rain is thin and cool at dusk, and the banyan leaves ring the corridor." Another cloud said, "Laughter is in the south, and only banyan leaves are under the court." This is the wood. Its wood is big and cloudy, and it can cover a hundred cows, so the word book has the saying of wide flowers and wide capacity.

Collection of Tang Poems: Liu Yun: His feelings are incomparable.

Tang Ruxun said: I'm sorry. Flowers and leaves are luxuriant, and spring is half like autumn. I am particularly fascinated by the different atmosphere in Liuzhou.

Notes on Tang Xian's quatrains and Three-body Poems: Images are exhausted.

The essence of the quatrains in the Tang Dynasty: This poem does not talk about the profound pain, but it shows a feeling of helplessness in 28 words.