List of Jiang Xun’s works

Twenty-Four Lectures on the History of Chinese Art

Twenty-Four Lectures on the History of Western Art and Ten Lectures on Life Guangxi Normal University Press 2010/5/1

Lonely Six Talking about Guangxi Normal University Press 2009/10/1

The Beauty of Angkor Artist Press 2004/11/10

Dancing White Snake Chuan Yuanliu Press 2004/10/01

For Young Artists Xinlianjing Publishing Company 2004/09/29

Contemplation of Beauty: A Brief Essay on Chinese Art Thought (Color Collection Edition) Lion Art Publishing House 2003/12/01< /p>

A detailed explanation of the audiobook of Dream of Red Mansions (Part 3) Gengxin Art Publishing House 2003/01/30

A detailed explanation of the Audiobook of Dream of Red Mansions (Part 2) Gengxin Art Publishing House 2003/01/ 30

Elaborating on the Audiobook of Dream of Red Mansions (Part 1) Gengxin Art Publishing House 2003/01/30

Because of Loneliness United Literature Publishing House 2002/09/18

Jiang Xun's Selected Collection Jiuge Publishing House 2002/07/02

Can't help but United Literature Publishing House 2000/01/15

Written to Ly's M－1999 United Literature Publishing House Society 2000/01/15

Blessings to the United Literature Publishing House 2000/01/15

In front of you is the picturesque Jiangshan United Literature Publishing House 2000/01/15

(Simplified Chinese book) Introduction to Art Life? Reading? New Knowledge Sanlian Bookstore 2000/01/01

Joyful Praise United Literature Publishing House 1999/06/01

New Legend United Literature Publisher 1999/06/01

Meditating on Beauty Lion Art Publishing House 1998/10/01

Island Monologue United Literature Publishing House 1997/01/01

People and Land Dongrun (Wu's General Distributor) 1995/10/15

Published by Japan's Fangchang Yuedan Publishing House; 1995/03/15

Go to Green Light Coffee House and listen to Ba Ha, read Yu Qiuyu Erya Publishing House 1993/06/20

Complete Collection of Taiwan Art 12 Jiang Xun et al./Artist Publishing House 1993/01/15

Jiang Xun et al./Author from East, West, South and North Erya Publishing House 1992/12/20

The future is long (Donghua) Blog comes to the Publishing House 1992/06/15

Blessings to Dongrun (Wu's General Distributor) 1991/11/ 15

In front of you is the picturesque Jiangshan Dongrun (Wu’s General Distributor) 1991/11/15

Where can I get sober tonight? Erya Publishing House 1990/07/20< /p>

Sentiment should laugh at me Erya Publishing House 1989/01/01

Dadushan Erya Publishing House 1987/01/20

I hope I can have the conditions Chuan Jiang Xun et al./Author Erya Publishing House 1986/06/01

Mainland Art Criticism Collection North Star Publishing House

Art Notes North Star Publishing House

Meeting Erya by chance Publishing House

Legend Crown Publishing House

Young Taiwan Yilin Publishing House

"Reluctant to Give Up: Traveling with the Diamond Sutra" Hunan Fine Arts Publishing House 2015/10

"The Beauty of Chinese Calligraphy"

Content Introduction More than five thousand years ago, the first Chinese character symbolizing the dawn appeared, and words were created between heaven and earth. It was recorded on animal bones, metals, stones, bamboo slips, and paper. In each dynasty, the most concentrated aesthetics of each era were completed with writing lines that were either heavy and simple, or soaring and graceful, or severe and grand, or wanton and wild. Performance. In modern times, Chinese characters have never disappeared or been forgotten, and will have long and abundant vitality. Go outside and take a calligraphy class, see the beauty of lines flowing everywhere in nature, and open up our ability to perceive the world. Give yourself a text tour to experience life. Words on plaques, couplets, signs, and dance paintings are no longer just words, they all have their own beauty and surprises that touch people's hearts. Jiang Xun said: Calligraphy is breathing, health preservation, body movement, the expression of temperament, learning about how to behave, the power of stability and blessing, the memory of the reality of life, and the restoration of the seriousness when writing one's name for the first time... …The author uses his unique aesthetic feelings to tell touching stories of Chinese calligraphy. The words are woven into pictures, and we have walked into the ancient but modern time corridor of Chinese characters. The respect and joy of oriental writing are in our fingers and hearts! Table of Contents: One of the first Chinese characters in the preface: Evolution of Chinese characters: Knot, Rope, Cangjie, Pictogram, Writing brush, Oracle, Bones, Inscriptions, Stone Drums, Li Si, Seal Script, Entering the Li Qin Li Jianju

"Jiang Xun Speaks of the Dream of Red Mansions"

Jiang Xun The teacher said: ""A Dream of Red Mansions" is a book that can be read for a lifetime. I read it as a 'Buddhist scripture'. Because compassion is everywhere and enlightenment is everywhere.

"The book uses a unique youth perspective to interpret another version of "Dream of Red Mansions" from different knowledge fields such as psychology, literature, and folklore. "Jiang Xun Talks about Dream of Red Mansions" is the result of teacher Jiang Xun's devotion to reading "Dream of Red Mansions" over and over for half a century. This is the painstaking work of Teacher Jiang based on his in-depth research on Chinese cultural aesthetics, exploring the unique humanistic connotation of "A Dream of Red Mansions" from a humanistic and literary perspective, and restoring the true literary connotation of "A Dream of Red Mansions". He helps readers no longer fall into the maze of textual research, argumentation, and red school circles, and explains the entire "Dream of Red Mansions" in detail from a new perspective.

"Six Lectures on Loneliness"

This is a book. A book about loneliness - the "emotional loneliness" that rushes like a wild beast in the cruel youth, the "language loneliness" that makes a lot of noise but no one is willing to listen, the "revolutionary loneliness" that begins with complacency and ends in loneliness and nothingness, the loneliness hidden in the inner nature of human nature. "Violent loneliness", the inconceivable "thought loneliness", the "ethical loneliness" that binds and is bound in the name of love - but this book is not about how to eliminate loneliness, but how to complete loneliness. . How to give loneliness, how to respect loneliness. The author uses the unique thinking and emotion of an esthetician to integrate personal memory, aesthetic questioning, cultural reflection, and social criticism. The author creates the aesthetics of loneliness: the essence of aesthetics may be loneliness. Using time as the latitude and artists of various art schools and their representative works as the meridian, Mr. Wang returns to the historical scene. Starting from a flint hand ax in prehistoric times, he will take you around the Mediterranean, the origin of Western art in the world. All the way through the mysterious Egypt, the great Greece, the glorious Rome... until the glorious Impressionism, and the bizarre modern and contemporary art, you can either make a positive interpretation, or dig out the stories behind it, thousands of years of "beautiful" past events. Tao Lai.

Mr. Jiang Xun uses soft and friendly words to help us view and browse the "beautiful" concepts and materials of different cultures in the world with the help of "Western Art History". , techniques, and reflect on the common yearning and creation of "beauty" among human beings

"Jiang Xun talks about Tang poetry"

In "Jiang Xun talks about Tang poetry", Jiang Xun uses ten chapters. Let’s talk about the one hundred most wonderful Tang poems in his mind, the best Tang Dynasty poets in his mind, from the Wei and Jin Dynasties to the late Tang Dynasty, from literature to aesthetics, from Zhang Ruoxu to Li Shangyin, full of poetic flavor, full of Zen ideas, and eloquent words. It's good to watch, easy to read, and so beautiful.

The Tang Dynasty was the "Flower Season", a flourishing age of poetry, and a wonderful drama that gave birth to many great poets, such as Li Bai, Du Fu, Wang Wei, Bai Juyi, Li Shangyin, etc.

In "Jiang Xun Talks about Tang Poetry", Jiang Xun explains to us the brilliance and beauty of Tang poetry, and leads us to experience the truth, goodness and beauty in life. This will be a pleasant spiritual escape. Why does the Tang Dynasty move us? Because there is a kind of brilliance and beauty in Tang poetry. The Tang Dynasty is like a short vacation in Chinese culture, a camping trip. People will not camp forever. In the end, they have to come back and follow agricultural ethics in peace. . Why do we like Tang Dynasty so much? Because when we look back, the most beautiful days of the year were when we went camping and on vacation. Tang Dynasty was just a short getaway. Comes with a separate volume of one hundred Tang poems recommended by Jiang Xun.

"Jiang Xun Talks about Song Ci"

Chiang Xun, a master of Taiwanese aesthetics and the godfather of culture, uses his broad education and an eye for discovering beauty to tell you an important article in the history of Chinese literature - —Song lyrics. In order to explain and put this "quiet, perfect fruit" into perspective, the book follows the context of the Five Dynasties, Northern Song Dynasty and Southern Song Dynasty, and tells the story of Li Yu, Feng Yansi, Fan Zhongyan, Yan Shu, Yan Jidao, Ouyang Xiu, Su Shi, Liu Yong, Li Qingzhao, Zhou Bangyan, Xin Qiji respectively With Jiang Kui. With great readability and fluency.

"Reluctant to Give Up: Traveling with the Diamond Sutra" Eternal View Hall in Kyoto, Wumeng Temple in Chiang Mai, Nairn Falls in Canada... Jiang Xun took the Diamond Sutra to read and copy the scriptures, Travel all over the world, worship in temple after temple in the heart, see the different practices of life in ancient nature, see the different possibilities of life in literature and art, and understand the perseverance and difficulty of letting go in life with all sentient beings. ...

Teacher Jiang Xun’s new prose has been on the best-selling lists of Eslite and Jinshitang in Taiwan for a year. Following the "Six Lectures on Loneliness", he talks about life and uses the Diamond Sutra and Buddhist wisdom to interpret life, nature, Literature, art. Whether he walks to Kyoto, Chiang Mai, Paris, or Hualien, or reads Su Dongpo's poems, appreciates Zou Fulei's plum blossoms, and Yang Weizhen's calligraphy, the author is reminded of history, sighs of life, feels the beauty of nature, and thinks about the meaning of life. There is no cause and effect and deep fate.

The book includes Teacher Jiang Xun’s calligraphy, photography, and paintings, and a value-for-money CD of Jiang Xun reciting the Diamond Sutra. The "Diamond Sutra" was read and recited by Teacher Jiang Xun to pray for his friends, and he also hand-copied it for his parents, which has a deep blessing meaning.