Examination questions of art appreciation course: Compare the artistic creation of outstanding painters Chen Danqing, Luo Zhongli, Gao Xiaohua and He Duoling in rural realistic painting in the 1980s.

Chen Danqing was a young oil painter who had a great influence on painting in 1980s. 1980, his "Tibetan paintings" began to get rid of the influence of Russian and Soviet oil paintings on China oil painting exhibition earlier, and sought to express the real feelings of modern life, especially the border ethnic minorities, with the realistic techniques of traditional western European oil paintings. Chen Danqing has strong modeling ability, exquisite painting style, sincere feelings and keen thinking, and has a steady and deep power. Humanism, emotion and personality are the main artistic connotations in Chen Danqing's art, which are the natural embodiment of his own emotional character, permeating his own experience and containing his deep understanding, sympathy and respect for the people at the bottom. This humanistic emotion and personal strength endow his works with brilliant and lofty significance.

The self-discipline of Luo Zhongli's painting language refers to the expression and reappearance of the artistic world with primitive flavor, simple nature, warm humanity and romantic feelings. The content of its performance is the psychological world created by the theme centered on the typical artistic image of Dabashan people and the corresponding unnatural modeling. It is precisely because of this unnatural painting modeling that it echoes and constructs the course and logic of painting language self-discipline. The world it reproduces is a picture world, an artistic world and an imaginary world, which is still related to the authenticity of the painting language itself, not naturalism. The expression and reappearance of Luo Zhongli's painting language is the construction and confirmation of cultural symbol forms, and its certainty lies in his art and artistic language itself, which is also the reason why his art is different from all other arts. If the world corresponds to life, there will be at least four relatively independent relationships between art and the world and life: art is parallel to life and the world; Art is higher than life and the world; Art is not as good as life and the world; Art is life and the world. These four relationships can form corresponding art and ideological trend, and they can also be different from literary fields. If we try to compare Luo Zhongli's artistic world with one of the four relations, then the parallelism between art and life and the world is the characteristic of his artistic form. Luo Zhongli's art is not divorced from life and the world, nor is it equal to life and the world, but an artistic world of language reconstruction caused by the self-discipline of painting language. This kind of painting language world is not to praise or belittle the life and world compared with it, but to reconstruct a virtual non-naturalistic meaningful world with an artistic technique with national culture flavor. The value of this meaningful world lies in the aesthetic function and potential of the pictures created by the painting language itself. Among them, Luo Zhongli's clumsy image-building is one of the keys. The origin of this kind of modeling is influenced by the characteristics of objects in the phenomenon world, and also by the similarities and differences of images in the world of human cultural symbols. Organizing their painting thinking is a romantic artistic imagination, giving up the unofficial culture and non-Confucian culture in China's local culture, and pursuing the reconstruction of cultural forms and symbols with folk customs in the anthropological sense, and making them have the current cultural characteristics.

He Duoling is a great man. Since the publication of 1982 oil painting "Spring Breeze Awakens", his new works have been published continuously, and his painting style has also changed quietly, and his form and language are gradually improving. However, his face as a painter is distinct, giving people an overall image. He is regarded as a talented realistic painter, and He Duoling is the representative of this sad and lyrical realistic oil painting. He Duoling's formal language of painting is also different from other painters in Sichuan. As an oil painter, his modeling skills are solid and comprehensive, and the characters and scenes in his works are very vivid. Moreover, more importantly, his sense of simplicity in formal language has something in common with China's traditional ink painting. As far as the overall simplicity of the picture is concerned, it shows a more detached spiritual realm and artistic ideal. And his meticulous and complicated techniques in simplicity (as he said, the external outline is very rigorous, and the things in the outline are very substantial and subtle) are also inspired by the traditional art of China.