How to make a documentary poster? What's the difference between commercial films, literary films and documentary posters?

Documentary handwritten newspaper 1, making handwritten newspaper is the same as writing a composition. We must first determine the theme, and then choose the appropriate content to present according to the theme. The distinctive theme is the soul of a handwritten newspaper, which is the most obvious feature of a handwritten newspaper. 2. Posters, posters and advertisements all have distinct layouts, and handwritten newspapers are no exception. A handwritten newspaper contains limited information. If the layout is well designed, it can increase the capacity between square inches and make the picture appear flesh and blood. Ordinary handwritten newspapers can be reasonably divided into several sections, which can be regular or irregular. Before designing the layout, handwritten newspaper should draw a border, mainly a rectangle. The lines of the border can be line segments, curves or simple patterns. 3. Illustration is the crowning touch of handwritten newspaper. Bright colors and vivid images can attract people's attention and give people a cordial and pleasing aesthetic feeling. 4. Characters with characters can be arranged horizontally, vertically and in steps, and form a certain small pattern arrangement. The key depends on how the children arrange.

Writing must be serious. You can use official script, block letters, block letters, seal script, Li Bian, Weibei, etc. Children can use any writing style they are good at, but try to use different writing styles, which can make handwritten newspapers lively. What's the difference between commercial films and documentary posters? 1. There are more commercial elements in commercial films, more artistic elements in literary films, and different story contents are emphasized. 2. Commercial movies aim at the biggest box office. It has a standard plot with universal appeal, people with extensive cultural significance, backgrounds and complex and tense scenes. There are almost no fancy stunt shots and post-computer production in literary films, and there are also great differences in investment. Literary films pay more attention to thinking about human nature, life, social ethics and the way of the world. And it is more meaningful than commercial films. Commercial films are more market-oriented in operation, and their main purpose is to earn more box office profits, so they pay special attention to hype and publicity. The director of a literary film aims at the artistic expression of the film, not making money. What should we pay attention to when making a documentary? 1. Decide your role in the film as soon as possible: whether it is a "peeping tom" that will not be noticed by people or whether it will really appear in the film.

Although you may be tempted to manipulate real events, a real documentary director will never exert too much influence on the characters or events he shoots. However, there are exceptions: when shooting controversial, political or viewpoint documentaries for the purpose of publicity and communication, consciously choosing perspectives and materials will really blur the truth and even confuse right and wrong. This is very dangerous: People for the ethical treatment of animals, MichaelMoore, AndrewBreitbart, leni riefenstahl, Swiftboat for Ruth-all these people and organizations have attracted countless anger and hostility because of their controversial works. Therefore, in the field of documentary, the views and perspectives of the creators are particularly important. Please listen to your morality and conscience (or simply have no shame).

3. The preparation of documentary should include a shooting outline, determine the basic narrative context and list the minimum audio-visual materials. With this list, filmmakers will be able to determine which video materials can be found through libraries or archives and which new content must be obtained through shooting.

4. Don't underestimate the IQ of the audience. There is no need to explain too much about what is obvious in the picture. The audience is smarter than you think.

5. Don't pin all the narrative responsibility on the realization of voice-over or annotation. If the truth you describe in the picture is not obvious enough, then no matter how you repeat it and write it, you can't convince the audience. For a pacifist, the picture is full of bloody, sacrificed and injured soldiers and civilians, which is enough to make him turn a deaf ear to any war carols and passionate words.

"God said let there be light" poster

John huston's documentary about World War II, Letterebelight (1946), was banned by the military for 40 years, because it showed the soldiers' insanity caused by the shadow of war-not only because of its shooting method, but also because its content made people feel cruel and uneasy. The film tells the audience that even for those soldiers who have no physical disabilities, the war will make them suffer serious mental disabilities for life. This is exactly the same as the name of a later documentary about Algore's fight against global warming-an inconvenient fact (Aninconvenientruth, 2006).

6. When interviewing people, try to make the interviewee feel comfortable and relaxed. If the atmosphere of the interview becomes antagonistic, then you should know that no matter what their actions and postures are, the information they convey is not the real intention, because they are deeply involved in what they have to say.

Stills of An Inconvenient Truth

7. If you can't hide the camera, please hide your intention-because you want to minimize the influence of your existence on what is happening.

8. Never underestimate the importance of accurately recording all materials. To quote JoniMitchell, you never know what you've captured until it's all over.

9. You need to know some laws and regulations on privacy, trademark use rights and copyright protection. If you plan to show it in public, please make sure that you can find a legal adviser or get legal advice to confirm that the relevant forms, licenses and distribution documents are accurate. Many films will also prepare an insurance contract to compensate the producers in case of "mistakes and omissions". In the budget table, the contract is usually abbreviated as "E &；; O insurance ". Please execute this document before shooting.

10, even if shooting the real world, you still have to clear the scene and maintain the shooting order. Please try to control your own shooting environment-you don't want to miss an invaluable and irreplaceable moment because of passers-by blocking the camera, unpredictable noise and official intervention.

1 1. Sometimes, out-of-control situations are inevitable, for example, when you take a candid photo, or obtaining the necessary permission to shoot will hinder the integrity of the work and even make you completely lose the opportunity to shoot. Insurance will not protect you from criminal or civil lawsuits caused by your misconduct, although sometimes insurance contracts can make up for some of your losses (at the expense of high deductibles! )。 However, on the other hand, the high exposure brought by litigation or imprisonment will also increase the commercial value of your film. In this way, you can let publishers, investors and exhibitors know about your project without spending a penny on marketing and publicity. The most extreme examples are those documentaries that secretly shoot adventure events (such as skydiving from bridges and climbing skyscrapers with bare hands). In these projects, the participants themselves have violated the law and went to the scene to film the whole process of the incident without permission (sometimes even without insurance).

12, the behavior will produce corresponding results; Please be prepared for unpredictable events. If you are about to be arrested, deported or beaten, please protect the film material first, then the camera and finally yourself. You know, a carefully hidden camera can often provide interesting pictures, and sometimes even become evidence of self-defense in subsequent criminal or civil proceedings.

13. All people who appear on the screen must sign an authorization agreement with you, allowing you to use their portraits or names in the film. If you ignore this requirement, you will take great risks. There is no authorization agreement for each subject in the film, especially those subjects portrayed in a more explicit way in the film, which is criticized and your film will be fatal in sales and commercial screening. Many filmmakers will ask attractive staff to lobby and lure people into signing agreements. Even those who appeared to resist the camera, were arrested and taken to prison on TV's police reality show signed their own authorization agreements (such as TV program [Cops]). They may do this under certain conditions: the film crew promised to help them inform their families, donate their bail money or help them seek legal advice-through these inducement conditions, they got those precious signatures. What about the rest who don't sign the agreement? Usually, their faces are mosaiced, and their voices are processed or covered with beeps, making them illegible.

"Jaws" Writer, Secret Theater, Art of War, and the geek teacher at UCLA gave the director tips privately.

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