Brief introduction of Liu Mingli

Liu Mingli, a child model, was born in Tongliao, Inner Mongolia. He studied painting since childhood and was admitted to Inner Mongolia Normal University on 1980. At present, he is the Executive Dean of China Academy of Contemporary Fine Arts and the President of China Xu Beihong Painting Academy. Director of the Painting and Calligraphy Committee of China Cultural Management Association, Ministry of Culture. His works have participated in many national exhibitions, published in major newspapers and magazines, and collected by many institutions and individuals. By the relevant departments of the Ministry of Culture as "the most potential national painter in China".

Chinese name: Liu Mingli.

Nationality: China.

Place of birth: Tongliao, Inner Mongolia

Date of birth: 196 1 year

Occupation: painter

Graduate school: Inner Mongolia Normal University

Main achievements: Prairie Man was collected by China Art Museum.

Representative works: carefree map, dragon core map, quiet map.

brief introduction

Major: Chinese painting

Works: From 1982 to 1997, he has successively created works such as Soul of Laoshan, Memories of Alishan, Oil Painting (Group Painting), Prairie Man, movie cartoons thelma and louise, Confession of Blood, Biography of Ulanhu, etc.

65438-0997 transferred to Tianjin Tanggu TV Station to do the editing and editing of news topic literature and art.

In 2003, he planned the TV program "Exhibition China" and cooperated with the travel channel as the program planner and chief producer.

In 2004, he served as the director of the column of "Lu Yu You Yue" of Phoenix Satellite TV.

In 2005, he was the director of three sets of "Variety Express" of the Central Committee.

In 2006, he was employed by China Radio and Television Association, responsible for foreign exchange and cooperation, and served as the project director.

20 10 returned to the fine arts major. Most of them are created by stories of historical figures such as Buddhism, Taoism and Zen.

20 1 1 was hired as a professional painter of China Xu Beihong Painting Academy. 20 1 1 began to prepare for the creation of "100 classic stories of Chinese Peking Opera" (each volume reflects a story), which reflects the artistic charm of Peking Opera's national quintessence in a freehand way with Chinese painting. Deduct the quintessence of Chinese culture with the quintessence of Chinese culture.

achievement

20 10 "kangzi cup. The exhibition of Liu Mingli's works in Qingdao shows the world a talented humanist painter, Liu Mingli. More than 60 works in the exhibition are mostly masterpieces of Chinese painting created by Liu Mingli, such as carefree humorous pictures, teachers' humorous pictures, meditation pictures and so on, which all reflect the extraordinary creative strength of this powerful painter. Appreciating Liu Mingli's paintings, people often have a shock that touches their hearts, as if they were talking with history through color. This kind of color is smart, vivid, illusory and real, just like an elf who broke the fixed list of pen and ink symbols and changed into ever-changing colors, incorporating profound thoughts and imagination. Liu Mingli's paintings always give people a feeling of keeping watch on the soul, and they come and go one by one, so that the humanistic spirit of history can be passed down in pen and ink. Time and space are intertwined, and the Asahi is free and easy, and it follows its course in spring, summer, autumn and winter. That is the artistic conception of the world, things and me are mixed, people forget right and wrong, life and death; This is a cosmic symphony of nature, the earth and mankind.

As early as 1986, his series of paintings "Prairie Man" was collected by China Art Museum. In the following years, he successively created a series of works of art such as Introduction, Confession of Blood, Die Hard, thelma and louise and Biography of Ulanhu, but the number of illustrations and miscellaneous calligraphy and painting in major newspapers did not exceed 1000. It is precisely because he has a lot of comic creation skills that he has laid a solid foundation for today's figure painting art creation.

This foundation stems from his understanding of life and the depth of touching the soul. His painting language vividly describes his feelings about life and the noisy world. His style situation, pen and ink interest and mechanism structure all reflect the inner world of the characters. From Liu Mingli's "Beijing Opera" series of paintings, I can see that he condensed the quintessence of a long-standing Beijing Opera artist into his paintings, which originated from Beijing Opera and was higher than Beijing Opera's ideological content. Through the outline of lines, the facial expressions of the characters are highlighted, and then with the calligraphy on the screen, the pen is withdrawn, making it "full of charm, suitable for shade, broken and combined, full of vitality, like painting without painting, moving with painting." From this systematic painting, we can see that he not only inherited the creative method of China's traditional painting, but also boldly absorbed the western sketch modeling techniques, and expressed the well-known Peking Opera figures in the form of art.

His artistic creation follows the principle of "painting is expensive and quiet" (yellow language), and his paintings are full of charm with the brushwork of intersection of reality and reality. For example, the meditation on turquoise vividly shows the piety of an old man on paper, and the exquisite composition of calligraphy lines on the incense shows that "you are determined to win, you will listen if you don't listen, you will listen if you don't listen, and you will listen with your heart." Listening stops at the ear, and the heart stops at the symbol. If you are angry, you will treat things in vain. Only the Tao is empty. Virtual, heart Zhai also "("Zhuangzi human world "). Liu Mingli often organically combines the composition and creativity of his works, and walks in the art kingdom with a quiet and broad mind. He grafted, continued, germinated and updated his life in ancient times, so the picture is fuller, the color is richer and the image is more vivid, which not only contains the implication and freeze-frame of Chinese painting, but also absorbs the image and delicacy of western painting.

Personal work