How do media photographers grasp the characteristics of new media communication and successfully counterattack?

Photographers who are interested in documentary photography reports don't have to care too much about the identity of media photographers. What you should always care about is whether you have the ability to identify a good story and whether you have excellent narrative skills to tell the story in a novel and meaningful way on various platforms. This is a professional ability that media photographers should be good at and can help you counterattack.

The media has declined, and media people have changed careers. Some people say that reporting photography is a serious loss. I don't think so. I believe this is a self-adjustment of the industry according to the changes of the times. David campbell, a photography professor in university of westminster, even thinks that the quality of our reporting photography is higher than before. Because the single-mode industry is gone forever, more and more freelance photographers are starting to form partnerships, writing more, creating more collective works and creating more funds. The Internet has a news audience. According to the survey, people who receive news through multimedia and mobile devices read more in-depth news stories than traditional readers. This is a great opportunity for photographers.

And those photographers who leave the front line of reporting photography, because of their media experience, some become media public relations of big companies, build platforms, some become active image media managers on social platforms, and some turn to the field of commercial photography, marking their commercial works with unique documentary attributes. Naturally, some people are still in the newspaper office, engaged in news reports and shooting their own in-depth topics.

These are all self-adjustments made by everyone according to their own abilities and changes in the environment, and they choose a working state that is more suitable for them. Although the number of people directly engaged in reporting has decreased, it also means that more people who really understand documentary photography have entered the visual environment and exerted a wider influence. Maybe this is a good choice for everyone to take pictures. So, to some extent, there is no counterattack. It's best to think clearly about what you want and choose the one that suits you best.