What are the artistic features of neo-objectivism photography?

Neo-objectivism photography, also known as "dominant photography" and "new realistic photography", is a school of photography art that appeared in the 1920s. The artistic feature of this school is to seek "beauty" in ordinary things. Through close-up and close-up, the subject is "separated" from the whole, a certain detail of the object is highlighted, and its surface structure is accurately and truly portrayed. So as to achieve a dazzling visual effect. It does not think that the essence of art lies in the essence of objects, so its history of aesthetic thought belongs to the category of naturalism. Strand, the theoretical pioneer of neo-objectivism, made the following provisions on the artistic characteristics of neo-objectivism: "Neo-objectivism is the essence of photography, and it is also the product and boundary of photography." He believes that photography "has a strong expression of life and needs to observe the eyes of things." So it is not based on perfunctory processes and operation methods, but pure photography. " The pioneers of new objectivism were Ajie and Steichen, but in fact the founder was Pacho. Photographer Pacho photographed the rotating shaft of the locomotive in 1923, and the photo shows the state of the rotating shaft of the locomotive in operation. The visual impression on the audience is strong, because the picture abandons other details. Pacho objected to photography relying on painting. He emphasized that the art of photography must rely on its own characteristics, and believed that the aesthetic value of photography was hidden in its own characteristics, and only by giving full play to its own characteristics could beauty be created. He said, "Painting should be drawn by artists at will. Only according to its inherent characteristics can we create independent photographic works, and nothing is borrowed from painting." .