See Flying Life: When honor is more important than life.

There is no denying that director Han Han is a marketer. Compared with the crude photography skill that William Feng forgot to do the displacement of the scenery outside the window while driving in the debut novel See you later, the speeding photography lens and special effects have obviously matured a lot, and the narrative rhythm is not sloppy, giving people a feeling of wanting more.

Han Han told a good story, which was actually all kinds of conflicts. Desperate drivers, in order to defend their former honor, choose to come back and pay the price, not their lives. Love to the extreme, don't want to drag out an ignoble existence, car crash.

Watching this movie, you just want to enjoy a story. You don't think about anything, there is no problem, and there will be no obvious urine point. You really want to read the central ideas extracted from your school days, and you can also have a chance to see Hamlet in your eyes.

For example, you are strong enough to win respect, including your opponent. Zhang Chi's racing car had an accident in transit, and his opponent extended a helping hand. For example, you can feel that the true meaning of success is never to work hard, but to do the right thing. If you drive an excavator and dig hard, you will have a chance to teach Lan Xiang people how to behave. You cooked well, and the star chef is just around the corner. You drive a racing car. In addition to a little talent, you are more dedicated and tenacious to let drivers gallop on the field. Many people are surprised by Han Han's achievements in racing, but few people know about his experience of rollover injury.

There is still Korean humor, but there is no hard paragraph or long narration in See you later. It's more about talking about people, and how to listen to it naturally. In fact, this is the right thing. This is Steiner's classic performance theory. The core of Steiner system is truth and emotion. "Steiner advocates living a real, living person." Oppose starism and put forward that' there are no small roles, only small actors', and don't rely on small fresh meat to rub the flow.

Although I think there are still many shortcomings, such as showing his down and out. Down and out like Stephen Chow in king of comedy, very touching. Look at the scene where Yin Tianchou was cursed by Ng Man Tat on the set, which made many viewers sigh.

For example, the lack of a literary goddess to show something warm or aloof in it, such as Wang He's performance in See you later, is impressive because there are not many shots.

If your impression still stays in the cool and handsome impression of "Autumn Mountain wild one" by Jay Chou and Edison Chen in "Initial D", then "Flying Life" subverts your cognition of racing drivers, which may be more real.