Xi Murong's information

Xi Murong, a Mongolian, is a famous poet, essayist and painter. Xi Murong's full name is Mullen Xilianbo, which means great river, and "Mu Rong" is a homophonic translation of "Mullen". 1943 Lunar 65438+ 10/5 was born in Jingangpo, a suburb of Chongqing, Sichuan Province. Originally from Ming 'an Banner, Chahar League, Inner Mongolia. /kloc-moved to Hong Kong in 0/949, spent his childhood in Hong Kong, and then moved to Taiwan Province Province with his family. 1956 entered the art department of Taipei Normal University, 1964 arrived at the school. 1966 graduated with the first place from the Royal Academy of Art in Brussels, Belgium. 1970 published his works in the joint supplement under the pseudonym of Mullen. In July, I returned to Taiwan Province Province to teach fine arts in Hsinchu Normal University. In the following years, he was invited to participate in many provincial and international art exhibitions. He also contributed under the pseudonyms of ·Xi·ao Rui, Mo Rong and Mullen Xi Lianbo, and most of his works are essays. 1September 1989, I went to my parents' hometown and saw the Mongolian Plateau for the first time.

Xi Murong devoted himself to painting at the age of fourteen. He has been a professor in Hsinchu Teachers College of Taiwan Province Province for many years, and he still takes this as his main occupation. As a professional painter, Xi Murong has held many solo exhibitions at home and abroad, and won the Royal Belgian Gold Award, the Brussels Municipal Government Gold Award, the European Artists Association two bronze awards, the Jinding Award for Best Lyrics Award, and the Zhongxing New Poetry Literature Award. Writing poetry is just a rest after a hard day. She wrote poems to "commemorate a distant time and the small world that only exists in my heart". There is a word "truth" cast in the poem, which has a distinct personality. Her poems are full of understanding and feelings about human feelings, love and homesickness. There are more than 50 kinds of works, such as poetry collection, prose collection, picture album and anthology, which are widely read at home and abroad. In the past ten years, I have devoted myself to exploring Mongolian culture and taking my hometown as my creative theme. In 2002, he was appointed honorary professor of Inner Mongolia University. The new work Xi Murong and Her Inner Mongolia records Xi Murong's pursuit of nomadic culture from 1989 to 17 with beautiful words and photos taken by herself.

Writing style

In Murong's prose poems, it is as illusory as a dream, as if there is nothing, far and near.

Do people have past lives? We don't have to make scientific discussions and judgments, just; In a word, the poet expresses her passionate love for her lover through the existence of past lives.

This love has always been ignored: "If you are a woman picking lotus flowers in Jiangnan, I am the one you miss under your wrist.

This love contains a complaint: "If you are the urchin who plays truant, I am the brand-new marble that fell out of your schoolbag and watched you go away unconsciously in the grass by the roadside."

This love is willing to sacrifice: "If you are a monk facing the wall, I am the burning incense in front of the temple and spend a quiet time with you." .

The three juxtaposed images all use delicate words and fresh styles, especially putting lovers and themselves in an unequal position, highlighting their own initiative and violence and greatly enhancing their emotional penetration.

Because of this, "when we meet in this life, we always feel that there are some unfinished frontiers, which are just in a trance and cannot be identified in detail, so I will tell you one by one." This indistinguishable and unspeakable feeling has played a fantastic role.

It is also because the descriptions of this life and previous lives are staggered, which gives me the feeling that it is difficult to distinguish between distance, reality and ideal, and mind and reason.

Writing skills

I. Introduction

Xi Murong, a Mongolian girl who came to Ming 'an Banner of Chahar League. 198 1 year, she published her first book of poetry, Qi Li Xiang, which caused a whirlwind in Taiwan Province Province and the sales performance was amazing. 1982, she published the first collection of essays, Traces of Growth, which showed her another creative form and continued the gentle and indifferent style of new poetry.

Xi Murong's poems have always attracted much attention. However, in recent years, her poetry output has decreased and her prose works have been increasing. There are also many articles commenting on her poems. In fact, Xi Murong's prose has another flavor. This paper will discuss the characteristics and writing skills of Xi Murong's prose works. This paper analyzes the characteristics of his prose works, such as the important position of "flowers" in his poems. In addition, it also discusses Xi Murong's writing skills, such as the collocation of colors, the use of interrogative sentences and the use of repetitive sentences.

Second, the characteristics-the description of flowers and the use of colors

Xi Murong's prose works have two characteristics, one is the description of flowers, and the other is the use of color words. In the description of "flower", all kinds of flowers can be used in this paper, among which lotus is the most closely related to her. Because Xi Murong is a painter, the use of color is naturally more appropriate than other writers, which forms one of her characteristics.

(A) the description of flowers

In Xi Murong's prose, besides people, flowers are often taken as the object, or flowers are interspersed in the text to imply some symbolic meaning.

The whole tree is full of white flowers, and the dark green leaves set off the white flowers so brightly that I can see them from a distance. …

What a big tree, deeply planted on the cliff by the sea. Decades ago, when those who crossed the ocean first began to live on this small island, this cliff must be covered with this coastal plant, right?

I think that when those people first started to build their cabins under this tree, they must have thought it was just a temporary stay and that they could leave soon, so they built them in such an embarrassing and chaotic way, right?

Xi Murong likes to combine the characteristics of a certain flower with a certain type of story. Although the flowers in the story may only play a static role, they occupy an important position in the whole text. For example, in A Story of Flowers, Xi Murong wrote a story about a man and a woman, which began with the blooming of epiphyllum and ended with its withering.

Years later, every time I smell the same flower fragrance, the girl will think of the boy who picked the epiphyllum under the moon. They haven't seen each other since that night.

He shouldn't give her an epiphyllum. It is said that this is an unfortunate sign.

Xi Murong's feelings for flowers are expressed in the form of stories. Flowers also act as catalysts. For readers, even if they have never experienced a similar or identical situation, they can have a deeper feeling through the atmosphere created by Xi Murong, which may be one of the factors that have always been loved by Xi Murong's works.

Every writer has something he likes, and Xi Murong especially likes lotus flowers. She paints and writes lotus flowers. However, she seldom praised Lotus alone. She always associates the lotus with others or brings it out with something. In literary criticism, there is a saying that "writing is like a person", with special emphasis on the relationship between the writer's living environment and the style of his works. To explore the relationship between this phenomenon and Xi Murong, we can find the answer from Xi Murong's living environment and growing process.

That day was also the first time I saw the lotus pond in the botanical garden, standing next to the graceful lotus leaves in the pond. There is a vague and familiar smell in the air. Memories of my childhood visit to Xuanwu Lake with my father resurfaced, and the sunshine instantly became soft. I seem to have entered a different world, time is stagnant, and my heart is full of a trance-like homesickness.

For me, reading and writing poems is like lotus leaves, which can bring me into a different world every time, where there is no burden in my heart. I just like to relive the trance-like sweetness and sadness again and again.

In the era of picking hibiscus in the river, lotus leaves and lotus flowers should be like this. Lotus is really my homesickness, homesickness for an ancient era and ancient love.

I don't know whether I saw more lotus flowers in the painting or waded into the river to pick hibiscus many times in ancient times. There is always a strange feeling that Lian is a familiar friend and falls in love at first sight, reluctant to leave. It has been thousands of years.

Dongpo loves the breeze and the bright moon alone, and Zhou Dunyi has Ailian. For writers, what they like, what they love and what they like is not only a literal explanation, but also a deeper meaning, which is the tacit understanding that they can meet and communicate with writers. "Lotus" is just like this for Xi Murong.

Xi Murong published a book entitled "Keepsake", which was entirely about writing and praising the lotus. The content of this book is to use Xi Murong's articles and brush strokes to create the atmosphere of the book, and to show his praise and love for the lotus. She not only writes about scenery objectively and meticulously, but also writes about feelings subjectively, so that the whole work presents a feeling of blending scenes and a situation of integration of things and me.

I go to see it every morning, watching its color change from a layer of turquoise deep purple to water red, soft powder to gray, and watching its petals from tight bud to blooming to dying, as if watching a life from a teenager to the end day by day.

So that's how time passed. All the days are getting darker and darker. Only when the lotus is in full bloom, those memories, those floating around, will come back in a hurry with all the details I knew I had remembered at that time, or thought I had forgotten for many years.

In Xi Murong's works, the characters, events, time and place are often the same, but she uses different words to describe them, cuts in from all angles, and writes completely different tastes and feelings. For example, The Sound of Flowers and Lotus Pond are both huge lotus sketches in Mr. Lin Yushan's 80-year retrospective exhibition. In The Sound of Flowers, she was attracted by this painting, so I want to ask Mr. Lin Yushan what mood this painting was painted in.

When the teacher said this, he had just returned to Taiwan Province Province from Japan. They went to the mountainous area near Chiayi with his young friends and stayed by a lotus pond for a few days.

The teacher added:' At that time, I was young and wanted to find out everything. We heard that the lotus is the most beautiful when it first blooms, and there is a sound when it blooms, so they slept in the same clothes by the pool all night, and got up before dawn to watch the flowers bloom and wait for the sound of the flowers.'

I never knew there was a sound when the lotus was in full bloom. Did the teacher really make a noise that day?

I heard you. This is a very light and subtle sound, but it can be heard. ………'

In the article "Lotus Pond", she took the way of reversing the story, pulling the time back to July of the fifth year when Mr. Lin Yushan listened to the lotus flowers, slowly telling a story that happened in the Japanese occupation era word by word, and then pulling the scene back to May of 199 1 year, which is the venue of the retrospective exhibition of eighty. She wrote about the Zhang family who collected this painting and took good care of this' lotus pond'. Xi Murong used her flexible brushwork to record the whole story of the huge lotus sketch and witnessed it.

Once in a blue moon!

Sixty-one years later, at noon in early summer, the exhibition hall in the art museum was particularly cool because of the scorching sun outside, and the artist and his paintings met again.

At that time, the young painter standing by the pool, now his hair has frosted, but his eyes are still clear, still hiding his yearning for life and beauty. His works of art are hung on the walls of many exhibition halls in the art museum, and he must show them to his students and audience one by one.

However, before turning around and leaving the painting "Lotus Pond", the white-haired artist suddenly paused, looked back at the lotus pond, then turned around with a smile and led us on.

Teacher, did you hear anything?

The Sound of Flowers was published in 1989, and Lotus Pond is the latest work of the author 1996. After nearly seven years, Xi Murong once again showed his feelings in different ways. If she is not deeply in love with the lotus, how can she not forget it for a long time!

Xi Murong once mentioned in the preface of Traces of Growth:' I am a person who likes to look back'. This also confirms that her works are full of memories from time to time except the example of Lotus Pond mentioned above. When I was a child, my father took her to Xuanwu Lake to see lotus flowers, which was often written in articles. It is the same thing to use different brushwork to cut into the time before and after, but it is not easy to get bored because of the different angles of writing methods.

Xuanwu Lake at dusk, sitting between his father's legs, his father paddling with his hands.

The boat set out from Liu Yin and flowed quietly on the lake covered with lotus leaves. Twilight makes everything fuzzy and quiet. Holding a full lotus in a small hand, in a small mind, happiness on earth is as full as lotus and as fragrant as lotus seed.

The earliest lotus in my memory should be the one my father gave me when I was five years old and took me boating in Xuanwu Lake.

My father's arms are so safe and warm that I can monopolize his arms. At the age of five, I was an uneasy surprise and pride. With memories, there was a grayish purple yellow twilight on the lake.

Xi Murong's love for "flowers" has obviously become a distinctive feature in her works. For her, flowers are the most important bag in her memory, and there is a feeling of reluctance behind every flower. And flowers also represent things that moved Xi Murong, or people that he deeply remembered. Such works are easy to attract readers' attention and are naturally popular.

Begonia belonged to my mother when I was a child. ..... and never had such a cruel war, never had so many years of displacement, never had a nation endured so much suffering, so none of the girls of that generation could realize their dreams. ..... I want to buy not only the potted flower, but also its beautiful scenery, its ancient and fragrant old country, and I finally understand my mother's heart.

All the memories will appear in front of my eyes with its fragrance. I think I may not love flowers, but all the lost time. Behind every flower, there are my cherished memories.

Many years have passed ... the roses are still there, and everything that belonged to that summer will come back. I can almost smell the pine needles in the forest in the sun. ……

Before flowers, I am a contented person.

(B) the use of color matching

Walking into Xi Murong's colorful world, we can find her warm style. At the same time, as a painter, her description of flower color is more sensitive and delicate than that of ordinary writers, which makes her works have a more vivid feeling. The construction of its image is mostly based on the use of color, and the articles presented to readers are no longer just rigid flat words, but three-dimensional pictures.

It is a deja vu mountain forest, full of wild flowers. The slender and tall pedicels are dotted with strings of wind chimes from purple to light red to pure white, lined with turquoise weeds, and the dark green behind them is a charming picture after another.

The whole grassland is endless, except for the blue sky, white clouds and green grass, the brownish yellow of some earth and stone on the distant mountain and the grayish green of several miscellaneous trees.

Chrysanthemums with horizontal branches are painted on a dark brown background. The branches are dark green and the petals should be white, but in the painter's painting, there is a layer of Qiu Xiangse, which seems to be dyed yellow by time.

In autumn, my father and I walked hand in hand on the outskirts of Bonn. The weather is fine, the big trees in the courtyard of the roadside people are golden, and the thin white swings hang quietly on the green grass.

When he said this, it was sunny summer noon, and the sun shone down from the green layers of tall branches, and there was a layer of light and shadow like jade in the forest [2 1].

The sky is so clean, it is the clear blue, the grass is so soft, and it is the delicate green. Boys and girls in white shirts and gray sweatpants are sitting under the tree. When the wind blows, the pink and purple petals of hoof nails fall gently and softly.

Xi Murong used the description of colors and flowers to make abstract thoughts convey a clear and definite image. When reading Xi Murong's works, readers can easily get into the feelings she wants to express, and the contribution of color is indispensable.

Three writing skills

Xi Murong's writing style is good at using repetitive sentences, which makes her articles present a soothing musical style and full of pastoral sentiment. In the management of syntax, she not only pays attention to the overall effect, but also pursues the beauty of words. All her articles are centered on characters, and it is easy to see her sincerity in simple narration, which has the characteristics of blunt prose.

Perhaps because he is a poet at the same time, Xi Murong's prose will have a sense of "jumping" intentionally or unintentionally, omitting the conjunctions needed in the prose, or using the arrangement of words to integrate poetry into the prose, which is even more unique.

In Xi Murong's works, "the use problem" is a major feature. Whether it appears in the text or at the end of the text, in fact, what she wants to express may be a vague mentality. She is not only asking herself, but also asking the readers questions. In particular, when Xi Murong uses questions, he usually doesn't use them only once, but often uses them repeatedly and connects them to create a heavy atmosphere covering the whole text.

What kind of women do they wave goodbye to? Under the snow-white apple blossoms, or on the hillside with fragrance, did they ever think that such a wave was a blank for more than 30 years when they waved?

I'm also peeling myself off layer by layer. I want to know, which floor is the real me? Is it a happy woman who is a wife and mother? Or the woman who is careful to be a student and a teacher?

Is that the woman who paints oil paintings in the studio? Or the woman who keeps a diary word by word under the lamp?

Is it the woman holding a bunch of lilies and crying like rain in the dusk? Or the woman riding a bicycle alone and walking behind the moon with a smile on the winding mountain road?

What kind of person am I? Which one is the real me? Who can really understand my love and cherish for this world? Who would really believe it?

Sixty years is really a bit by bit, bit by bit, day after day. Why do you run like a torrent when you look back?

What is the teacher thinking when he is standing in front of the painting?

Is this a life I couldn't understand when I was young?

Where's the carefree and confident little wild horse?

Can I have enough wisdom to overcome the current predicament? Can you go back to that vast and quiet sky? Can you regain the lonely mood of running around in Sha Xue? What's more, I cherish the creative life?

In the quiet night, I asked myself softly, can I still do it?

Constantly asking yourself also gives readers the opportunity to ask themselves. Xi Murong didn't and didn't want to resort to writing for the answer, because different people and different time and space environments may have different answers to the same question. She always leaves readers some room for imagination and thinking. Therefore, Xi Murong's article is full of words and meanings.

Four. conclusion

Xi Murong is lyrical, and the techniques used in his works express this message. Repeated sentences and questions are used, the text is full of jumping feeling, and there are strange sentences inadvertently. Although the style is prose, it is very poetic, which is why Xi Murong's prose works are different from other prose writers.

For Xi Murong, "flower" is not just a flower, but personified and reappeared in his works. When he was just a still life, I didn't know he was actually a bystander. Xi Murong drew and wrote, just like her bosom friend, and he got its response. Looking at flowers instead of flowers should be a unique feature of Xi Murong.

main work

There is also a song (prose) in Xiang (poetry), Youth Without Complaints (poetry), Nine Essays on Time (poetry), Marginal Light and Shadow (poetry), Lost Poetry (poetry), I Fold My Love (poetry) and Sanxian (prose).

Chronology of Xi Murong

On 1943

Born in Jingangpo, a suburb of Chongqing, Sichuan, on October 15th of the lunar calendar, his ancestral home is Ming 'an Banner, Chahar League, Inner Mongolia.

In 1948

Entered the first grade of primary school in Nanjing.

1949

Moved to Hong Kong and enrolled in Tongji Middle School.

195 1 year

Won the first place in the composition competition of the fourth grade group in the school.

In 1953

After graduating from primary school, the composition My Autobiography was selected for the back cover of the school magazine. I went to the first grade of junior high school in the same school.

In 1954

Moved to Taiwan Province Province, took the joint entrance examination, and was admitted to the second grade of junior high school of Beier girls (now Zhongshan Girls' High School). Mr. Zhao Jing, Mr. Dong Xiu and Mr. Yang from the Ministry of National Science gave a lot of encouragement. Started writing poems in my diary. The first book of poetry is Yu Guangzhong's Blue Feather.

In 1955

Won the first place in the third group Chinese reading competition in our school.

In 1956

He entered the art department of Taipei Normal University and officially began to learn painting. The first teachers were Sun Liqun and Zhou Ying. Participated in the editing of Youth in Beijing Normal University within three years. Published essays and poems in the school magazine under the pseudonym Cai Xia. He published poems in off-campus educational journals and contributed "Free Youth", which was also published. In-school speeches, debates and essay competitions all won the first prize.

1959

Enter the art department of normal university. Sketch works include Chen Huikun and Yuan, watercolor works include Ma Baishui and Li Zefan, oil paintings include Li Shiqiao and Liao, and Chinese paintings include Lin Yushan,,, and so on.

In 1960

A watercolor still life was selected for the provincial art exhibition.

On 1963

Won the third place in watercolor in the provincial youth art competition held by Taipei Women's Federation. Graduated from normal university, ranked third in oil painting and second in watercolor. Graduated from Normal University, taught Ren 'ai Junior High School in North City. Participated in the essay writing of "Unforgettable Figures in the Crown", with Xiao Rui as his pen name and the article "Souvenir" as his masterpiece.

In 1964

Go to the Royal Academy of Art in Brussels, Belgium for further study and enter the advanced oil painting class. Because of his excellent entrance performance, he was directly promoted to the second grade, and studied under Professor Leon Devosse.

In 1965

His works were selected for the 70th Independent Salon in Paris, and participated in the 8th1Joint Salon of Female Painters and the 1st 10 International Women's Art Exhibition. In the same year, he was invited to participate in the "China Contemporary Painters Exhibition" held by the Beijing Royal Museum of History and Fine Arts.

On 1966

In February, he was recommended by the professor to hold his first solo exhibition at Egmont Gallery in Beijing. Seven major newspapers in Belgium have commented on this painting. Invited to participate in the 3rd1marine painter exhibition. Graduated first in July. Won the first prize of the best class, the Dutron de Terry Foundation Award, the gold medal awarded by the Brussels municipal government, and the gold medal of the Kingdom of Belgium.

In 1967

Enter Professor Claude Lee's copperplate studio and specialize in etching copperplate for one year. Participated in the "European Art Exhibition" held in Beijing and won two bronze awards from the European Artists Association. Hold a solo exhibition at the University of Fribourg, Switzerland. Hold a solo exhibition in Wintertu, Switzerland. He held a solo exhibition at the Coca-Cola Factory Cultural Center in Beijing.

On 1968

At the same time, he held solo exhibitions at Egmont Gallery and Horn Gallery in Beijing.

On 1969

He published his works in the Central Supplement under the pseudonym of Xiao Rui.

In 1970

He published his works in the United Supplement under the pseudonym of Mullen. In July, I returned to Taiwan Province Province to teach fine arts in Hsinchu Normal University. In the following years, he was invited to participate in many provincial and international art exhibitions. He also contributed under the pseudonyms of ·Xi·ao Rui, Mo Rong and Mullen Xi Lianbo, and most of his works are essays.

In 1974

After returning to Taiwan, his first solo exhibition was held in the National Art Museum of Taiwan Province Province.

On 1976

Participated in the first novel award of United Daily News. The article Birthday Cake is the masterpiece of Qian Huawei's pen name.

In 1977

A solo exhibition was held at the American Information Office in Taichung. 10, the column "Poems Painted, Poems Painted" was published in Crown magazine.

On 1979

I began to learn laser painting in April. Mei held a solo exhibition at the German Cultural Center in Taipei. In July, he published Painting Poetry in cooperation with Crown magazine. 1 1 month, I began to write a column on children's art education in Women magazine, Letter to Young Mothers. /kloc-In February, he held a solo exhibition in Taiji Art Museum, which was the first exhibition of laser painting in Taiwan Province Province. Poetry began to be published in the joint supplement.

In 1980

Continue to study laser painting, publish papers and show them in the form of prints and oil paintings. In July, the long poem "My Mom, My Mom" was published in "Young Lion Literature and Art". Began to paint no.300 oil painting "Lotus".

In 198 1 year

/kloc-participate in the laser art exhibition held in San Diego, USA with laser prints in 0/month. His poems were published in United Supplement, China Times, China Daily, Little Lion Literature and Art, Taiwan Times, Taiwan Daily, Free Tabloid, China Literature and Art and Sunshine Collection. The April poem "The Name of Love" was published in Taiwan Times. In June, he held a solo exhibition in the National Gallery of Taiwan Province Provincial National History Museum as a gift for his father's 70th birthday. Mirror series and no.300 lotus exhibition. Qi Li Xiang, a collection of poems in September, was published by Dida Publishing House and will be reprinted within one month. /kloc-in October, he was invited to be the judge of the oil painting department of the provincial art exhibition. /kloc-in 0/2 months, "Departure" won the Best Lyrics Award of Jinding Records.

In 1982

In March, the essays "Traces of Growth" and "Draw a Rainbow in My Heart" were published by Erya Publishing House,1February, and "Introduction to Laser Art" was published by Taiwan Province Laser Promotion Association.

In 1983

February poetry anthology "Traces of Growth" and "Drawing a Rainbow in My Heart" were published by Dida Publishing House. In July, Xiao Feng and Ai Ya co-authored a collection of essays on Three Strings, which was published by Erya Publishing House. There is a song, October prose collection, published by Hongfan Bookstore.

In 1984

Offering the course of "Materials Research" in the Fine Arts Department of Donghai University. Start a journey of sketching wild plants and record with needles, pencils, pastels and crayons. Start the experiment of laser engraving.

In 1985,

In March, Tongxin Collection, a collection of essays co-authored with Liu Haibei, was published by Jiuge Publishing House with Xin Dai as the preface. In June, an exhibition of paintings was held in Apollo Gallery and Crown Art Center, and four years' works such as Night Series and Lotus Body were exhibited in Apollo Gallery. A retrospective exhibition of oil paintings and sketches of the past 20 years was exhibited at the Crown Art and Literature Center. In July, he was invited to attend a literature summer camp in Hong Kong. For Happiness, a collection of essays in October, was published by Erya Publishing House.

In 1986,

Continue the journey of sketching wild plants, climb Shimen Mountain and get to know the alpine plants in Taiwan Province Province. In April, it was jointly exhibited with Chen and Chu Ge, and exhibited in several county and city cultural centers. In July, he was invited by Hong Kong Baptist College to give a speech in Hong Kong. In August, I began to write 300 long poems, The Legend of a Summer Night. /kloc-started to create landscape series monochrome oil paintings in 0/0.

In 1987,

Nine Periods of Time, a collection of poems in January, was published by Erya Publishing House. In April, Shi Jiu Pian won the New Poetry Award of ZTE Literature and Art Medal. In May, he jointly exhibited with Chu Ge and Jiang Xun in Dunhuang Art Center, and published a collection of Landscape. Mother died in May. At the end of June, he gave a speech in Los Angeles at the invitation of the annual meeting of the American Chinese Association. In July, he participated in the symposium on "Meeting with Literary Friends" at the book fair of San Francisco Dongfeng Bookstore. /kloc-started to create lotus series oil paintings in 0/0.

1988

March poetry collection and prose collection "In that faraway place" are published by Shenyuan Publishing House, and the photography part is Dongsheng Lin's works. In July, I went to Bali, Indonesia to sketch lotus flowers. In September, he was invited to give a speech at the "Reading Month" of the South China Morning Post in Singapore.

On 1989

1 month essay collection "keepsake" was published by Shenyuan Publishing House. The Sketcher, a collection of essays in March, was published by Dayan Publishing House. In April, he held a solo exhibition in Apollo Gallery and was invited to exhibit in Xingang. In August, I took my daughter Fang Ci to travel to Europe. I went to my parents' hometown in September and saw the Mongolian Plateau at first sight. Since September, at the invitation of Ms. Ji Ji, the editor-in-chief, she has published ten articles in the humanities section of China Times. Since 10, with the help of my friends, I have read many works of modern Mongolian poets and Mongolian history.

On 1990

My hometown is on the plateau, a collection of essays in July published by Shenyuan Publishing House, and the photography part is Wang Xinggong's works. At the same time, he also published an anthology of Mongolian modern poetry, Starlight in the Distance. In August, my son An Kai and I traveled to Europe. In September, I returned to the Mongolian plateau and visited the mausoleum of Genghis Khan, the holy father. At the end of September, I went to Ulaanbaatar in Mongolia and the ancient forest capital. /kloc-cross the Gobi by train in October/October, which coincides with the full moon night on August 16 of the lunar calendar.

In 1991,

There is a year's holiday in normal college. In April, he jointly exhibited with Chu Ge and Jiang Xun in Qingyun Art Center, and published "Hua Ji Hua Ji". The collection of essays in May, Waiting on the Mountain, was published by Hongfan Bookstore. In June, I went to Berlin to read poetry at the invitation of Berlin Art and Culture Palace. He was invited to teach the course of modern China literature at Hamburg University. In July, a cultural delegation from Taiwan Province Province 16 people went to Ulaanbaatar to celebrate the 70th anniversary of the founding of People's Republic of China (PRC) at the invitation of Mongolian Ministry of Culture. In July, he was awarded the Cultural Medal by the Mongolian Ministry of Culture. In August, the mainland edition of Jiangshan Waiting to Turn was authorized to be published by Guangzhou Huacheng Publishing House, and it was learned that Huacheng alone had published more than 6.5438+0.5 million volumes of Xi Murong's poems. In September, it signed a contract with Beijing Zhonghua Copyright Agency to deal with the serious infringement of Xi Murong's works in mainland provinces. In September, I visited local artists in Mongolia again, and went to sogou Bo Library in northern Mongolia for interviews and photography.

In 1992,

In February, the planned Mongolian literature album was published in the supplement of United Daily News. In February, he published the slide show "Looking at Mongolia" and gave a special speech on Mongolia with Wang, Fan Mannong, Wang Xinggong and others. In April, Mongolian folk musicians were invited to visit Taiwan to record. In May, he was invited to participate in the international seminar on Mongolian culture held in Taipei, and published a paper "Seeing Mongolian Contemporary Intellectuals from Poetry Creation". In June, he held a solo exhibition in Taipei Qingyun Art Center, and published a collection of paintings "Picking Hibiscus on the River". Song of the River, a collection of poems in June, was published by Donghua Bookstore.

In addition, Xi Murong's Shell was included in the first Chinese textbook of People's Education Press. Homesickness was included in the third grade Chinese textbook of Guangdong Education Edition.