Mo Yun Zhu Hong Ying Yun —— A survey of the colorful artistic life of calligrapher and seal engraver Mr. Wang Ran.

I have been in contact with a calligraphy seal engraver for five years with a critical eye and attitude. Not only did I not find him annoying, but I found him really cute. Speaking of this calligraphy seal engraver, others praised him with a sincere and knowing smile, and sincerely recognized his character and artistic works, which is commendable.

There are many people named Wang Ran. Once this name is associated with calligraphy and seal cutting, it will shine brilliantly once it is associated with a unique and colorful life.

Wang Ran of Geng Jie is frank. The face is born of the heart. Chinese character face, heavy eyebrows, straight nose, square mouth, simple and honest appearance, a pair of honest and straightforward faces. His speech is sincere and straightforward, and I don't know how to avoid it. It's hard to get used to the first contact. After a long time, it also reduces the fatigue of guessing in vain. The advantage of a person is that he can have a heart-to-heart conversation, so don't be wary.

Wang Ran Xiao Kai and Wang Xizhi's Preface to Lanting Collection (Part)

Wang Ran was deeply influenced by his father Wang Weimin. Wang Weimin, a member of Anhui Writers Association and Anhui Quyi Association, has published nearly 100 works and won many national, provincial and municipal literary awards. Love calligraphy, regular script is considerable. Wang Weimin's kindness and character are deeply engraved in Wang Ran's heart.

Wang Ran Xiaoke, Gui Youguang's "Ji Xiang Xuanzhi"; "(partial)

If the influence of behavior shaped the foundation of Wang Ran, it was only a part of Wang Ran's life benefit. More importantly, as a cultural person, Wang Weimin has carefully guided and profoundly influenced Wang Ran in culture, especially in the strict requirements and early cultivation of traditional culture and calligraphy, which laid a solid foundation for Wang Ran's cultural and artistic undertakings.

Wang Ran, 1974, Lingbi County Zen Hall Lakers. The beautiful scenery of Zen Hall Lake has infiltrated Wang Ran, endowed him with wisdom and spirituality, and at the same time made him naughty.

At that time, Wang Weimin, who was working in other places, bought a copybook to restrain and shape Wang Ran's temperament, and asked Wang Ran to practice 500 words of small letters every day and check them regularly. Wang Ran sat on a wooden chair, prone on a bench, or under a kerosene lamp, and honestly practiced calligraphy and writing for a long time. In the third grade, Wang Ran began to practice Pang Zhonghua's pen and ink, and in the fifth grade, he transferred to Lingbi County to attend primary school. The training during this period initially laid the foundation for Wang Ran's writing, and more importantly, cultivated his introverted, steady, persistent and persistent good character. He gradually regarded writing as a hobby, an indispensable life content and spiritual sustenance, and enjoyed it.

Wang Ran cursive script "The Travels of the Tang Dynasty Poet Zuyong in the South of the Yangtze River"

Wang Ran still has two newspapers that his father ordered for him. These two newspapers not only bear the heart of my father's talk and expectation, but also reflect my father's plan for his beautiful and bitter life. In the 1980s, when materials were scarce, my father saved money to order newspapers for himself, so as to broaden his horizons and be a visionary and thoughtful person. How rare!

If we say that at this learning stage, Wang Ran groped in the dark night of calligraphy art, and in the process of learning basic knowledge, with the help of several Copybook for calligraphy books, he had a preliminary experience and understanding of calligraphy and made an ignorant attempt. Then, his father, Wang Weimin, asked him to be promoted from Lingbi Xiguan Primary School to Lingbi Middle School, taking Gao Qing, a local calligrapher, as a teacher, and let him study calligraphy systematically, which was very far-sighted. This basically established the direction and life track of Wang Ran's calligraphy work all his life.

Gao Qingcheng, a researcher of literature and history in Bengbu City, Anhui Province, a teacher of Lingbi Middle School, the grandson of Gao Panxi, a famous squire in modern history of Lingbi, has a deep family background, a solid foundation in calligraphy art and is good at six-body regular script.

Wang Ranshi studied calligraphy from HD City and graduated from high school at the age of thirteen to eighteen, which benefited a lot. He began to practice in Liu Ti, being practical, the beauty of basic strokes, the beauty of frame structure and the beauty of charm. Under the careful guidance of Mr. Gao, calligraphy is smooth and perfect day by day. He also received Mr. Gao's initial training and guidance in calligraphy theory, and formed his initial understanding of calligraphy theory. At the same time, under the guidance of Mr. Gao, he gradually dabbled in European style and cursive script from Liu style. Calligraphy practice and theoretical understanding complement each other, which has opened a wide door for our pursuit of calligraphy art. From then on, we no longer groped in the darkness of calligraphy art, but gradually formed our own concept and way of pursuing calligraphy art under the guidance of Mr. Gao.

Practicing calligraphy is naturally inseparable from the seal. When Wang Ran was in the second grade of junior high school (at the age of fourteen), he became interested in seals.

Limited by the conditions, Wang Ran bent the hacksaw into an oblique angle and polished it sharply to make a seal cutting machine. I also went to Lingbi Qingshi Craft Factory to pick fine talc and practice seal cutting at home. Self-exploration and understanding laid Wang Ran's initial impression of seal cutting, and made him more and more interested in seal cutting.

Knowing Mo Ruofu, Wang Weimin saw that his son was interested in seal cutting when he was practicing calligraphy. When he was on a business trip, he bought a seal cutting knife and a professional seal cutting book, Deng Sanmu Seal Cutting. Wang Ran's seal cutting finally has a silent teacher and direction, and even more handy seal cutting tools, such as a duck to water, unfold his tender feathers and fly around on the road of seal cutting. ...

He started with seal cutting and copied it, because he knew from Deng Sanmu's seal cutting that seal cutting was the peak of the development of seal cutting in China, which represented the level and development characteristics of seal cutting.

He carved one seal after another, and gradually got the feeling of seal cutting, and gained unspeakable experience and understanding. Therefore, seal cutting and calligraphy practice became another artistic pursuit and strong hobby of Wang Ran, which accompanied his daily life.

Looking back, Wang Ran was filled with emotion. Five years have passed, but what remains forever is the hard memory and fun pursued by calligraphy art. How many afternoons, how many nights and how many weekends, Wang Ran stayed at home, absorbed, and outlined his strong artistic pursuit of dreams with pen and ink. Watching posts, attaching posts and understanding posts, strong interest and persistent intentions made Wang Ran immersed in the rhyme and fragrance of posts.

1993 in the ninth issue, Wang Ran published two seal cutting works, Jiang Youwei and Race to the Top.

At the age of 20, Wang Ran's works were published in Calligraphy Guide (1994 May 18) and Folk Couplet Stories (1994 1 1), which is not only an affirmation of his calligraphy practice and persistence for more than ten years. In the 1990s, the work of an unknown calligrapher was published in journals above the provincial level, which was a matter of great concern and admiration.

Wang Ran was particularly interested in the regular script "Wen Shi" in the Tang Dynasty. He wrote down his mentality at that time on the inner page of his published works:

"More than four years ago, I sent this work, and then there is no more. I didn't expect Yu Shuting to buy a book yesterday, and I was deeply impressed by this work. How strange are things in the world? On May 23, the year of Ding Chou, Wang Ran recorded it. "

It can be seen that this work was submitted four years before the publication of 1997, that is, 1993, and Wang Ran was nineteen years old. After four years, what a surprise and emotion it is for a novice calligrapher to publish his works!

The initial success and affirmation greatly inspired Wang Ran's spirit of pursuing hard work in calligraphy art, and strengthened his confidence in advancing along the established path of calligraphy art. Practicing eight hours a day has become the basic content of Wang Ran's life.

After graduating from high school, Wang Ran was no longer confined to a family. He moved from Liu style and European style to Chu Suiliang and Wang Xizhi, learning from the balance, thinness and tightness of Liu style, the sharpness and rigidity of Ou Yangxun, the ethereal flying of Chu Suiliang, Wang Xizhi's Huang Tingjing and Mi Fei's cursive script.

In the process of pursuing seal cutting, Wang Ran learned from later famous artists on the basis of the original research on seal cutting in China and India. He established his own research focus on the basis of learning from other scholars. Zhu Wen is fascinated by Chen Julai, who mainly studied under Chen Julai, a master of modern seal cutting, especially his "Round Zhu Wen", and at the same time gave consideration to Zhao Mengfu. Wang Ran also copied Wang Yin's seal "Elegant, Quiet, Beautiful and Colorful" in Ming Dynasty.

1August, 996, Wang Ran went to work in a unit in Lingbi. Wang Ran, who is full of energy, doesn't go to work for dinner every day. He just practices calligraphy, learns copybooks and classics, and often doesn't rest until two o'clock in the middle of the night. He is still practicing the habit of "practicing calligraphy for eight hours". He studied and practiced famous calligraphy, such as Liu Gongquan, Chu Suiliang, Ou Yangxun and Wang Xizhi, such as Mi Fei and Su Shi. He is not only a calligrapher, but also a calligrapher. His understanding of calligraphy is "learn from the past to serve the present and carry forward the past." Calligraphers are first of all literati, so they should read more books to recuperate. If they don't have ink in their chests, calligraphy is only skillful and lacks literary spirit, and it is difficult for calligraphy to achieve great success. At best, he is just a calligrapher. "In his spare time, he devoted himself to reading ancient dictionaries, masterpieces and posts, studying masterpieces and comments, and reading cultural works more widely. He has read Sun's Book Score, Dong Qichang's Sketch of Drawing a Zen Room, Wang Xizhi's Pen Drawing, Yang Shoujing's Learning from Your Words, Kang Youwei's Two Boat of Guangyi and his cursive script, Thirty-six Methods of Ouyang Kai Style, Evolution History of China Calligraphy and How to Write Postscript. The accumulation of classical culture is increasingly rich, and the skill and previous experience have promoted Wang Ran's calligraphy art to attack in depth.

Wang Ran Xiaoke Liu Yong et al. (partial)

He gradually formed his own unique understanding in his research. He believes: "The calligraphy of Jin people is like mountains and rivers, which is enough to win a hundred generations, and it will last forever, so that future generations will win the past with rhyme!" Jin people's lower case letters are really ethereal and childlike. A Taoist priest in a deep mountain has a good practice and good behavior, and all of them scatter dust. Later generations will learn from them. Although they are similar in appearance, they are far less strong in character. Zhu Ming and Wang Chong seem to have the rest of the rhyme, but they can only stop at the top of the mountain. If they climb mountains and worship Buddha, the Buddha will be ethereal in the mountains! "

He studied Zhong You's ink and felt deeply. "The only ink in Zhong You (destroyed by 1924, author's note) was stolen by thieves, hidden in the urn, buried in the ground, sheltered from the wind, and when it is restarted in a few years, it will rot into a ball of paper mud, which is magical and immortal! A surviving photo, a glimpse of its style, people can not help but regret for a long time! Later, when I saw the Wu bamboo slips of the Three Kingdoms, I realized that regular script was not created by Zhong You, but its contribution was enough to last forever. When Wang Xizhi crossed to the east, he saw its trace and said, "I have been an apprentice for several years!" "He abandoned Wei Xuezhong and eventually became a generation of book saints."

He even extended the tentacles of calligraphy learning to the calligraphy monks who lived in seclusion for generations. "The calligraphy of monks in past dynasties is superficial because of books. If Huai Su is a bit of a show. Master Hongyi's early years were full of traces, and he vowed to escape into an empty net in middle age. His writing style is extremely gorgeous and is attributed to a sense of dullness. When he meditates on writing, his heart is calm and quiet, so his book is simple and calm, without a trace of fireworks. Only his books can't be learned, and those who learn only have their shapes but no gods, so they can't catch up. "

……

Real calligraphers need education to support them. Its level is not only reflected in the skills and forms of calligraphy, but also in the knowledge cultivated by its theoretical research and perception. This kind of massiness is like a bright lamp, guiding him to climb one peak after another in calligraphy art, while those who only concentrate on polishing skills are flawed, lacking a theoretical guidance and massiness, and their works will inevitably exude a sense of loss and craftsmanship. Wang Ran's education will support him and guide him to hang a book in Yun Fan.

In 2000, Wang Ran made a bold decision to study calligraphy by correspondence in China Academy of Fine Arts. Learn from Mr. Hu.

Learning from Mr. Hu's clear-thinking, graceful and harmonious cursive script, learning from his rich and round cursive script, there are hidden ups and downs, and rhythm and tension permeate the opening and closing. Learn from the famous contemporary calligraphers, listen to their experiences and thoughts in the inheritance of traditional culture, and learn their performances and breakthroughs in promoting traditional culture, so that Wang Ran can broaden his horizons, increase his knowledge and enlighten him.

Soon after Wang Ran cursive "Ji Kang", Wang Ran studied under the contemporary calligraphers Cao Baolin and Wang Yongjiang.

Wang Ran was hungry, bathed in the dazzling achievements of calligraphers, listened, observed and tried, learned lessons from them, kept them in mind, and melted into the body, which reflected everyone's learning experience, experience and outstanding achievements in their pursuit of calligraphy life, cutting corners, straightening out, removing impurities, injecting new quality, and unremitting research and accumulation. In the new atmosphere and level, Wang Ran's calligraphy knowledge and practice direction can be sublimated and promoted. He learned Cao's calligraphy, studied under Mi Fei, followed Su Huang, followed the two kings, and benefited a lot from the study of cursive script. He was even inspired by calligraphy theory, and learned from Mr. Cao the history of calligraphy, calligraphy theory and the study of steles, thus forming a shortcut and path for his own theoretical study. Wang Ran not only learned calligraphy from Wang Yongjiang, but also learned seal cutting.

This life lasted for five years, but Wang Ran remained the same, never forgetting the original intention of pursuing calligraphy art, and still practiced the habit of "practicing calligraphy for eight hours", "writing nonstop" and "cutting nonstop".

Wang Ran is pioneering and thinking, not only on the journey of calligraphy art, but also on the protection of daily life. He appropriately changed his pursuit of calligraphy art and works, and realized his life value in the role change. He wandered freely in the ocean pursued by calligraphy art and was persistent in soaring in the sky with high clouds and light days. "Everyone has his own world, quiet and lonely. My world is no longer visited, but it is not deserted. There are poetry books and art. " Wang Ran is immersed in his poetry collection and artistic world, enjoying the beauty and vividness of his poetry collection and artistic creation. "Life is like an alarm clock. Instead of waiting for the bell to ring, it is better to enjoy the process slowly. "

During this period, in 2003, Wang Ran joined the Anhui Calligraphers Association.

However, dragons don't get depressed in deep pools every day. It yearns for the free and chic heart flying high in the sky, always inspiring it and encouraging it. Sooner or later, it will break through the fetters and lift the feeling of flying to the sky and enjoying the vast scenery.

Strong artistic pursuit impulse made Wang Ran finally determined to quit his job and devote himself to the creation and research of calligraphy art.

Wang Ran has his own life design.

He found that the local painting and calligraphy art atmosphere is strong, people attach great importance to children's art education, and there are few painting and calligraphy training institutions, which contains considerable business opportunities. Therefore, Wang Ran decided to start a calligraphy training class and take the road of "fostering art through art". Calligraphy training only starts on Saturday, Sunday and summer vacation, which will bring great convenience to your calligraphy creation and research, and is undoubtedly a rare time gift for your extensive hobbies.

Now, Wang Ran's calligraphy studio has opened two training points, ensuring the scale of 100 people per year. Wang Ran realized the original intention of "cultivating art with art".

His calligraphy training has its own characteristics and laws. At the beginning of training, we should focus on enlightenment, cultivate beginners' good habits of writing and sitting, and pay attention to interest induction. After beginners are on the right track, according to their own interests and personality characteristics, they choose their own style of writing and teach students in accordance with their aptitude. Of course, they must lay a good foundation for regular script.

Wang Ran's calligraphy studio is very famous in the local area. Many students participated in the Children's Calligraphy Competition and the Youth Calligraphy Competition sponsored by Anhui Calligraphers Association and won the first prize and the second prize, which not only promoted the development of local students' artistic quality, but also trained the students of calligraphy college entrance examination to enter higher art colleges.

Wang Ran wandered more intently in the garden of calligraphy and galloped in the garden of classical culture in seal cutting. He studied the inscriptions and gained knowledge. Drawing nutrition from rubbings, he believes that rubbings have been eroded by wind and rain for thousands of years and their handwriting is unclear. It is impossible to simply copy rubbings. We should restore the brushwork from the rubbings, refer to the brushwork, and look at the characteristics of the pen from the brushwork, so as to "get its meaning and forget its shape" and then learn from it.

He has formed his own unique experience in long-term practice. He emphasized that the post should go through three realms: the first stage is appearance, because the skill is still shallow, and the pursuit of modeling is the main one. In the second stage, I have a certain skill and pursue both form and spirit. In the third stage, the post is gradually removed, with significance as the mainstay and appearance as a matter of course. After these three stages, I wrote my own methods and formed my own style. In fact, many masters' temporary posts, such as Wang Duo's temporary pavilion posts and temporary pavilion eight preface, are just re-creations, which have little to do with the original posts.

He practiced cursive script for many times, such as copying Huai Su's cursive script Zang Zhen Tie and Fa Gong Tie 100, not to mention Mi Fei, Su Shi, Huang Tingjian and others.

He came to Song Ke's "Seven Seasons" and grinded it deeply, and gained a profound experience. "This post is close to the Wei and Jin Dynasties and was also written by the Tang people. In the Ming Dynasty, many calligraphers were fine in cursive script, and Song Ke script was also outstanding. "

Wang wrote three Song poems in small letters.

He learned from the ancients, but he didn't stick to it. He went in and tried his best to come out, rooted in tradition, "a hundred flowers make a honey" and believed in the concept of "learning from the past, innovating and writing by himself" in the enterprising spirit of seal cutting. He is famous for his small letters, preferring cursive script, expressing his lofty sentiments in the regular Fiona Fang, and enjoying himself in the madness. ?

He said: "Regular script makes my body and mind calm and silent from the noise, and cursive script makes my mind sink into ecstasy and ecstasy!" In the pursuit of calligraphy art, he went to two extremes, preferring big grass and small faith, big grass and small faith and quietness, and experiencing the ultimate pleasure of calligraphy art in big movement and quietness. Therefore, he loves "half-drunk and slightly awake to write lyric catharsis", and he lives out the true feelings of a calligrapher.

His calligraphy is famous for small letters, and he is obsessed with cursive script, especially small letters. Starting with Zhao Mengfu's Biography of Ji An, he praised the elegance of Wang Xizhi's Huang Tingjing, studied the epitaph of a black woman for ten years, and visited the posts of famous calligraphers such as Zhong You, Wang Xianzhi, Zhu Yunming, Wen Zhiming and Wang Chong, and gradually formed the characteristics of vigorous, vigorous, smart and full of charm. Its fine print is generous and natural as a whole, strong and powerful, both rigid and soft, and has a charm and charm.

His cursive script mainly adopted the methods of "Two Kings", Sun, Zhang Xu, Huai Su, Zhu Yunming, Wang Duo and Fu Shan, and advocated learning from the past instead of painting it, observing the temperament according to the statutes, and finally "I write my heart". Its grass is elegant and moist, which is quite remarkable for its predecessors. Big grass, a reserve looms in madness, and it is quite straightforward in simplicity.

His seal cutting won the charm of Chinese and Indian, and Zhu studied under it. It has the thick atmosphere of Han and India, solemn and solemn, simple and interesting, and the demeanor of later generations, with meticulous workmanship and exquisite Jing Ya. Whether it is calligraphy or seal cutting, it reveals the cultural charm of inheritance, contains a solid traditional foundation, and naturally exudes the charm of ancient times and the breath of books.

This can be seen from Wang Ran's The First Song San. His brushwork is neat, vigorous, well-proportioned, unflappable in times of danger, and quite innovative and individual. Such as "tree" and "giant", the structure is uneven, the charm flows, and the unique thoughts of calligraphers overflow between strokes. The whole is neat, showing the beauty of tradition, and individuals see the unique characteristics of calligraphers. The lower case of Qu Yuan Excerpt also shows the basic characteristics of Wang Ran Xiao Kai's calligraphy art.

Between cursive script and stippling, it reveals the solid foundation of traditional inheritance, and it is also the natural revelation of Wang Ran's decades of practicing famous calligraphy and calligraphy. Of course, it also embodies his thoughts of "applying what he has learned to practice" and "bringing forth the old and bringing forth the new", and the brilliance of his personality flows in his pen and ink. Such as the cursive "Ji Kang", the rhyme is smart, the strokes are like Youlong splashing water, and the momentum is well connected. Learning from tradition is aimed at the simplicity of tradition, and learning from internal habits is high.

His cursive script "Dong Qichang" is all outside the pen and ink cup. It is wild and unrestrained, with smooth strokes and smooth veins, which faintly reveals a kind of reserve and sobriety in the dancing of pen and ink. Between being drunk and not being drunk, there is a strong natural and unrestrained scenery. Of course, the pen is like a state of mind, and calligraphy expresses the calligrapher's life state and value orientation. Drunk and slightly awake, we live an exquisite realm of pursuing life, an ideal taste and a leisurely and poetic life. This is also the main feature of Wang Ran cursive script, and its cursive script will usher in a more brilliant scene in its tireless promotion.

Wang Ran cursive script Dong Qichang's "Essay on Painting Zen Room" "The interior is all outside the pen and ink cup ..."

Based on tradition, Wang Ran's seal cutting level has been considerable, because of his deep cultivation in the traditional fertile soil and the changes of years. He also formed his own unique views on seal cutting. "Printing must be printed first, or printed in Qin and Han Dynasties, or printed in Ming and Qing schools, rooted in tradition", so as to realize something and achieve something.

Such as Yuan Zhuwen's "Yin Zuo", the lines are straightforward, the upper part is dense and the lower part is empty. After the sideline is broken, there is a smart flow in the public and the Soviet Union. Yuan Zhuwen's seal "Leaf" is Fiona Fang in size, straight and disconnected. It is handled with great care, sharp in knife cutting and rich in artistic conception. "leaves" and "sons",

The word "Ye" has dense strokes, showing a lush scene, while the word "Zi" has sparse strokes, sufficient white space and broken upper edge, giving people a sense of vitality.

? Excerpts from Li Sao by Wang Ran Xiao Kai and Qu Yuan.

For example, the word "Tian" in Bai's "Longevity in Jing 'an" has obvious boundaries, rounded lines, clever words, empty words in the middle of "static" and empty words in the middle of "long", which is steady and simple. The word "static" is long and powerful, and the word "an" is flat and powerful, giving people a feeling of leisurely. For example, the white seal "Seal of Liang Chao" is printed in Chinese, and the printed words are three dense and one sparse, and the whole is simple and simple.

Excerpt from Dabai's Difficult Road to Shu

In a word, Wang Ran's pursuit of calligraphy in seal cutting, because of its deep immersion in tradition and solid traditional culture, has become its outstanding feature, and at the same time, it has laid a strong impetus for its continuous cultivation and innovation.

? Ying Ge Song Xue Yin Zhi in Qing Dynasty

Life in Wang Ran is colorful, and people with colorful lives are usually interesting. Because it is only colorful, it dilutes the pursuit of fame and fortune. He firmly believes that "if you like it, you should study hard, and you don't have to engage in any false reputation, grandstanding or worry that others don't understand you." Peace of mind, selflessness when writing, and joy when talking with the ancients are your greatest gains. " He has a wide range of interests, likes reading, likes literature, plays photography, enjoys famous stones, grows flowers and plants, and likes collecting. He has made great achievements and is quite enviable.

His short stories, with many classical Chinese and local sayings, are unique in conception and abrupt in plot, which are rare in general places. How wonderful and strange the story is, it is often thought-provoking. Such as eating, drinking, thinking about good and evil, matchmaker king, hub, catching monkeys and killing dogs? Uglydoll, etc. What I saw on the network platform shows Wang Ran's literary potential.

In his spare time, he went deep into life, discovered beauty, kept it with his camera and mobile phone, and fixed the wonderful moment in front of the camera. He is often dazzling in the circle of friends, beautiful or strange, and often makes people shine.

He occasionally visits the strange stone market, looking for some strange stones with his unique king's eyes and putting them at home for decoration, which is quite interesting.

He is engaged in collection, teapot, famous seals, examination papers in the late Qing Dynasty, famous ink and wash Gu Yan, etc., and he is leisurely and complacent.

Of course, his home is also a world of flowers and plants, just like his life.

This is an interesting person who tries to push himself to elegance. "Elegance is not innate. You need to constantly become attached to beauty, talk to books, and associate with Gao Shi, and then you will lose your customs, sublimate your temperament, and have an interesting soul. "

Another outstanding feature of this interesting person is that he is good at learning. No matter what hobbies he has, he wants to be famous. If you want to make a name for yourself, you must learn from people with expertise, learn from the strengths of others, and increase your own knowledge. This is not only reflected in calligraphy seal cutting, but also in ordinary hobbies.

However, among all his hobbies, the most prominent one is his pursuit of calligraphy and seal cutting, which is deeply rooted and has been integrated with Wang Ran's flesh and blood. In the pursuit of calligraphy art, he will "return to righteousness, return to danger, and return to Wei and Jin dynasties" and continue to post, "posting is the only way to learn calligraphy"; In terms of seal cutting, he will continue to study deeply, copy the world, learn specialization and create his own artistic characteristics.

Wang Ran has a dream in his heart, eager to have the opportunity to go to Beijing for further study, learn from famous domestic calligraphers and seal engravers, and strive for a greater breakthrough in calligraphy seal engraving. Wang Ran, who has just passed the age of no doubt, is low-key, enterprising, diligent in research and has deep potential, and her future artistic career is particularly eye-catching.

? "I miss the mountains and valleys all my life, and there are clouds in my chest." Wang Ran is full of expectations and has been struggling hard for decades. In Mo Yun Zhu Hong's calligraphy and seal cutting, he created personal brilliance without losing interest, always maintained a strong curiosity about life, freely expressed his free temperament, had a wide range of hobbies, and wrote a colorful picture of life.

His heart is strong, simple and persistent. He put his fanatical and rational heart in the clouds, left behind "clothes and towels littered with white clouds", acted spontaneously, "eat, drink and look out of the dust", wandered freely in his lonely "Yun Xuan" and enjoyed his rosy clouds world. ...

About the author:

Niu Shizhong (1973.2—), male, Bachelor of Arts, Master of Laws, media writer, working in a public institution. Published more than 200 book reviews, essays and poems (first). Director of Suzhou Folk Writers Association.