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Movie title

Hero trio

English movie names

Hero trio

Film genre

Action/fantasy

The length of a movie (according to the screening time)

88 minutes/USA:

86 minutes (edited version)

Country/region

Hong Kong, China

conversational language

Guangzhou people

colour

colour

width

35 mm wide screen system

Match to the original tape

single track

grade

The level of violence is R.

grade

Britain: 18 Germany: 18 Finland: K- 16 USA: r Hong Kong: IIB Singapore: NC- 1

loan

Actor list

throw

Role: Cheng

Actor: Yang Ziqiong

Voice: Yang Ziqiong.

Role: invisible woman

Actor: Yang Ziqiong

Voice: Yang Ziqiong.

Role: Number 3

Actor: Yang Ziqiong

Voice: Yang Ziqiong.

Role: Dong

Actor: Anita Mui

Voice: Anita Mui.

Role: Wonder Woman

Actor: Anita Mui

Voice: Anita Mui.

Role: Shadow Fox

Actor: Anita Mui

Voice: Anita Mui.

Role: chat

Actor: Maggie Cheung

Voice: Maggie Cheung.

Role: catching thieves

Actor: Maggie Cheung

Voice: Maggie Cheung.

Role: Kindness

Actor: Maggie Cheung

Voice: Maggie Cheung.

Role: Inspector Liu

Actor: DAMIAN LAU

Voice: DAMIAN LAU.

Role: Nine

Actor: Huang Qiusheng

Voice: Huang Qiusheng.

Role: Master of Evil

Actor: Ren Shiguan

Voice: Ren Shiguan

Role: The leader who robbed the factory (played by Lee Shau Kee)

Actor: Lee Shau Kee

Voice: Lee Shau Kee.

Role: Car thief (such as Huang Yifei)

Actor: Huang Yifei

Voice: Huang Yifei.

Role: police chief (played by Pei Chun)

Actor: Qin Pei

Voice: Qin Pei.

Role: Inventor

Actor: James Pax

Voice: James Pax.

Role: Demon

Actor: Ren Shiguan

Voice: Ren Shiguan

Employee list

Producer: Cheng Xiaodong; Du Qifeng; Guo Huiyang; Ye Shubang; Zheng; Zheng Jianping

Director: Du Qifeng

Screenwriter: Sandy Shaw; Susan Chen; Jack Mayby

Photography: Hang-Sang Poon; Liu Mantang

Art Design: Bruce Yu

Set designer: Chen Jinhe

Production and sales

Shooting format

35 mm

layout

35 mm

Production company

China entertainment movies

Kappa Hill Production Company [Hong Kong]

Issuing company

Buena Vista Home Video (BVHV)[ USA]

Quick-eye film [Germany]

Release date?

Hong Kong

Hong Kong

1993 February

Finland

Finland

1995

Germany

Germany

1March 5, 998

Austria

Austria

1998 September 1 1

Plot introduction

Dongdong (Anita Mui) and Xin Jing (Yang Ziqiong) are orphans from different families. At the age of 65,438+00, he was adopted by martial arts masters and taught martial arts. I hope they can become a pair of chivalrous women. However, when Xin Jing 12 years old, he was caught by several mysterious owners and never heard from again.

Hero trio stills

35 albums

When Dongdong grew up, he married a policeman, Liu Qiwen (DAMIAN LAU). Although the couple have a good relationship, Dongdong has always concealed his identity as a flash girl. Unconsciously, this secret became a gap between them. After Xin Jing was taken back to the magic palace of Chen Gonggong, an official of the Qing Dynasty, his father-in-law used magic to wash away the memory of Xin Jing and forced him to practice a kind of kung fu to relax secular desires. (Maggie Cheung) is also an innocent child caught by his father-in-law, but he is intelligent and unruly by nature. He tries his best to persuade Gu to calm down and wait for an opportunity to escape. At that time, Chen Qicai was fifteen or sixteen years old, but because the poisoning was not deep, he finally recovered his memory and ran counter to it. She chose to be a female catcher who ostensibly serves money, but in fact she has a sense of justice. The twists and turns of the story lie in the fact that the three heroines play the opposite roles of fate in a plot in which the father-in-law "steals the baby". However, mutual induction, but finally three people together, combined into one, become a "hero trio."

Creation background

The new martial arts films began to expand into the modern city, embezzling the audience of Jackie Chan's realistic martial arts films (gangster martial arts films). This trend, which started from comics, satisfies the audience's curiosity about fists, palms, swords and machine guns and grenades, and the different environments of modern cities and ancient times can also provide more freshness and excitement for the new martial arts movies that pay attention to visual effects.

Around the early 1990s, this kind of martial arts films began to flood in Hong Kong, and films such as 9 1 The Condor Heroes and Modern Tathagata quickly occupied the market. However, the modern city is not the best place to cast swords after all, so it was not until the Hero Trio that the best version mode was displayed for this kind of new martial arts movies.

Film appreciation

Hero Trio —— Aesthetic Embodiment of Female Heroism

This martial arts film produced in the most glorious period of Hong Kong movies can show the shadow of many classic martial arts films in that period. But what is special about it is that it blurs the boundaries of the times. You can think of it as ancient times, because there are great men (Dong Dong and Qing Qing's master), old eunuchs, guillotines and chivalrous women flashing in the world; It can also be regarded as modern, because the police, criminals and the media are all products of modern society. The scene of confrontation between police and bandits in the chemical plant reminds us of those mass-produced Hong Kong police and bandits films. It can also be regarded as the future, because the place described in the film is neither Hong Kong nor the mainland, but a society similar to a democratic republic. Obviously, this kind of society can only appear in the future. Of course, the invisibility cloak does not represent science fiction, but is more like invisibility mentioned in fantasy martial arts, and the method my father-in-law used to train A Jiu and innocent children to become murder weapons is similar to the method Feng Xifan used to train Liuhe boy in Shenlong religion. Therefore, although "Hero Trio" is put on a modern coat and smacks of science fiction, it still can't get rid of the rules and regulations of authentic Hong Kong-made martial arts: the good guys beat the bad guys and finally end up perfectly!

Among the three heroines, Dong Dong seems powerless. A typical China traditional woman with a good wife and a good mother, like Batman, a hero created by Hollywood, actually comes out to fight for justice every night and becomes another force to maintain social order. She is called "flash girl" by the common people. Chen Sanze is a woman whose inner world is complicated and contradictory. While helping her father-in-law to do evil, she also deeply blamed herself. She was once mired in a quagmire and could not extricate herself. It was not until the person she loved most left her that she decided to get rid of her father-in-law. Fortunately, she finally defeated herself and fought side by side with two partners with different paths, destroying the magic palace. Chen Qi, on the other hand, directed and acted, longed for freedom, acted bohemian, and was superficial and philistine, but in fact he was delicate and affectionate (which can be better reflected in the sequel "Biography of Modern Heroes"). After several disasters, Chen Qi was still lucky enough to survive, much like a cowboy in the west. Young Maggie Cheung followed the performance style in New Longmen Inn, and made the role very cute with exaggerated body language and facial expressions. Of course, personally speaking, I prefer Yang Ziqiong as Chen San, not only because it is the most gorgeous of all her screen images, but also because the scene of her struggle touches my mood. This is a sad character, and happiness is too short for her (the death in the sequel adds a bit of tragedy to the fate of this character). As for the Flash played by Mei Jie, the impression is not very deep, but a little thunder and little rain. Finally, she became a foil for Chen San and Chen Qi. But her love for her husband and children (of course, this is someone else's children) and her friendship with her sisters are still very touching. From this perspective, she is more like a love ambassador!

The film is obviously to challenge the male power that has ruled the whole society for a long time. The most powerful "man" in the film is actually a castrated old eunuch, while the police chief in charge of maintaining normal social order is a cowardly and selfish villain. Although one of the two "leading men" upholds justice and the other focuses on scientific research, which exudes the unique flavor of mature men, at the critical moment, they can't even protect themselves, let alone save the world, so this important task has to be left to women. Although the previous series of "Lady Enforcers" and "Imperial Sisters" also strongly advocated female heroism, it was more about male modesty. Here, however, Yin and Yang are reversed. Compared with the tenacity of women, men are still too weak!