Writing comprehension: shot switching skills in writing stories

I suddenly had a brainwave, so I threw the long speech aside and quickly wrote a short article while inspiring generate. Otherwise, without this enthusiasm, I don't want to write. Everything is hot.

For me, where should I draft an essay? Just started writing, read or not, it's right there, no increase or decrease! Don't move or shake!

No nonsense. Come on!

When I wrote it just now, I entered a scene and thought of the movie. Many directors like to capture the opening with the most beautiful lens. This is a common shooting technique used by photographers. The person in charge of the photographer likes to pave the way with the environment, introduce the audience into the plot, and let the audience enter the scene with curiosity and emotion. The lens of the scene must be the most comfortable and stress-free process of cutting into objects, characters and plots through the lens of the environment. Therefore, we should also reflect on a problem: nothing can be done overnight, and everything is traceable. Why did the camera shoot like this? What does the photographer or director want to express? Because no lens is redundant, every lens has a cost.

Unless, in the erotic drama between men and women, the camera will face the flowers or the sky. As an audience, we hate this shot!

The same is true of writing. We read many articles. In order to strengthen the sense of substitution of stories, many authors will use environmental scenes to open them, so that readers can walk into the picture immersive. In the past, when there was no TV and movies, novelists used words to describe readers' cognitive picture.

The characteristics of conventional lens are as follows: 1. Let the reader open and enter from the perspective of God, and overlook all the world he sees from the perspective of God. Just like when we are writing, the images mapped by our brains are presented in words, which makes readers feel the scenes mapped by our words.

When writing a story, the author transitions from one scene to another, as if using a clue to lead the reader into this track until the end of the play and then return to this origin.

The angle of writing is the lens, which transforms the expression, action, language and psychology of the characters into vivid characters and promotes the trend of the plot.

How to switch shots without being abrupt?

As long as you describe one thing clearly, you can switch. Don't always switch back and forth. Also, the process of shaking the baggage should not exceed three chapters. Readers' patience and memory are limited, and it is easy to forget the previous foreshadowing. Because every word of a character may be a foreshadowing, it is impossible for readers to remember every word of our character.

You can switch between the positive and negative roles in a chapter, and it is best to write a new chapter when opening a new role. In this way, the reader's reading experience will be better, and there will be no embarrassment in the plot connection.

How to cut an indescribable shot?

In fact, there is no need to cut out the passionate scenes and give the readers an artistic conception to fill their brains, instead of writing everything, which is not beautiful.

How to shape and build the beauty or character of the protagonist?

One thing is described from multiple dimensions, the second person view of the protagonist, the third person view, and the villain view. In this way, the protagonist's character and personality can be piled up in the reader's impression. Everyone's expression should have important keywords. Don't let every character die without his own theme. It is possible to switch through multiple dimensions, so be sure to make the protagonist handsome enough to wear a face.

How to arrange the proportion of the lens?

Seven points for the main character and three points for the others. The so-called others are the number two, number three, villains and other characters. Don't miss the protagonist for several days in a row, readers will dislike this book.

That's it. That's all I thought of for the time being. If you don't write tools, you should communicate more. If you write too much, readers don't like to read it. All readers and bosses are like this.