I wonder how many people will return to Tsing Yi by the moon.

Since ancient times, there have been hundreds of people who have sung Tsing Yi, but few people really understand the meaning of Tsing Yi.

Qiu was born in Tsing Yi. Twenty years ago, the successful performance of Beijing Opera "Running to the Moon" made people know a real Chang 'e.

She was silent for twenty years and taught in a drama school far from the stage. The appearance of "Students in Spring" made Xiao Qiuyan see herself again.

Twenty years later, "Running to the Moon" was rearranged, and the love between teachers and students became the AB corner of Chang 'e. Shinohara Qiu Yan, who gave her life for Chang 'e, gave four performances in one breath, but she refused.

Not to mention her students, even if her mother and father came, she wouldn't let her. It's not about the A and B files. She is Chang 'e, she is Chang 'e. ...

Tsing Yi and women, drama and life, pregnancy and abortion, staged a fruitless tragedy on the stage without curtain call. Find a role in drama, lose yourself in life, and dream a broken and beautiful dream in reality and fantasy. ...

It shows the plight of women's survival and the spiritual course of striving for redemption.

Tsing Yi is Tsing Yi, and Hua Dan is Hua Dan. Their singing skills, plain appearance, costumes, catwalks and performances are really two flowers, one flower after another, separated by the sunny day of 1999, and will never come together.

Singing is even different. Hua Dan sings cleanly and forcefully, which is close to pop songs with throats. He also cocked his head and jumped up and down, lively and lovely, like a chirping sparrow.

Tsing Yi is different. In a word, she also wants to babble, one step at a time, covering her stomach with one hand and drawing with the other, dangling there and humming slowly with her little finger. ...

Tsing Yi on the stage is not one female role after another, not even gender, but an abstract meaning, a meaningful form, a conception, a method and a root in life.

Tsing Yi is a woman close to nothingness, or rather, Tsing Yi is a woman among women and the ultimate state of women.

Tsing Yi remains a touchstone for women. Even if you stand on the stage, singing, blinking and blinking, the so-called "performance" and "acting" are just the basic dynamics in daily life, which makes you feel that life is like this-as the words say, the road is like this.

"I didn't insist," Xiao Qiuyan understood Zhang Bing's words and looked up and said, "I am Chang 'e."

/kloc-Yan Qiusheng, a 0/9-year-old woman, is a classical dissatisfied housewife. Her eyes, voice, words, voice and swaying sleeves are all filled with an innate tragedy. She has complained for five thousand years, except for the faint green hills.

That's what people do. They all suddenly discovered and recognized themselves in a lonely moment.

Shinohara Qiu Yan's eyes were at a loss again. Sadness and despair became the wind in October, blowing from an inaccurate place and drifting to an inaccurate place.

Shinohara Qiu Yan doesn't care about his injuries. It seems that someone else is injured. She was just a bystander and saw it by accident.

Xiaoyu Qiu Yan and Miangua didn't realize what this cry meant to them. At some point, a woman was born and she cried for it.

Xiao Qiu is completely dead to himself, but he is not dead after all. A person can have a variety of pains, and the biggest pain is called unwillingness. Qiu is unwilling.

I witnessed myself getting old day by day, and also witnessed the famous "Chang 'e" dying day by day.

There is nothing she can do. The process of anxiety accelerated this death.

You can't pull it by hand or with your nails. In the final analysis, time is too cruel to women, too cruel to women's hearts and too cruel to women's hands.

Shinohara Qiu Yan stared at himself. Look, she is so beautiful that she can't even recognize herself. That's definitely another woman in another world. However, Xiaoyu Qiu Yan firmly believes that the woman is Xiaoyu Qiu Yan and herself.

Shinohara Qiu Yan is in a great inertia, she can't stop, and her body won't stop. Xiaoqiu can't stop, she still has to sing and play.

The old saying is right. Good luck wants to find you. Even if you close the door, it will crawl sideways into the door.

Good luck is not mysterious these days. To put it bluntly, it is money. Only money can climb out of the door.

Spring with makeup is more beautiful than a fairy. She is Chang 'e, there is no Chang 'e in this world, and whoever makeup artist gives is Chang 'e.

The Goddess Chang'e flying to the moon, a small performance, is full of twists and turns, and two of them are related to men.

1958, on the eve of the premiere of "Running to the Moon", a general watched the infield performance and said angrily: "There are so many beautiful women in the country, why should we young women go to the moon?"

"General" is undoubtedly the personification of political power and a natural "great man" in the era of strong political atmosphere. It declared the abortive performance of "Running to the Moon" with an indisputable gesture.

Interestingly, 20 years later, the owner of the cigarette factory revived the performance of "Running to the Moon", which makes people admire the sexual ability of historical changes.

However, the "great man" at this time has changed from a general to a rich boss. He is not only a successful entrepreneur, but also a mature thinker and politician. If war breaks out, he may be an excellent strategist and military conductor. In a word, he is a great man. "

There is an indisputable fact hidden in the teasing tone: no matter which era, women are always under the gaze of these "great men", and they are doomed to have nowhere to escape.

Twenty years ago, the owner of a cigarette factory secretly loved Xiao, who was a big hit on the stage, and worshipped her as a goddess.

Twenty years later, because of his economic strength, God gave him a chance to relive his old dreams, and he could finally restore the elusive goddess to a real mortal and play with it in his palm.

It is not so much Xiao Yuqiu's gorgeous beauty that he covets, but rather that he wants to conquer the once unruly Chang 'e on the stage. He wants to regain the male authority he lost on Chang 'e.

Therefore, in the conquest of Qiu's body, the owner of the cigarette factory got not the physical pleasure after hooking up, but the pleasure of regaining male authority.

At this time, Shinohara Qiu Yan "decided that he was whored tonight. It's not the body that gets fucked. What has been done, ZSZSZSZ Qiushi can't say it again. "

It is this "unspeakable" thing that satisfies the conquering desire of cigarette factory owners. It shows that economic power can expand infinitely and extend to any field of life-even including the possession and conquest of women's body and spirit.

It tore up the last layer of Bertha in the warm world and presented the most tragic truth. This is the dilemma of women's survival.

In addition to the "great man" figure, the other two people who are closely related to Qiu are her husband Miangua and the head of the troupe, Joe.

The marriage between Miangua and Shinohara Qiu Yan is illusory, because the latter is extremely concerned about me, and Miangua becomes insignificant because he can't really enter the spiritual world of Shinohara Qiu Yan.

Joe's situation is the same as Zhang gua's. As marginal people unable to control the trend of the times, they are castrated men.

In a sense, like Xiao, they are all under the power discourse of "great men" and feel the confusion and difficulty of survival together.

At this moment, Shinohara is looking forward to the arrival of the Queen Mother and giving her an elixir of life. As long as she swallows it, she can become Chang 'e immediately without wearing makeup.

In a beautiful legend, Chang 'e came back from the dead and was saved by a panacea. However, history and reality have not provided any panacea for women's free survival, and mortals cannot escape from their heavy bodies and become immortals.

What is even more distressing is that throughout the ages, women have not only failed to acquire the ability of detachment, but also inherited the indissoluble bond with medicine since Chang 'e.

After bidding farewell to the stage for 20 years, in order to stay young and return to the stage, Xiao Qiuyan began to shape her body consciously or unconsciously. First of all, she took back many different kinds of diet pills from the hospital, hoping that with the help of the drugs, time could go back.

However, in the face of the relentless destruction of women by the flow of time, she has to accept the reality that her youth is gone forever. "In the final analysis, time is too cruel to women, too cruel to women's hearts and too hateful to women's hands."

Shinohara Qiu Yan has been obsessed with performing in Tsing Yi all his life. When all her efforts were in vain, she had to go crazy. "Shinohara Qiu Yan walked into the snow in a thin costume.

She is still singing adagio, two springs to the original board, flowing water to the high cavity. Shinohara Qiu Yan. Nobody saw him. At this time, someone found something strange. They saw water dripping from Shinohara Qiu Yan's trouser legs. Water droplets are black in the light and fall on the snow to become black holes one after another. "

These shocking "black holes" are like hopeless struggles again and again in a woman's life.