How to make a domestic blockbuster without the support of overseas market?

The industrialization level of blockbusters bears the brunt of the completion level of visual special effects. According to the questionnaire of Huayi Research Institute, "50 cents for special effects" is the main reason why nearly half of the respondents think that domestic blockbusters are insufficient. It must be admitted that China audiences who are familiar with Hollywood blockbusters are inevitably picky about the visual effects of domestic blockbusters, and the industrialization level of China films is indeed far from Hollywood and South Korea. However, in today's globalization of capital and production, not only China capital has been able to recruit the world's top talent team, but China's own production team is actually undertaking world-class production. The special effects teams of "Taking Tiger Mountain 3D Outward", "Hunting Demons" and "Searching for Dragons" are either Chinese and foreign synthesis or China people. In fact, whether you can achieve excellent special effects depends on the director and creative team's persistence in product quality, as well as the production company's commitment and patience in excellent production.

There are nearly 2,000 special effects shots in "Taking Tiger Mountain 3D", including a two-minute shot of a tiger going up the mountain, which was made by a special effects team of 200 people in 270 days-everyone who has seen this movie remembers this scene vividly, and the thrilling stimulation is derived from exquisite special effects. It took Monster Hunter a year to produce a short test film of 10 minute, and three months to build a fake city, including 2,894 buildings, 395 trees and 120 passers-by, but it was only shown for five seconds. The film took five years from testing to shooting, and the market gave such patience and determination the greatest reward-the box office set a new record in China's film history.

Searching for the Dragon is the second film directed by Wu Ershan in the past five years, which can be described as slow work and fine work. His previous work "Painted Skin 2" took two years and two months, while "Searching for Dragons" took nearly four years. According to Wu Ershan, the whole movie has 1800 shots, of which 1530 are computer special effects shots. In addition, in terms of scenery, it is also at all costs. China Film Huairou Base can be regarded as the largest photography base in Asia. * * * owns 16 studios, and 13 studios are used to shoot "Searching for Dragons", including the first 5000m2 studio and the second 3000m2 studio in Asia. Every time a scene is shot, it will be torn down and a new scene will be built. The special effects production of Searching for Dragons is praised by the audience as a new benchmark of China film industry.