Traditional Culture Encyclopedia - Photography major - Landscape photography team HD
Landscape photography team HD
1, ask for a beautiful picture q: ask for a beautiful picture with a picture size of 300? 300, the more the better, wait online, hurry up! (higher?
A: Search for cicada travel notes, which contains many topics about cities and travel. This painting is beautiful. Can you cut the size to 300300 yourself?
2. Is there any beautiful natural scenery computer desktop wallpaper? It is recommended here that this computer desktop is a scene where waves wash on the beach. I hope you like it.
3. How to take beautiful scenery photos with digital cameras It is an important reason why many people buy digital cameras when they are traveling. But many people don't know much about how to make good use of digital cameras and excellent landscape pictures.
Different from shooting portraits, flowers and other still lives, most foreign landscape photographers prefer to break away from slim and simple photography ideas and use the wide-angle field of view of the camera to achieve powerful image effects in nature. However, as far as domestic photographers are concerned, thin horses with ancient roads and westerly winds are naturally worth shooting, and people with small bridges and flowing water are also good targets. Therefore, when shooting scenery, we should adopt different shooting methods according to different shooting themes.
Be prepared according to the weather conditions.
Unlike shooting MM indoors or shooting other scenery in the city, outdoor shooting needs corresponding preparation. Generally speaking, in addition to preparing a waterproof and shockproof camera bag for your camera, you should also bring a portable tripod with a detachable lock on the tripod head. The tripod should be slightly heavier than your camera and slightly higher than your height. This can not only greatly improve the clarity of the image when shooting with a slow shutter in the dark, but also be used as a crutch on some difficult roads to reduce the fatigue of the journey. If shooting in those areas where the sunshine is very strong and warm, you should put a black cloth and a sealable plastic bag in your camera bag, in which the black cloth can cover your head to help you take a detailed view with the LCD screen of a digital camera in the case of strong sunshine, while the sealable plastic bag can prevent water vapor from entering the camera and damaging your camera in the new environment.
In addition, if you are shooting in a cold area, you should also prepare the spare battery of the camera when you are preparing, and there should be a thermal insulation bag filled with cotton that can put the camera in but can take the lens. Generally, a camera that can take more than 400 pictures at MINUS 20 degrees at room temperature can only take more than 20 pictures at a time. So it is necessary to keep the camera warm. At the same time, a pair of gloves is also necessary if shooting outdoors for a long time. The author once filmed in Nairi Mountain. Excited, he didn't wear gloves when shooting in the snow, and pressed his hand on a metal tripod. The sweat from his palm actually froze in a short time, so that he finally tore off a piece of skin.
If shooting in some rainforests, farmland or mountainous areas, you should try to wear pants that can prevent puncture and scratch, and professional high-top hiking shoes made of Goel-TEX fabric with waterproof and puncture-proof functions. Wearing this protective device can effectively prevent wild thorn plants from being punctured and bitten by leeches and mosquitoes, and can also reduce the pressure on the soles of feet and prevent sprains.
Landscape photography strives for simplicity.
Simple forms can convey an artistic conception. It's easier said than done in reality. We are faced with various, colorful and varied natural scenery. We should try our best to discover the laws of beauty and show them by photography.
Simple expression is the most common and difficult expression in artistic creation. High concentration and refining are its outstanding characteristics.
With a simple sense of composition, what to keep and what to subtract, and how to choose in the face of the world is really a big problem, which can be clearly told to everyone, and it is also an unanswered question. Because each photographer has a different understanding of nature, nature also has its own criteria for judging and choosing scenery. However, the scope of the camera lens is limited, and framing a part of the infinite nature into the viewfinder is actually a high concentration of nature.
Although there is no uniform standard for concentration and refining, there are still some rules to follow, such as: to preserve the landscape with the same tone, to use multiple lines in the same direction, to simplify the main body of the picture as much as possible, and to leave enough necessary space. All these help us to simplify the picture.
Picture balance of landscape photography
Stability and balance are issues that cannot be ignored in all video arts. Stability means that the scenery in the picture does not feel skewed, and equilibrium means that the left and right sides of the picture seem to have no difference in weight.
The balance in landscape photography is not the symmetry of the scenery in the picture, nor the average distribution of the scenery in the picture. This balance refers to the balance of visual weight, which is a changing balance. If we see a landscape photo with unbalanced feeling, it must be that the scenery is not properly arranged, or the proportion of light and shade is not properly configured, or the color is not properly configured. The reason for these phenomena is that we have not mastered the law of equilibrium. The premise of visual balance is the balance of visual weight, and the rules of visual weight balance are: the big one is heavier than the small one, the near one is heavier than the far one, the dark one is heavier than the bright one, the moving one is heavier than the static one, the clear one is heavier than the fuzzy one, and the thick one is heavier than the light one. In a word, equalization is not an average arrangement of scenes in a picture, nor is it an equivalent repetition.
There can be one more side, one less side or one more side in the picture, but the visual right is almost equal. Attention to equilibrium is not absolute equilibrium, it is not bad at all, which will lead to stability, mediocrity and rigidity. Only when there is balance in imbalance and stability in instability can we meet the requirements of landscape photography composition.
Echo between scenes in landscape photography
Echo means that there should be response and correlation between scenes, no matter how far or near, no matter how left or right.
In landscape photography, scenes can be unrelated, but they can't be unrelated. This invisible connection is echo.
Echo can be static or dynamic. The distant mountains in the background of Kobanawa in the foreground echo each other, and the birds in the air also echo the trees on the ground.
The purpose of connection and echo is to make the scenery in the picture have a complete sense of unity. This echo relationship can be the echo of subject and companion, and it can also be the echo of subject and subject, companion and companion. No matter what kind of relationship echoes, there must be some connection between them. In landscape photography composition, it is very important to master and deal with the echo relationship between scenes for the stability and integrity of composition.
Using lines in nature
Lines play such an important role in our visual feelings and thinking activities that it is difficult for people to accept the fact that lines do not exist in nature at all. It is not surprising to draw such a conclusion, because in real life and natural environment, we turn a blind eye to horizontal, vertical, diagonal and curved objects, all of which have edge boundaries. Abstracting these edge boundaries will produce all kinds of lines. For example, the horizon is a horizontal straight line, the arranged forest is a vertical straight line, and the winding river is a curve ... These visualized lines are very helpful for photographic composition. They not only beautify the picture, but also become the visual center of the frame and picture in composition. Lines with endless forms will also give people symbolic associations. Long-term accumulated experience tells us that specific cadres are often associated with certain things or phenomena, and these objects themselves are associated with certain characteristics of shapes and lines, thus forming a traditional concept that taking the position and direction of lines as symbols can make people have certain associations.
The vertical line represents life, dignity, eternity and the ability to resist change.
Horizontal lines tend to indicate quietness, stability and smoothness.
Slant lines represent movement, danger, collapse and uncontrollable emotions.
Round and curved lines symbolize smoothness and movement like the sea, indicating perfection, elegance and harmony.
The combination of vertical lines and horizontal lines indicates connection, unity and integrity.
Landscape photography pays attention to formal beauty, so it pays special attention to the design and application of lines. Photographers should not only consider the psychological feelings brought by lines to the audience, but also learn to discover and refine them. Some lines that contribute to photographic composition are often contained in complex scenes, and photographers can only find and extract them through careful and keen observation.
The rhythm of landscape photography
Facing all kinds of landscapes, our minds are always thinking about how to sort out the factors from the chaos. This is to seek order from disorder, and the so-called order is also order. The natural scenery itself does not provide suitable materials, so it is impossible to establish effective contrast. So photographers should be good at observing, find some graphics with common characteristics in the chaos, and combine them in an appropriate way. They may be similar in size, shape, direction, tone or texture. In short, a feeling is formed through similarity. Just like music predicts the beat, the audience who appreciate photography can identify a common perception in a group of similar images and predict its reproduction. After reasonable arrangement, rhythmic exercise can guide the audience's eyes to move along the picture, satisfy their visual feelings and seize their attention. As photographers, we are inevitably influenced by rhythmic natural forces. The alternation of day and night, the cycle of the four seasons, the beating of the waves and the beating of the heart all have their own rhythms, which also enable us to achieve harmony. Because the rhythm has certain ups and downs, it has become an ideal means to arouse and express feelings. Besides its practical emotional function, it is also the most influential factor in the art field of expressing emotions. Rhythm can stimulate the imagination of the rich. Compared with other composition principles, rhythm is more visual. It has strong vitality and is the simplest theme of documentary. As long as a certain rhythm is found and reproduced, photos can leave a deep impression on people.
The density of landscape photography and traditional Chinese painting has the saying that "density can lead a horse, but it is impenetrable". This refers to the layout of the picture, but also refers to the use of simplicity and complexity in composition to achieve artistic realm. Landscape photography should choose the scenery, simplify and simplify, and make the picture dense. Jane doesn't want simple scenery, but removes unnecessary and redundant scenery; Complexity is not all-encompassing, without order and regularity, but to arrange the scenery in the picture in a hierarchical and varied way, so as to be complex and not chaotic. Simple and complex applications complement each other, and it is not good to ignore either side. The combination and interdependence of the two is interesting.
Interesting center of landscape photography
If there is no obvious overwhelming interest center in a photo, the audience will be confused and subconsciously ask: What do you want me to see? What is there to see here? Therefore, the audience needs to understand the photos as soon as possible and see the key points immediately. The center of interest is also the main body of the picture. The subject is not necessarily a person, a place or a thing, but a shape, a line, a local texture of an object, or several interrelated scenes. Many beginners don't try to determine the interesting center when shooting landscapes, but take photos at will, which makes many meaningful landscapes ignored, so that the photos taken lack intrinsic interest and it is difficult to form a dominant position. In addition, there are no eye-catching shapes and lines to make up for this defect. As a result, the audience can't find anything worth seeing in the photos except browsing. As the main body of the center of interest, it must be clear at a glance on the viewfinder and frosted glass focusing screen.
When we find a subject and feel very excited, we tend to focus on the scene and ignore the distracting factors that are enough to attract the subject. The most common way to eliminate interference is to avoid "everything", specifically to learn to "give up what you love". If a scene needs to be emphasized to make it dominant, then everything else in the picture should be excluded or reduced to a secondary position. It is very important to choose the center of interest in landscape photography, whether it is telephoto or close shot. Get into a habit: think and try to set up a theme and create your works around it. Just as there is thought before language, the center of interest must be determined before taking pictures. Language without thought is empty, and photos without interest center can only be a random pile of meaningless scenery. After choosing as the main body of the interest center, what should be used to strengthen it and make it truly occupy an advantageous position? You can turn to three factors-layout, size and contrast. These three factors occasionally work independently, but often work together.
The role of shadow
Where there is light, there is shadow. The bigger shadow is night, and half of the area is covered by the other half. As far as photography is concerned, we deal with local shadows, such as a cloud covering a large area of land and grassland. Shadows play a big role. You can block something and highlight something. When it shines on the scene, the brightness of the scene will be improved. There are many solutions to make the scene the visual center of the picture, one of which is to make the bright visual center object in the dark background. In order to make the single-color landscape more prominent, we should use thick shadows as a foil. Where there are shadows, there will be contrast, and using light contrast is the basic point of shooting scenery. Shadows play different roles in different positions of the picture. Shadows play a prominent role in the upper part of the picture or occupy most of it. Because a large area of background is in shadow, the objects under illumination are more prominent. Shadows appear evenly in the light-receiving part of the picture, which increases the level of the picture and enriches the visual language. If shadows appear at the bottom of the picture, it will stabilize the composition of the whole picture.
I want six beautiful light-colored landscape maps. They have no mission. Even better, their speed is almost the same, 5 cm per second. You should check whether these two maps are the same.
The above is related to ultra-clear beautiful pictures, and it is about the sharing of beautiful pictures. I saw beautiful scenery pictures, I hope this will help everyone!
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