Jean-Luc Ge Daer's famous speech

A movie is the truth at 24 frames per second.

I usually think while filming, instead of thinking after filming.

when I started making movies, I often thought that I was expressing my views and opinions, but I didn't know that in this process, there was actually a large part of the action marked by non-individuals, which didn't come from myself.

in fact, the worst thing about movies that you don't tell the audience at first is that they make the audience mistakenly think that movies can express something very easily, and everyone is convinced of it. I spent a lot of time, but in the end there was not much I could express.

I don't write scripts. The so-called scripts are actually written movies, so that the backstage boss who pays the money can figure out the face of the future movies according to the written scripts. I never know how to write a script, not that I don't want to write it, but that I can't write it. If I can write a script, I probably don't want to make it into a movie after writing it.

shooting movies at a low cost without asking others can give me complete freedom in my creation.

Amateur filmmakers have bought a lot of negatives and shot many shots, but in fact they have been shooting the same shot repeatedly. However, my target is professional filmmakers. In my opinion, they make films less often than amateurs. If an amateur player has seen my film and is interested, I can at least explain it to him and discuss some practical film problems, but for professional filmmakers, I have nothing to say.

For most film workers, "considering the needs of the audience" is just a big scam. They might as well say frankly, "I should try to attract more audiences so that I can earn more money".

I think movies are interesting because they don't require you to create anything.

I hope to have a large studio, which would be even better if it could be used to make movies.

If you want to live a normal life, you have to make movies normally, that is, make movies that everyone likes.

I find that there are a little too many people in the cinema at present. For example, there are too many of us now, preferably only five or six people, so I will at least ask, "What brings you here? What are you doing? " Truffaut's film-making process is really weird. If Truffaut's real life is put on the screen, it will be a wonderful masterpiece, but the production cost will not be cheap. However, if we compare the articles he wrote in his early days with the films he made later, there is a world of difference. Perhaps his mind has changed? Yes, but he should at least explain the reasons for the change!

Eisenstein has found a photographic angle. He knows how to set up a camera, which only he knows.

Bergman has a profound influence on my film career. He didn't get into the film industry because of the new wave, but he got ahead because of the new wave.

When I was a film critic, I watched some bunuel movies and liked them very much. Those movies are very independent, and I think he should belong to the kind of person who is completely behind the camera and controls them.

fassbinder's films contain certain abilities and powers, so I still respect him. It is not easy for his films to have these advantages. I have read his interview articles several times and found that all his things are quite good, quite explosive and look very independent.

Chaplin is not only brilliant, but also owns his own studio, making a film in six or seven years, so he can shoot so many classic business cards.

Sometimes, I think Hitchcock is a great director. His five or six classic works are remarkable. When he went to the countryside to see some scenery, he knew how to embed these scenery into the script with his rich imagination.

Rossini has a deep influence on me. One thing that has always attracted me is that there is a very scientific logic in his works. When a certain situation exists, he tries to make it develop only with his own internal logic and add more elements.

the film begins with David ·D·W· Griffith and ends in abbas kiarostami.

pasolini-I have a feeling that he is a person who met in a certain historical occasion long before me to follow the essence of Marx and Freud. For me, the so-called freedom means that I can think at my own speed and pace for a long time.

Personally, I prefer to work in a quiet atmosphere. I find that working in a quiet environment can get twice the result with half the effort.

The university is a deformed place full of sick people. I will never go there. Fortunately, I didn't get into the advanced film academy, which is one of the lucky things in my life.

I know nothing about computers. I hope the police won't force me to use them.

My capital consists of other things (concepts, hopes, revolutions, etc.), and it is a little exaggerated, because I am too small to cover this whole asset, which sometimes makes me crazy, vicious, annoying, or a little stupid.

I abandoned TV in my life, and communicated with the outside world through dialogue and reading newspapers.

The pleasure of all my work is to seek actively and learn my feelings about things as much as possible, instead of passively accepting the impressions and feelings imposed on me by the outside world.

I'm old now. The older I get, the deeper I think. I can't catch things on the water-I'm thinking underwater.

The city is developing so fast-too much gray, too much dust, too much harmful gas, and I have almost nowhere to go.

As for me, I'm already seriously ill. For me, my illness and I have become one.

I'm sitting here tonight with no other thoughts. I'm glad I can sit like this-avoiding everything else.

I always feel sad for myself.