Private, is this Godard's struggle?

Those who swear to die together with the world of mortals are blinded by secular fireworks, scarred by wind knives and frost swords, and can't help blaming themselves. Life is full of banter, and things are too changeable. They lament that the reality is too cruel, and all utilitarianism, love and prosperity are just illusions.

1963 absurd narrative of deserters in Algeria war Veronica loves anarchist spy assassination.

Bruno is struggling. "I am a young and ignorant person with no ideal." His name is Bruno, but he is Godard. Although the story is set in the war, we can't see any scenes related to the war in the film, but it is expounded through the dialogue and behavior between the characters. Since there are elements of war in it, there will naturally be soldiers, but there are no real soldiers in this movie. War and terrorism are just an idea, and for urban residents, urban terrorism is much more terrible than war. I like many narrators in the movie, just like Godard's whispering, his helplessness, his confusion, his struggle and his unconsciousness, all of which make people feel distressed. Hand-held photography and long shots are common in other films of Godard, but in this film, long shots are not prominent, but exist as a need of TV narration. Veronica is struggling. After she refused to be free, her life came to an abrupt end when the flower of her love quietly bloomed. Love is not the theme of this movie, so naturally there won't be too much sadness. Veronica was just a victim of the war. A beautiful woman has a complicated political relationship and identity. Such a design has laid the groundwork for future tragedies. In such an era, death may be a relief. Conspiracy drowned passion, war destroyed morality, and the world betrayed us hovering over the city. France is struggling. War brings not only death, but also the fear of being wise after the event. Anarchists are sometimes not a symbol of freedom, but a kind of distrust and suspicion of the government. Everything in the world is illusory, and only "I" is the only one in the world. This paranoid proposition happens to be Godard's favorite madness. But in this film, both the combination of shots and the design of the story are slightly euphemistic. Godard proudly put the most controversial political issues on the screen. In fact, he is just using his camera to accuse society and war. For literati, pens are their weapons; for directors, cameras are their guns. "Sacrifice, if it seems generous, they watch a tragic drama, if it looks like a baby, they watch a farce." Death and everything in this movie are slow and dull, including Bruno when he was tortured.