Basic principles of shooting sports scenes

Basic principles of shooting sports scenes

Although motion shots bring new space and freedom to movies, they may also become dangerous weapons in the process of application. It can easily destroy hallucinations. Improper use of sports scenes will soon cause interference, affect the rhythm of the film, and even contradict the meaning of the story. To achieve successful picture scheduling, we should not only know how to create, but also know the timing and purpose of scheduling.

Basic principles:

1: When shooting intense action, you can show the action shot from the dramatist's point of view, so that the audience can experience the dramatist's strong feelings personally.

2. Think of the lens as an actor's eyes. (Subjective technique, it is not easy to shoot successfully)

3. Translation or moving photography can be used to represent the scene directly or through the eyes of the actors. (Documentary style, direct reporting)

4. Shake the camera or move the camera to reveal the expected or unexpected situation at the end of the action.

Direct cutting is faster than action shooting, because it will immediately become a new perspective. (avoid shaking and waste a lot of time expressing unimportant things)

6. The panning lens can follow the minor characters from one center of interest to another.

7. When the camera moves from one center of interest to another, its action can be divided into three parts. At first, the camera was stationary with a moving part in the middle, and finally the camera stopped again. (avoid vision. Jump)

8. Pan lenses are usually combined to shoot moving people or vehicles.

9. As an object moves with repeated actions or large-scale translation, its length is not limited and can be determined according to editing needs.

10: The moving lens connects the still lens of moving people and things, which is beneficial to keep the objects in the same part of the picture. The direction of motion on the screen should also remain the same.

1 1: The movement of him and the camera, whether panning, can selectively delete unnecessary things, and when following the main movement, new people, objects or backgrounds can be introduced into the scene.

12: It must be shaken accurately. You must be handy. Spastic panning or camera movement can't make up your mind to show your amateur level.

13: The action of the characters can make the audience pay no attention to the movement of the camera.

14: When panning continuously, the camera should take a simple route to make people or vehicles make various complicated movements in the picture.

15: Swing the starting frame, the left picture, and keep the picture balanced in composition.

16: The effective editing length of a still shot depends on the motion in the shot; The length of the moving lens depends on the duration of the camera movement. Too long or too short movement will hinder the development of the story.

17: Translation is often used to rebalance the composition of the picture. This kind of camera moves very slowly and its position is not adjusted much.

18: When an object is placed in front of a photographic screen with background projection or foreground reflection, the illusion of motion can be obtained.

19: Push-pull lens is often used to keep a fixed picture composition during the whole shooting process.

20: Movement is often hypothetical.

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