Photography skills in direct light

The light under direct light is very strong, the scenery will have a strong contrast, and a strong shadow will be produced when shooting portraits. Therefore, you can find cool places such as pavilions and shade trees to avoid this strong light. Let me introduce you to the photography skills under direct light, hoping to help you.

Direct light photography skills 1. Choose a suitable position and avoid strong light.

Of course, you should also avoid mottled light in the dark when shooting. When strong sunlight is scattered by shading and shines on the subject, it will produce uneven light and shade. At this time, you can avoid these mottled lights by changing the position of the subject, guiding the model to turn his head or playing a parasol.

Shooting portraits in the shade effectively avoids strong direct light, and makes the model's skin look whiter and more delicate with the help of reflector.

Photography skills in direct light II. Control highlighting

From the visual habit, people are always attracted by the bright parts in the picture. If there is too bright light source in the shooting environment, it will destroy the overall aesthetic feeling of the picture. Therefore, the control and performance of highlights is very important.

When shooting portraits outdoors, try to avoid direct light sources. The more feasible method is to cover them with the model's head or body. We can also open the aperture to the maximum or use a longer focal length to shoot as close as possible to the model, which can blur the highlight area to some extent.

Use a large aperture to shoot portraits, blur the background as much as possible, highlight the subject, and effectively control the highlights.

Photography skills in direct light III. The reflector is used to block and fill the light for portraits with backlight or side backlight.

The sunshine in the afternoon is very strong. If it shines directly on the model, it is easy to form? Dead white? This phenomenon, if conditions permit, can be created? A light sandwich? That is, hit a black reflector on the top of the model, and then use a mixed color reflector of white, gold and silver to reflect the light at the bottom or side of the model.

Because the overhead reflector is not completely transparent, strong direct light will become soft scattered light after passing through the reflector, which makes the shot picture have a soft texture, while the side reflector can create uniform and bright light, avoiding the problem that the picture looks too dark and is seriously out of harmony with the background.

After the black reflector is placed on the model's head, the light shining on the model's head becomes much softer.

? Light: Because the direct light is too strong, the model wears a black reflector on her head, which makes the light shining on her head soft.

? Focus: Focus on the model's face with your hand, so that you can see clearly in the small depth of field.

? Composition: put the model sitting cross-legged in the center of the picture, so that there is a visual effect surrounded by green grass, and the resulting picture looks stable and peaceful.

? Lens: Considering the shooting distance and other factors, it is recommended to use a lens with a large aperture. Therefore, a 50mm standard lens with an aperture of f/ 1.4 was used for shooting.

? Brightness: Because the model is in a backlight angle, using a reflector to fill the light in front of the model can brighten the face and make the skin feel transparent.

? Tone: When using reflector for outdoor shooting, you can adjust the white balance to? Cars? Mode, if you want to make the character's skin tone softer, you can set it in the optimization calibration? Portrait? Mode.

Photography skills in direct light. Filter out the gray sky by composition.

When shooting in direct light or cloudy days, when measuring and exposing according to ground objects, it is easy to overexpose the sky, thus forming a gray sky. At this time, the sky has basically no details and layering.

Therefore, when shooting portraits, we should pay attention to avoiding the bright sky as much as possible, so as to avoid the gray sky in the picture and affect the picture quality.

A better way is to make the sky no longer appear in the picture through composition. For example, you can shoot from a bird's eye view, or let the model move in front of tall flowers, shrubs and Woods.

Due to overexposure, the sky appears on the right? Dead white? Affect the overall situation. By adjusting the composition and blurring the background with a large aperture, the left picture with prominent subject and gorgeous color is obtained.

Photography skills in direct light. Look for leaves with backlight.

If you can find a small forest as the background when shooting under the condition of backlight or side backlight, you can use the method of large aperture to blur the background, so that the bright leaves in the background can be blurred into flickering dots, which will add a romantic atmosphere to the photo.

In addition to small leaves, you can also look for low bushes or grasslands covered with water drops after the rain as the background. As long as the selected angle is appropriate, a good spot background effect can be obtained.

In the early morning, the light is soft and the portrait is taken against the light. You can use a large aperture to blur the leaves in the background into high-gloss color blocks, so that the picture is full of fantasy.

Photography skills in direct light. Turn the subject's back to the sun.

When shooting in direct light, if there is no shade, you can also choose to let the model shoot with his back to the sun. When shooting at the backlight angle, it can form a beautiful side light and separate the model from the background.

Just because the light is too strong, the highlights on the hair will appear too bright, and the model's face has no three-dimensional effect. In order to avoid this situation, we should use a reflector or flash to brighten the face, so as to reduce the phenomenon that the hair is too bright, and also to improve the phenomenon that the face has no subjective feeling.