"192 1" became an instant hit. Nini surprised everyone by wearing cheongsam, and Chen Kun's performance was very layered.

In the blue misty rain, a beautiful woman sat quietly on the bow. She is wearing a bright cheongsam, quietly looking at the distance, and the quiet picture tells the infinite beauty.

This beautiful woman is none other than Nini.

Sure enough, Nini Mei came again. I don't know how many people are surprised by this photo of holding an umbrella by the lake.

And this picture is also from the movie 192 1 released in July.

"192 1" is not only a must-see in July, but also an annual one!

The creative team is very dazzling.

The director is Huang Jianxin, and his masterpieces such as The Founding of the People's Republic, The Beginning of the Great Rejuvenation, and The Founding of the Army, which were previously known as the "Top Trilogy", all came from his hands.

The director of photography is Cao Yu, who wrote Hoh Xil, Nanjing and The Legend of the Cat and the Demon.

The cast is better: Huang Xuan, Nini, Yuan Wenkang, Liu Haoran, Wang Renjun, Zhang Songwen, Chen Kun, Dahong Ni and Tian Yu. ...

These are appearances, but even those who only show their faces once or twice are solid acting schools.

Looking at the dense cast, I knew it was worth it.

Elvis Han plays Zhang, Zu Feng plays Dong, Shawn Dou plays Chen Tanqiu, Karry plays Bao Huisheng, Li Chen plays Li Dazhao and Leon plays Zhou Fohai. ......

The movie 192 1 portrays the "ancestor's youth" with the details of life full of "fireworks", so that ancestors are no longer strange and distant symbols.

So in movies, we will see more vivid heroes and teenagers.

Li Da and Wang: A Revolutionary Couple

Huang Xuan plays Li Da and Nini plays Wang, a revolutionary couple.

Li Da is an outstanding Marxist theorist, propagandist and educator.

Wang, who was in charge of the conference work in Huada at that time, only said that Wang was observing the situation outside the ship.

So their daily life is the same?

On weekdays, they will be as sweet as ordinary little lovers, holding hands and living together.

But it gained a sense of historical responsibility.

The * * * production party magazine in history is the first party magazine published by Li Da.

In the movie, Wang teased Li Da and said, "The producer magazine is Li Da's bride".

Even Mao Zedong said, "His articles are a light in the hearts of young people".

Li Da often forgets to eat and sleep, and she is tired of stomach trouble because she often writes and forgets to eat.

So there is a detail in the movie. Li Da and Mao Zedong are fellow villagers, both from Hunan, and both like spicy food.

But Li Da invited Mao Zedong to dinner, but he didn't put pepper. Mao Zedong began to feel a little disappointed. When he learned that Wang cared about Li Da's stomach trouble, he gave Li Da an understanding.

There are many scenes of Li Da's writing in the film.

There are also many scenes where Li Da and Wang greet the little girl with a smile through the attic.

Later, the director said in an interview: The little girl doesn't really exist, but she symbolizes a kind of hope.

He Shuheng: He was a juren of the previous dynasty.

He Shuheng and Mao Zedong went to Shanghai to attend the Party Congress on behalf of Hunan.

As soon as he appeared, he looked different.

Mao Zedong and Yang Kaihui said goodbye by the river, but He Shuheng urged them to hurry up.

But when he turned around, he stopped holding an umbrella and said, there are still ten minutes to sail.

The implication is that there is still time. It's time to say goodbye.

When he came to Shanghai, people coming and going in the street were wearing clothes and shoes, which was a romantic scene in Shanghai, but Uncle He was completely unmoved.

These two strokes in the film depict He Shuheng's own firmness and "old-fashioned", which is worthy of being a juren living in the past and living in the past.

But how did the juren of the previous dynasty embark on the revolutionary road?

Everyone has such doubts, so in the film, the director directly borrowed He Shuheng's words to answer everyone's doubts.

He told a story to his revolutionary partners.

It is said that he was lucky to get the chance to face the saint. At that time, the Queen Mother was in power. He went to see the queen mother, but from beginning to end, from going in to coming out, he didn't even see her face.

Why is this happening? That's because scholars had to kneel all the time at that time.

And he made a revolution to make readers look up, more decent and more free.

He didn't do it for himself, but for the whole of China.

For a hundred years, they were all in their prime.

This year's excellent TV series The Awakening Age, we all realized a different Chen Duxiu.

Chen Duxiu is very talented, but a little extreme and stubborn.

In the era of awakening, we saw the young Chen Duxiu, and in 192 1, we saw the other side of Chen Duxiu.

I've been in prison many times and haven't changed my mind.

Chen Kun's performance is also very layered.

192 1 There is not much pen and ink about Mao Runzhi, but there are still surprises.

There is no focus on a point, but there are details.

Mao Runzhi, a young man, is running in the streets of Shanghai, saying goodbye to Yang Kaihui in the rain, and having dinner at Li Da's home needs extra spicy food.

There is also the scene of being chased by his father when he was a child, which shows the youthful image of a great man in many levels and directions.

Of course, in order to pursue the bright future of the new China, not only intellectuals are actively striving for it, but also workers.

Ou plays Li, the leader of the workers' movement.

At 192 1, he led the workers' strike in Shanghai Anglo-American Tobacco Factory and won.

The film 192 1 shows us the images of a group of young people who bravely undertook the national mission in that era through gestalt images such as Li Da, Wang and Chen Duxiu.

Yes, these years. One hundred years later, they are still young!

Of course, the behind-the-scenes story of the movie 192 1 is equally moving.

Behind the scenes of 192 1 are thousands of filmmakers who have devoted five years to this work.

There are many artistic expressions in 192 1, which are about what happened in 192 1, but not simply 192 1.

At the beginning of the film, historical events were quickly shot through black and white lenses, and the timeline was quickly pushed to 192 1 year.

Then around the party building, around all kinds of characters, began to promote the party building.

Although 192 1 tells the history of a specific era, it is rational, emotional and has a unique film temperament.

It is a unique film image, which embodies the director's film concept and the painstaking efforts of countless workers behind it, and moves towards holistic thinking bit by bit in the new mainstream film technology, combining historical rationality with realistic sensibility.

Therefore, 192 1 is a theme movie. Let's say it's a movie that looks back on history and focuses on the present.

100, 192 1 year, they live in the present and are young.

. End.

Wen | Zhiyi

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