Tianjin pai photography

? Last winter, my friends and I went to Tianjin Grand Theatre to watch the long-awaited dance drama "Never Gone Radio Wave". It happened that the first snow fell in Tianjin since winter. Although it melted when landing, the cold rain and snow in the real world correspond to the scenes in ballet. Due to the bad weather and road conditions, the opening ceremony was delayed for five minutes to wait for the audience.

? The positions this time are 1 row 9 and 1 1 row 65438, and the line of sight is almost the same as the stage. Before the performance, through the gap under the curtain, you can easily see the pace of the staff walking back and forth on the stage and the flexible feet of the actors who are warming up.

? At the opening ceremony, a man and a woman walked to the front row wearing a 1940s Shanghai style cheongsam coat, apparently looking for a seat. The hairstyles of the two people are also carefully made, which is a perfect replica of the shape on the poster of the dance drama, which is particularly beautiful. At first, I thought it was the interaction between actors before the opening ceremony. I was really excited, but I found that people were just well-dressed spectators. It can be seen that this dance drama is not only moving in content, but also striking in the beauty of dance and the exquisiteness of costume makeup.

? First of all, I want to emphasize once again that Radio Immortal is a ballet. This dance drama, without lines and songs, is only presented in the form of dance, whether it is the overall plot or the emotional changes of the characters. The unique identity cue that appears in the dance will be played with lights on a specific background board. Suddenly I really want to know what the ballet script looks like (laughs)

? From the most intuitive feeling, this is an extremely exquisite dance drama. This is China's first spy dance drama created by Shanghai Song and Dance Troupe. The "extreme exquisiteness" mentioned by personal evaluation is mainly reflected in the grand, serious and heavy red theme, which is perfectly integrated with the unique temperament of exquisiteness, aestheticism and gripping-the reflection of Shanghai's history before liberation and the life scenes with strong Shanghai style (such as "Morning Song" performed in the Spring Festival Evening in 2020) are presented to the audience at the same time-the appreciation of this dance drama is very exquisite.

? The background of the dance drama is the civil war between the Kuomintang and the Communist Party in the1940s. As a whole, it tells the story of Li Xia, Lan Fen and other comrades who fought bravely before the liberation of Shanghai. The story is based on the martyr Li Bai and his wife Qiu Huiying. As early as 1958, the film "The Immortal Radio Wave" was released, made into a TV series on 20 10, and adapted into an opera by the General Political Bureau Opera Troupe on 20 12. Dance drama is a tribute drama for the 70th anniversary of the founding of the People's Republic of China on 20 19, which should be the latest adaptation. In previous editions, Li Xia's stories all began in War of Resistance against Japanese Aggression. Due to time constraints, the first half of the dance drama was omitted. There is no plot of Li Xia's imprisonment in the play, but the process of husband and wife "pretending to be husband and wife" is shown from beginning to end in the form of memories.

? At the beginning of the first act, nine protagonists come forward, and the curtain only rises half, and the remaining half is used to accept the words typed by light. The initial identity introduction appeared above everyone. These people include newspaper presidents, female editors, photographers, rickshaws and flower girls on the street, shopkeepers and waiters in tailor shops. These people don't have a clear real identity, but just write a superficial career. From the beginning, it was * * * Li Xia and his wife Lanfen, who were both * * * and nurses. Liu Nina, who pretends to be a newspaper editor, is actually the director of the Shanghai Branch of the Kuomintang Intelligence Bureau (in other versions, she is not only a female spy, but also a social butterfly and a traitor who takes refuge in the Japanese). The photographer works for her. They have been wandering around Li Xia, collecting information and exploring personnel exchanges. Li Xia, Mr. and Mrs. Lan Fen, the shopkeeper and assistant of the tailor's shop, the rickshaw puller and the flower girl are actually members of * * *. The newspaper president is a mercenary womanizer. Since Liu Nina exposed her identity, she has never appeared again. The first act highlights the everyday but slightly tense atmosphere. At first, the photographer photographed Li Xia going to the tailor's shop to buy something, and the shopkeeper handed him a box containing cloth, which later aroused Liu Nina's suspicion. Lanfen went to the store to pretend to buy things again, but in fact, in order to convey information, she was caught by Liu Nina who happened to go to the store to pretend to buy clothes, and even secretly rummaged through her bag. It was at this time that the message should have been sent by Lan Fen, and it was finally picked up by the rickshaw puller, and the message passed smoothly.

The second act was full of tears from the beginning. The information transmission in the previous scene led to the arrest of rickshaw drivers. Li Xia is still under suspicion and pursuit. At that time, a red scarf that Lanfen knitted for him became a clue to hunt him down. Knowing that Li Xia was in danger, the little tailor rushed to the street to find Li Xia who was hiding everywhere, grabbed the red scarf and helped Li Xia fight for time transfer. As a result, he was shot in the street. After a rainy night, Li Xia woke up after dreaming of a rickshaw puller and a dead tailor, and took Lanfen, who was pregnant at that time, to the tailor's shop to confirm the owner's safety. As a result, she watched the shopkeeper being shot by Liu Nina. The shopkeeper is actually the person in charge of the East China Contact Point. After Li Xia and other Kuomintang spies left, Li Xia asked his wife Lan Fen to leave by rickshaw first, and went to the tailor's shop to try to recover what had happened before. He found that the tape measure that the shopkeeper had been hanging around his neck left important information. On the other hand, Lan Fen found that his rickshaw driver was wearing a vest with the same number as the dead rickshaw driver, so he realized that the rickshaw puller was also a Kuomintang spy. Finally, in confusion and struggle, he pulled out his gun and killed the photographer posing as a rickshaw puller. When they got home, Li Xia faced his frightened wife and told her to move first. Lanfen didn't want to, but for the sake of the children, the two agreed to go first. After his wife left, Li Xia calmly walked to the second floor and sent a telegram "The Kuomintang Yangtze River defense plan is urgent, take care" and was arrested. The last telegram was "Goodbye, comrades, I miss you."

? /kloc-Li Xia, who had been lurking in Shanghai for 0/2 years, was arrested after sending the last telegram on1948 65438+February 30th. 1949 died on May 7th, only 20 days before the liberation of Shanghai. "I would like to dedicate this drama to the underground workers who gave their youth and life for the liberation of New China. The long river flows silently, and love and faith last forever. "

? Such a story, which seems to be staged in every spy war drama, has been danced thousands of times by this dance drama. Every moment can be fixed as a picture, and each picture forms a picture scroll, telling an era.

? First of all, praise the director and screenwriter. The story is clear, which is the basic condition for perfect presentation. Every foreshadowing has a hint, so that when an object, such as a red scarf or a tape measure, becomes a clue at the back, it is easy for the audience to understand, but they didn't think much at first, so the suspense rhythm and tension of the "spy war" part are just right. Moreover, it is not easy to make the characters three-dimensional and vivid just by dancing. Some people say that the characters in this play are seriously disgraced, but I don't think so. In fact, the different plots before and after revealing the true identity have shown the multi-angle and fullness of the characters. I think the characterization is very successful, which is attractive enough in a 135-minute dance drama.

? The second thing to boast about is composing music. Throughout the play, the actors have been dancing to the music, so music is too important. Most of the music in the first act is brisk, implying a little tension, while most of the music in the second act is deep and touching. The opening music of the first act was accompanied by the duet of Li Xia and Lanfen at the end of the second act. I don't know how to make a grand and slender music. At first, I felt that the lines were very big, but in the duet part, I felt very delicate, so that as soon as the opening music was played, the lights were cast on the protagonist, and the characters were fixed in turn with the subtitles, especially when Li saluted.

? Then praise the actor hard. This dance drama, whether it is the protagonist or the group performance, can be seen that it has been strictly trained and has heartfelt feelings and intentions. As an audience, I feel that everyone's figure and expression control are almost perfect, and the story that has been frozen for a long time is really the same, and everyone can be sent to participate in the dance storm. Recently, when I watched this variety show with professional dancers, I was always amazed that the dancers could jump so high with a single jump, with a slight leg lift 180 degrees and a back flip ... These pictures can be seen with my own eyes in the dance drama "Never Gone Radio Wave". No matter the actor or actress, their movements are super light and their expressions are very infectious. Sitting in the middle of the first row, the actor's expression can be seen clearly, and his body expression and expression are perfect. The actor was in the play every second, and it was the first time that he was so moved by the ballet. I have seen the tap dance drama riverdance before, and there will be violin and other accompaniment on the stage, so it is easy for people to participate and have fun together. The theme of "Never Gone Radio Wave" has a smooth overall plot, and other parts are also very eye-catching. It is another deep emotion, the same investment. The beauty shown by actors is not only the so-called sense of the times, that is, the beauty of clothes, the beauty of light and the beauty of scenery, but the beauty of form that transcends the clothes shelf and truly penetrates the role into the bone marrow. All emotions are naturally vented with the dancing limbs and the expression on your face. Exquisite makeup and hairstyle also played a certain role, but the dancer's own temperament was well integrated into the plot, which gave the tall and straight posture a new meaning through performance, thus gaining the dancer's ideological and spiritual height.

? Besides, the dance beauty, costumes and props are also exquisite. The background boards, stairs and the whole second floor on both sides of the stage are folded, and the background boards, iron gates extending from above to the stage, bamboo poles hanging between buildings to highlight the atmosphere of Shanghai alleys, and other props that need people to move, ranging from double beds, bedding, tables and chairs, floor lamps to rickshaws and bicycles pulled by actors on the stage. As small as a fan in your hand, a box for transmitting information, an umbrella, a red scarf, a suitcase, a newspaper, a flower basket, a lunch box and a baby's quilt, as shown in the above picture, each transition makes the stage look brand-new, and the use of props is interlocking, which is very difficult, but the overall presentation is very smooth.

? Among them, rickshaws are skillfully used in the fighting plot. From the appearance, rickshaw pullers are different from other protagonists in temperament, slightly larger in body movements, and have a rough madness and heroism, which is in line with the identity of walking around the streets. Before he was arrested, in the process of fighting with three Kuomintang spies in the street, the rickshaw was designed to exist like a seesaw, which increased the visual impact between the fights. The other sets are very chronological. Not only the story is good, but also the hardware is excellent, which is an unforgettable texture.

? Back to the plot, what impressed me most was the duet between Li Xia and Lanfen. The common feature of each duet is that the actress has been "overcoming gravity", with her back against the actor and "rolling" 360 degrees. There are still many movements that require the actor to have strong muscle control and the support of the actor. As an amateur, I don't know how difficult this action is, but I feel very tired, but the actor's performance is very relaxed. And in the play, many people play the same roles as Li Xia and Lanfen. At first, Li Xia picked up the photos that Liu Nina had dropped, and found that his photo with the tailor's shop owner was secretly taken. In the background behind her, there is a doppelganger to interpret the scene in the photo at that time. Later, Li Xia watched his little buddy pretend to be shot in the street and collapsed when he got home. Lanfen comforted him. The two recalled the grief when they pretended to be husband and wife and learned that their comrades had died. Finally, they survived and continued to work underground. Then they realized that they were really married and cared about each other. Each duet in this duet represents their struggle for their ideals, and their love blooms in the struggle, which also represents the life of Qian Qian's devotees. When Lan Fen expresses her concern for her husband, the most common action is to smooth the corners of clothes. Simple actions in daily life have also become tearful at special moments.

? The tears in the whole play, it is estimated that most people are at the time of the death of their little brothers. This part is shortly after the second act begins. I think the rhythm is very good. Because for a long time in front, Li Xia hid in the street and walked around, which actually made the audience very nervous. Less than three seconds after the waiter grabbed the red scarf, the gun rang. The tears here are largely based on the change of the audience's mood from tension to grief. After the boy died, it didn't end directly, and there was no blood bag or anything. On the contrary, after the group dance left, only the grieving Li Xia and the tailor's shop owner were left on the stage, and the waiter smiled and comforted them. There was also a scene where the three of them took photos together as comrades. Finally, the boy ran to the front of the stage and waved back slowly. The girls in the second row are crying to death, and they are all drawing paper. This place is really touching. I didn't cry at that time, but I saw a detail clearly. When the boys ran to the front, they were actually very close to the first row. From my point of view, I saw the tears in the corner of the actor's eyes flashing and glittering in the light. At that moment, I felt that the impact was too great. The identity of every member in the play was exposed at the time of sacrifice. When everyone saw that this character was only fifteen years old when he died, the reaction at the scene was even greater, and my heart was also very painful.

? Once the tears come, they can't stop. It's really watching a play. I usually die from the second act of my buddy and cry until the end. Lan Fen wore a red scarf and followed the crowd with her child in her arms. The most unbearable thing is when the actors laugh. After the liberation of Shanghai, the people on the stage were laughing and the audience under the stage was moved to tears.

? My friend specially praised the actor of the villain's role for his good acting skills and nervous performance. One turned around, stepped on the table, leaned forward, looking a little lazy and aggressive, and Leng Yan was cruel. I also think this actress really feels like a villain team and looks good. The cameraman doesn't have many scenes, at best, she is an interspersed figure, and the part that focuses on the villain is on this female spy. It is said that Liu Nina's role in the film is also very unforgettable. When the actor performed smoking on the stage, he really spit out smoke rings, and more than once. White smoke brings a mysterious aesthetic experience to the audience on a black background. And there was no light on the cigarette end, so I later wondered if the actor was smoking an electronic cigarette.

? Next, let's talk about the seats in Tianjin Grand Theatre. Sitting in the front row can clearly see the actors' expressions, but the first row of Tianjin Grand Theatre is still a little too close and low. At halftime, we looked at the back and felt that the heights of the third and fourth rows were just right. The first and second rows need to look up, which makes it easier to fix our eyes on one person. It's not easy to see all the group images. The more in the middle, the less subtitles we can see. The most important thing is that you can't see the stage completely. Even so, I still give the dancers full marks, so how shocking it is to sit in a place with a panoramic view!

? What needs to be spit out most needs a separate paragraph. My friend's location is 1, platoon 1 1. In front of her is the green light for a safe passage. I feel dazzling sitting on her right. And the elf said that the spotlight on the stage floor just blocked her view. For example, the little buddy was lying on the ground after being shot. Because of the rain, the lights on the stage are dim, and she can't see the people on the ground sitting in the first row. This is definitely an unreasonable seating arrangement in the cinema.

? The last time I saw a letter from a strange woman in a small theater, it was also in the first row. This time it was in the Opera House and the Grand Theatre, and it was also a row of perspectives. As we all know, the better aspect is that the actor can see every micro-expression, firmness, warmth, sadness or hope in his eyes clearly; Subtle sounds such as stamping your feet, closing your umbrella, gasping when you break down, and the light laughter of the flower girl after the liberation of Shanghai can also be clearly heard, so you will feel more delicate and moving on the whole. First attracted, then resonated.

? The audience of this dance drama is the most balanced of all ages I have ever seen. Three generations are very ordinary. Moreover, the quality of the audience is very good. Every time an actor completes a difficult action or a scene ends, there will be warm applause in the theater. I haven't heard a phone call or a sound. A mother and daughter sat on my right, and my mother sat next to me, and finally wiped her tears. It's not the first time for the young girls sitting in the second row behind us to see a play. During the intermission, we listened to them chatting in the back, because they knew everyone's ending and cried in the first act. As it turns out, the girls in the second row almost cried to death in the second act. My friends and I cried when we saw it. I finally cried until I returned to the scene and found my hands shaking. In fact, part of the reason is that the back row cried too much. However, this ballet is really touching. If you want to brush more when you have the opportunity, bring paper towels.

? Usually, I seldom watch dance dramas, but the birth of the variety dance storm in Mango Taiwan, just like the promotion of opera and musical by Sound Into the Heart, has also promoted the attention of ordinary people to dance dramas. The reason why "Morning Song" (the original name of the excerpt is "Yu" and the accompaniment is the famous "Yu") in "Never Gone Radio" was chosen to perform in the Spring Festival Evening was not only because of the theme of the play. As the dance instructor in Dance Storm said, a good dancer should not only have good basic skills and skills, but also be a good actor. Full of emotions, technology has a temperature, and this temperature will turn technology into art, and all the dancers in Radio Never Disappear have done it.

? Other main melody works I have seen, such as the musical Broken Bridge (the script is not smooth, the songs are a bit stiff, the beautiful props are clever, and the actors are great), and the Sambo Guanshan musical Wang Er Long March (the script is clever, the music is weak, and the actors are great), this red dance drama can be said to be almost perfect from arrangement to presentation.

? At the curtain call, the actors bowed slowly, applauded constantly, and the curtain fell and opened again, a total of three times. The actors were sincere and hard-working, and there was an evening performance that day.

? The final subtitle is: Goodbye.

? I am really looking forward to seeing you again.

? "The long river flows silently, but love and faith last forever."

? I want to recommend this ballet to everyone.