State the relationship between national costume and its life characteristics.

Han nationality: The main features of Hanfu are collar-crossing, right-lapel, waist-binding, tying with rope and hook, which gives people a free and elegant impression. These characteristics are obviously different from the costumes of other nationalities. Hanfu Hanfu can be divided into formal clothes and regular clothes. From the shape point of view, there are mainly three types: "upper garment and lower garment" (upper garment refers to lower skirt in ancient times), "deep garment" (sewing upper garment and lower garment together) and "skirt" (short garment). Among them, the coronation under the coat is the most solemn and formal dress for emperors and officials; Robe clothes (deep clothes) are common clothes for officials and scholars, while skirts are popular for women. Ordinary working people generally wear short clothes and trousers. Accessories headdress is one of the important parts of Han costumes. Ancient Han men and women put their hair in a bun and put it on their heads to fix it. Men often wear crowns, towels, hats, etc., with various shapes. Women's hair can also be combed into various styles, and various ornaments such as beading and walking can be worn on the hair. Both sides of the temples are decorated with rich temples, and some wear curtain hats and hijabs. Another important feature of Han people's decoration is that they like to decorate Yu Pei jade. Mongolian: Mongolian costumes have a strong grassland style. Because Mongolians have lived in Saibei grassland for a long time, both men and women like to wear robes. Winter clothes in pastoral areas are mostly smooth leather clothes, but also satin and cotton clothes. Summer clothes are multi-cloth. The robe has a large end and long sleeves, which are red, yellow and dark blue. The hem of men's and women's robes is not open. Red and green satin belts. Abaga Mongolian clothing men's belts are often hung with knives, fire sickles, snuff boxes and other accessories. I like to wear soft cowhide boots and grow to my knees. Farmers wear cloth clothes, such as open robes and cotton-padded clothes. In winter, there are many felt boots, but high boots are rare, and the custom of tying the waist is retained. Most men wear blue and dark brown hats, and some tie their heads with silk. Women usually wrap their heads with red and blue headscarves, and wear conical hats like men in winter. Unmarried women separate their hair from the middle of the front, tie two hair roots with two big round beads on them, and decorate them with agate, coral and jasper. There is also a distinctive Mongolian wrestling suit. Xilingol Mongolian costume Mongolian wrestling suit is a Mongolian costume craft. Wrestling costumes include waistcoats, trousers, trousers and colored silk belts. The waistcoat reveals the chest. Pants are wide. Pants are rich in patterns, such as cloud patterns, plant patterns and longevity patterns. The pattern is rough and powerful, and the color contrast is strong. Pants are large and made of 1-meter cloth. Conducive to heat dissipation, avoid sweat sticking to the body surface; It also adapts to the characteristics of wrestling, making it difficult for opponents to use leg wrapping. Pants are sewn with tough and strong cloth or flannel. At the knees, patterns are stitched by splicing and combining various colors of cloth, which is generous and solemn, indicating good luck. All parts of the clothing are properly matched and integrated, with brave national characteristics. Hui nationality: the main symbol of Hui nationality's clothing is the head. Men all like to wear round hats made of white. There are two kinds of round hats, one is flat-topped and the other is hexagonal. Exquisite people also tattoo exquisite patterns on round hats. Hui women often wear hijab. The hijab is also exquisite, and the elderly women wear white, which looks white and generous; Middle-aged women wear black, which looks solemn and elegant; Unmarried women look fresh and beautiful when they wear green. Many married women usually wear white or black round hats with edges. There are two kinds of round hats, one is made of white bleached cloth, the other is woven with white thread or black silk thread, and often woven into beautiful geometric patterns. In terms of clothing, the Hui old man likes to wear a white shirt and a black vest (called "vest" by fellow villagers). Old Hui women wear black or brown headscarves in winter and white scarves in summer, and they have the habit of tying their pants and fading. Young women wear red, green or blue headscarves in winter and thin red, green and yellow scarves in summer. Hui women in mountainous areas love to wear embroidered shoes and have the habit of piercing their ears and wearing earrings. Miao nationality: Miao nationality's clothes are also called miao clothing, and there are no fewer than 2 kinds of Miao costumes in Qiandongnan, which is the region with the largest variety and best preservation in China and the world, and is called "Miao costume museum". On the whole, Miao costumes keep the traditional techniques of weaving, embroidering, picking and dyeing in China, and often use other techniques while using one main technique, either picking with embroidery, dyeing with embroidery, or combining weaving and embroidery, thus making these costumes colorful and colorful, showing distinctive national artistic characteristics. From the content point of view, clothing patterns are mostly based on various living images in daily life, which have an important role in expressing meaning and identifying ethnic groups, branches and languages. These image records are called "epics worn on the body" by experts and scholars. From the modeling point of view, China's traditional line-drawing or nearly line-drawing modelling technique with a single line as the pattern outline is adopted. From the perspective of production techniques, the five forms in the history of costume development, namely, weaving, sewing, splicing and cutting, are all examples in Miao costumes in Qiandongnan, and the historical hierarchy is clear, which can be called the exhibition hall of costume production history. From the color point of view, they are good at choosing a variety of strong contrast colors, and strive to pursue the rich and heavy sense of color, which are generally red, black, white, yellow and blue. From the composition point of view, it does not emphasize the prominent theme, but only pays attention to the requirements of the overall sense of clothing. Formally, it can be divided into dress and casual clothes. Dress-up, a costume worn for festival protocol and wedding, is complex and gorgeous, which embodies the artistic level of Miao costumes. Casual clothes, the style is more quiet and concise than the dress style, with less materials and less labor, for daily wear. In addition to dressing up and casual clothes, Miao costumes also differ in age and region. Dai: There is little difference in the clothing of Dai men from different places, and they are generally simple and generous. On the top, they are small Dai men with collarless double-breasted or big-breasted sleeves and plain trousers with wide waist and no pockets. Most of them wear white and cyan cloth, and some wear woolen hats. They like to wear blankets in cold weather and are often barefoot in all seasons. This kind of clothing is light and comfortable when farming, and makes the wearer look handsome when dancing. It retains the characteristics of ancient times, such as "clothes facing the front", "head wrapped with cloth towel, like to hang a backpack and bring a short knife", but the self-woven "home-made cloth" is rarely used in clothing. Chinese tunic suit and suit have become the fashion of Dai young men. In recent years, there have been small sleeve shirts with lapels and cardigans, and the headscarf has been changed to pink, green and pink silk, while the trousers are still the same. Dai men generally don't wear ornaments, and occasionally they find a shiny silver bracelet on their wrists. Gold teeth and silver teeth are their hobbies. They usually pull out the good front teeth and replace them with false teeth made of gold or silver. In the past, there was a custom of tattooing, in which characters or designs such as liger, Kirin and Peacock were written on the chest, back, abdomen and limbs to show courage or pray for good luck. Dai women pay attention to clothes, pursue light, beautiful and elegant costumes, and coordinate clothing colors, which are excellent. It is a remarkable feature of Dai costumes that young women put their long hair on their heads. Dai women wear various kinds of tight underwear, light-colored big skirts or narrow sleeves for Dai women's dresses, and all kinds of patterns are woven on the skirts. Dai women like to tie their long hair in a bun and decorate it with combs, hairpins or flowers. Dai women like to wear jewelry, which is usually made of gold and silver, mostly hollow and engraved with exquisite patterns and patterns. Tie a delicate silver belt around the waist. It is said that this silver belt is very precious and has been handed down from generation to generation by my mother. In fact, this is a token. If a girl gives a silver belt to a young man, it means that she has fallen in love with him. Such costumes dress them up beautifully and gracefully. Wa: Wa girls dressed in national costumes are elegant, beautiful and generous. Women from different regions are called white women, black women and flower women because of the differences in dress colors. White women generally wear right-handed shirts, plain white linen dresses and white pigment beads; Most black women wear right-handed shirts with trousers, small waists, black cloth wraps and earrings like small corals. Hua Hua women like to wear a double-breasted waistcoat with colorful edges, with a floor-length dress decorated with colorful shells, a scarf wrapped in floral cloth, and earrings with large copper rings or silver rings, which are swaying and colorful. Men's clothing first imitated the color and style of magpie, which was called magpie clothing. The top is a linen blouse, with knee-length black trousers and black cloth wrapped around the head. Most Wa men like to tie a wool ribbon around their waist, and make arrow bags and machetes with leather on their shoulders. Tibetans: Tibetan clothes are mainly traditional Tibetan clothes, which are characterized by long sleeves, wide waist and big breasts. Women wear long-sleeved robes in winter, sleeveless robes in summer, shirts with various colors and patterns inside, and an apron with colorful patterns at the front of the waist. Tibetan compatriots especially like Hada and regard it as the most precious gift. Hada is a snow-white fabric, generally about 2 to 3 centimeters wide and about 1 to 2 meters long. It is made of yarn or silk. Whenever there is a festive event, or a distant guest comes, or visits an elder, or goes away for a long trip, Hada should be presented as a token of respect. Zhuang nationality: mainly in blue and black dresses and pants-style shorts. The book of diseases in the counties and countries in the world reads: "A strong man wears a short skirt, a man wears a blouse called Li Tong, and the front and back of his waist can't cover his knees. Women also wear Li Tong with a flower curtain around them." Men's wear of Zhuang nationality is mostly Tang suit with broken chest and double breasted, made of local homespun, without trousers, with short collar and double breasted jacket, a row (six to eight pairs) of Zhuang costume with buttoned cloth, a pair of small pockets on the chest, and two large pockets on the abdomen. The hem is folded inward into a wide edge, and a symmetrical split is made on the left and right sides of the lower edge. Wear wide pants, short to the knee. Some are leggings and headscarves. Wear shoes and hats (or black headscarves) in winter and bareheaded feet in summer. Wear yuntou cloth shoes or double hook duckbill shoes on holidays or when visiting relatives. Wear sandals when working. Zhuang women's clothes are dignified and decent, simple and generous. Their general dress is blue and black, with slightly wider trouser legs, colorful printed or jacquard towels on their heads and exquisite aprons around their waists. Dressed in navy blue or dark blue short-necked right-lapel jackets (some are embroidered with colored lace at the neck, cuffs and lapel), which are divided into two types: double lapel and partial lapel, with or without lapel and with lapel. There is a hidden pocket hidden in the front of the abdomen, and several pairs of cloth buttons are sewn along the edge of the front. In remote mountainous areas, Zhuang women still wear clothes with broken chests and double chests, without collars, embroidered with five-color patterns and inlaid with withered. Wear wide, fat and black trousers (some with two different color strips at the hem), tie an apron around the waist, and set blue, red and green silk and cotton fabrics at the knees of the trousers. Wear sandals and shoulder pads when working. Wear embroidered shoes at a fair, a concert or a festival. Zhuang women generally like to wear earrings, bracelets and collars. Clothing colors and small ornaments are slightly different from place to place. There are two schools of coat length, most of which are waist-length and a few of which are knee-length. Korean: White is the favorite clothing color of Korean people, which symbolizes purity, kindness, nobility and sacredness. Therefore, Korean people have been called "white people" since ancient times, calling themselves "white compatriots". With the development of textile industry, women wear colorful and eclectic clothes nowadays, but the traditional national style of short dress and long skirt has remained unchanged for a long time, because it conforms to the aesthetic psychology of Korean women and fully reflects their virtues of meekness, kindness and diligence. The structure of Korean national costume is unique. The straight line from the shoulder to the sleeve head of the coat is the same as the curve of the collar, hem and sleeve belly, which constitutes a combination of curve and straight line, and there is no unnecessary decoration, which embodies the characteristics of the ancient robes of the "white nation". Korean national costumes are made of fabrics of various textures and colors according to the age and occasion of the wearer. Women wear bright red skirts and yellow tops with colorful stripes on their sleeves before marriage; Wear a red skirt and a green coat after marriage. Older women can choose from many fabrics with bright colors and different patterns. Korean women's short clothes and long skirts are the most traditional costumes in Korean costumes, which is also a major feature of Korean women's costumes. Short coat, called "Zegaoli" in Korean, is the favorite coat of Korean people. It consists of shoulders, sleeves and sleeve heads in a straight line, and a collar with a tie in a curved line. The hem and sleeve cage are curved, with a diagonal collar and no buttons, tied with a cloth belt. The cuffs, skirts and armpits are inlaid with colorful satin edges, which only cover the chest. The colors are mainly light colors such as yellow, white and pink. Long skirt, also called "Chima" in Korean, is the main dress of Korean women, with long wrinkles at the waist, which is loose and elegant. This kind of clothes is mostly made of silk and has bright colors, which can be divided into wrapped skirts, tubular skirts, long skirts, short skirts and aprons. Young women and girls like to wear vest-style pleated skirt, which is longer than knee-length short skirt, which is convenient for work. Middle-aged and elderly women wear wrapped skirts and long skirts, and wear cotton (leather) waistcoats in winter. The wrapped skirt is an unstitched skirt material, which consists of a skirt waist, a skirt hem and a skirt band. It is narrow at the top and wide at the bottom. The skirt is long and wide at the foot. There are many fine pleats at the top of the skirt. When wearing this skirt, it is tied at the right waist side. When wearing this skirt, you must wear a plain white petticoat inside. Korean men generally wear plain jackets with waistcoats and trousers with wide legs. When going out, wear more robes tied with cloth. Men's shorts are also called "Zegaoli" in Korean; Adult men's coats are short in length, with oblique lapels, wide sleeves, left slits and no buttons. Ribbons are nailed on both sides of the front lapel and tied above the right lapel when dressing. They also like black coats or other colors of button-backed "tunics", which are called "Kuke" in Korean. They are usually put on the outside of "Zegaoli" coats, mostly made of satin, fur or cloth. They have three pockets and five buttons, which makes them look special. North Korean men love to wear "bloomers", which are long and wide in waist and mostly white. "Baki" refers to the traditional Korean costume "pants", with large crotch and trouser legs. Because traditional Korean houses have heating systems on kang, people often sit on mats or mats on the ground. Wearing these pants is convenient for sitting cross-legged on the kang, casual and relaxed, and the trouser legs are tied with ribbons, which can prevent cold and keep warm when going out. Korean children's clothing is mainly colorful clothes, which are made of seven-color silks and satins for children, as if a rainbow is in the body. Korean people believe that the rainbow is a symbol of light and beauty, either out of aesthetic psychology or for the purpose of avoiding evil spirits, which is intended to make children beautiful and happy, and make them more intelligent, lively and lovely. Others think that in the past, Korean women were good at preserving cloth pieces of various colors to make clothes for their children and so on. Gaoshan nationality: The traditional costumes of Gaoshan nationality in Taiwan Province are brightly colored, mainly in red, yellow and black. Among them, men's dresses include waist skirts, dresses, embroidered feather crowns, robes, etc., while women have short dresses, aprons, knee pants, etc. In addition to clothing, there are many ornaments, such as crowns, arm ornaments, feet ornaments, etc., which are made of flowers and worn directly on their heads when they dress up for dancing. Because in the eyes of Gaoshan people in Taiwan Province, ornaments are not only beautiful, but also a symbol of identity, which is also the tradition of Baiyue people in ancient China. In ancient times, Gaoshan people regarded nudity as beauty. Shade with only a piece of cloth and waist with fur. However, after contact with Chinese culture, men gradually wore long gowns and women wore skirts, paying attention to the beauty of clothing. In addition to hides and barks, clothes are mostly made of self-woven linen and decorated with colored patterns. Men's clothing types, sleeveless body clothes, shawls, corsets and belts are common in the north; Deerskin vest, chest bag, waist bag, corset and black cloth skirt are common in the middle; Long-sleeved jackets, waist skirts, trousers and black headscarves are common in the south. Women's clothing types include short dresses and long dresses and short skirts. Yamei's dress is simple, and men cover their lower bodies with T-shirts and wear vests. Women usually wear vests and skirts, and are wrapped in square cloth in winter. Naxi: Naxi women are famous for their diligence, ability, virtue and kindness. Their traditional costumes have distinctive national characteristics and formed their own unique style. There are also differences in costumes in different places: Naxi women in Dayan area of Lijiang County wear cloth robes with wide sleeves and cuffs to the elbows, plus purple or Tibetan.