Please recommend some excellent Polish films.

1896 Poland begins film screening. Before 1908, film screening was only an additional program of drama performance, and then it was gradually moved to a special place for screening. At that time, Poland did not have its own production base, and filmmakers cooperated with foreigners to make movies.

In the early years of Polish film 19 10, there were nearly 200 cinemas in Poland, and film companies began to appear, among which the Sphinx Company had the greatest influence and the most stable output. By 19 14, the film production had reached 14, but it was reduced to 5-7 films during World War I. 1910 ~1918 are mainly adapted from domestic literary works, such as The History of Sin (directed by A. Bednarchik), The Court of God (directed by S. Knakaiza Laski) and Mir Yezuo.

19 18 after the founding of the second Republic of Poland, the landlord-bourgeois regime only funded the filming of government policies. At one time, the content of the film was mainly to promote militarism, nationalism and anti-ideology. Due to inflation and unemployment, people's living standards have declined, and the number of movie audiences has dropped sharply. The film output also dropped from 192 17 in 0 to 5 1925. After 1926, the film output increased, and the content began to involve the problem of bourgeois landlord state system. The main works of this period include Promised Land (1928, directed by A. Hertz and Z. Gnadowski), Mr. Wushi in the Tower (1928, directed by R. Ordynski) and The Eve of Spring (1929, H.

1933, Poland made the first sound film. 1934, the parliament passed the regulations on films and their dissemination, which strengthened the censorship of films and increased taxes. In the 1930s, almost all film production was commercial. Not only comedies, popular dramas and detective dramas, but also some historical films violate the historical truth in pursuit of box office value. Even films based on literary works are not faithful to the original. Among the adapted films, only Rose (1936, directed by J. Lecce) did not distort the social contradictions revealed by the original, but kept the vivid image of the original. Lecce's other works, such as Young Forest (1934), Girl from Novorinock (1937) and Border (1938), all show certain professional skills and artistic level. However, The Trial of Life (1934, directed by Gauldin), Risk (1938, directed by E. Changka Riski and K. Sholovsky) and Gravel (1938, directed by Gauldin) show the tendency of realism and democracy.

. 1September, 939, after Hitler occupied Poland, film production stopped completely. Only a small underground film team led by A. Baukhjevich filmed some documentaries covering the war situation.

Polish Democracy and China Film1945165438+10/3 After the establishment of the Polish people's democratic regime, the film industry was immediately nationalized. In the first 10 year after the war, Polish film began a new stage as an art, and the theme and style of the film were established by people's historical experience, patriotism, heroic fighting experience and suffering. Important works in this period include Forbidden Songs (1947, directed by L. Buzkovsky), A Street in Warsaw (1949, directed by A. Ford) and The Last Dance Stage (1948, directed by W. Iacubovscaia). These films reflect the glorious deeds of the Polish people's heroic resistance to fascism. In the late 1940s, filmmakers began to turn to the creation of modern themes. The main works of this period are Treasure (1949, directed by Zicov), The First Days (1952, directed by J. Rekowski) and Village Society (1952, directed by J. Kavalelovich and K. Su mirsky).

Since the mid-1950s, Polish film creation has entered a new stage. The film production not only increased year by year (1953, 1957, 16, 1960, 23, 1977 ~ 1978, 30), but also in the production system. Give a new explanation to heroism, and explain whether individuals consciously participate or passively participate in historical events. Such works include The End of the Real World War (1957, directed by Kavalelovich), Symphony No.3 (Hero) (1958, directed by A. Monk) and A Generation (1955, directed by A. andrzej wajda). The movies that show the conflict between the two ideologies are dross and diamonds (1958, directed by andrzej wajda); Movies against bureaucracy and dogmatism include The Man on the Railway (1956, directed by Monk) and Mammy Ioanna of the Monastery of Angels (196 1, directed by Kavallelovich). There are also films that attack the dark side of contemporary society and reflect the beat generation of young people, such as Night Train (1959, directed by Kavalelovich), Knife in the Water (1962, directed by andrzej wajda) and Eva Wants to Sleep (1958, T. Milevschi. These works not only have some characteristics in the principles, shapes and styles of the plays, but also reflect the different artistic concepts and creative ideas of the creators. These creators and works are called "Polish Film School".

After the 1960s, film creation is characterized by exploring new living materials and forms that can reflect such materials. His main works are If Anyone Know (1966, directed by K. Kutz), Thin Man and Others (1967, directed by H. Kliuba) and Biography of Marches (1968, directed by V. Leshinski). During this period, some film creators mainly adapted their own classic literary works, such as Pharaoh (1966, directed by Kavalelovich), Manuscript Found in Zaragos (1965, directed by Haas), Doll (1968, directed by Haas), etc. Director J. Hoffman), Birch Forest (1970, directed by andrzej wajda), Wedding (1973, directed by andrzej wajda), Promised Land (1975, directed by andrzej wajda), In the Desert and the Jungle (/?

In 1970s, Polish filmmakers focused on creating works with modern themes. They pay attention to the new connection between people and society. The theme of some movies is people's responsibility to society and the relationship between work and morality. His main works are Salt on Black Land (1970) and Pearl in the Crown (1972) by Kutz.

Since the 1980s, Polish filmmakers have gone deeper into life, trying to reflect the problems related to the current situation, and at the same time paying more attention to expressing people's inner world. Different creators show different views and tendencies. His main works are andrzej wajda's Marble Man (1976) and Iron Man (198 1).

Documentary plays an important role in the whole Polish film industry. It closely reflects the reality, with diverse forms of expression and unique style of works, and has also formed a distinctive Polish documentary school. Its main creators are K. zanussi, E. Baussac, T. Marca Censky, L. belsky, etc.

Polish Film Industry There are two feature film studios in Poland: Rhodes Feature Film Studio and Frotz Raff Feature Film Studio. Warsaw Documentary Film Studio also started shooting feature films from 1963. In addition, there are Joruvka Studio (built in Warsaw to make documentaries, teaching and military patriotic films), Science and Education Studio (built in Lodz), Signal Flag Studio (built in Lodz to make short films), Small Film Studio (built in Warsaw) and two art film studios (built in Belsko-Bai Ya La and Krakow). From 1974, the full-wave film and television feature film festival is held in Krakow every year, and the short film festival is held in Krakow from 1964.

Lodz Academy of Advanced Film and Television was founded in 1948, and merged with the Academy of Advanced Drama in 1958, and was renamed Schiller Academy of Advanced Film and Television. The school has five departments: film director, performance, photography, television and production. Some colleges and universities also train professionals for film. 1949 the institute of art of polish academy of sciences established the research department of film history and film theory. Scientific research institutions and universities such as the Ministry of Culture and Arts also have film theory research departments.

There are about 400 film clubs in Poland. Publish films, screens, world films, film technology and other publications.