How to take pictures in tourism photography

Lead: How to take a view in tourism photography? A perfect tourist scenery photo should be set off by other objects besides the main scenery of the theme. Come and have a look with me!

How to treat the main scenery and objects in tourism photography is called subject and companion in photography terminology. There are primary and secondary objects, so appropriate arrangements should be made on the screen. Generally, the subject is arranged in an important and obvious position on the screen, and the companion is only located in the upper half or the lower half of the screen, or a part of the left and right. Subject and companion should be interrelated and echo each other, otherwise it will form a scattered picture of subject and companion.

Shooting of Landscape Objects in Summer Architecture

Scenery with prominent buildings as the scene object should take buildings as the main body, and some scene objects are not one but many, which can even occupy the whole picture. When shooting this kind of scenery, we must first decide the position it should occupy on the screen, then decide the number of shots, and then choose the shooting angle.

There are no buildings that shoot summer objects.

There are many natural scenery without buildings as the target. Because it has no fixed scenery target, the range of natural scenery is wider, and the desirable shooting position is more flexible. In a natural scene without a fixed subject, the range and shooting angle of the scene should be determined according to the natural conditions of the scene and the ideal sun rays. For example, the landscape of Guilin must have mountains and water. Should the mountain be the main body or the water be the main body? This depends on the scene. If the river is near and the mountain layer is far away, the river should be the main body, otherwise, the mountain should be the main body.

Shoot a mountain view

Shooting the mountain scenery without seeing the river, you can stand on the mountain with the mountain as the prospect, or stand at the foot of the mountain to shoot the mountain shape. Some appropriate scenery should be taken to set off the mountain scenery, so that the feeling of isolated mountain can be formed on the screen. It shows the imposing manner of the majestic mountain peaks, and can find objects suitable for setting off the mountain peaks, so that the mountain scenery appears more beautiful rather than boring on the screen.

How to shoot city scenery

Urban landscape is a landscape dominated by streets and buildings, and each city has its own characteristics and contents. When shooting city scenery, we must emphasize the local characteristics and prosperous scenery of the city. When shooting the city scenery, we need to choose the lens according to their different local characteristics. For example, Shanghai is the river bank and the largest city in China. Waterway traffic at home and abroad is smooth, and high-rise buildings along the coast are also concentrated. When shooting the urban scenery of Shanghai, we should choose the Bund, which best reflects the characteristics and scale of Shanghai, as the focus of shooting. However, it is necessary to have a foothold at an appropriate height (it is advisable to stand on the fourth and fifth floors) to shoot the city scenery of Dishi. Standing too high or too low, shooting the scenery of the building close to it is easy to cause uneven and deformed lines of the building. In other bustling areas of the city, we should find a higher shooting position to show its bustling scene (such as the night market with lights), and observe whether we can show the bustling streets and shoot together, because this will not only show the characteristics of this place, but also show its prosperity and shoot urban scenery works with good atmosphere.

Shoot with the river as the main body

When taking pictures with the river as the main body, we must arrange the river in the most obvious position on the picture, and arrange the distant mountains on both sides of the river as a foil to the river. The horizontal line of the river view is generally obvious, and it is the easiest to split the picture in two, which affects the connection between the host and the guest. Therefore, if you draw a river on the opposite side of the river, its horizontal line must be obvious, so you must choose objects with obvious straight lines (such as wooden boats, masts, branches that can do close-up scenery, etc.) to break through the horizontal line, or take a boat from a distance as a close-up view. If the river is curved, its horizontal line will not clearly divide the picture. But in order to show the depth of the river, we should stand in a higher position and shoot from a bird's-eye view. This can not only show the far-reaching scenery, but also make the curved horizontal line form an arc on the painting and increase the aesthetic feeling of the lines.

How to shoot the mountain near the river far away?

There are many mountains near the water in the distant mountains, so it is necessary to give priority to mountains, supplemented by water. This mountain must be higher than this river. When the mountain is near the river, standing at the foot of the mountain can not only see the river, but also see the whole picture of the mountain layer. Therefore, when shooting the scenery near the mountain and the far river, we must stand on the mountain, take the mountain layer as the main body, and shoot from the overlooking angle, so that the white far river appears among the mountains.

The shooting of Moriki and Yuanye

Forest and Yuan Ye are both natural scenery, and there is no single fixed scenery target. Forest scenes change with different seasons, and Yuan Ye will have different scenes due to different production conditions. For example, trees in the forest have different hue and density programs in four seasons. Yuan Ye has countless cattle, horses, sheep or various rich crops. Although both The Forest and Yuan Ye are suitable for large scenes to express scenery, the framing methods of The Forest and Yuan Ye should be different. Shooting the forest requires being in the forest, selecting scenes that are far and near, high and low, sparse and dense, and shooting from the perspective of head-up lens, in order to show the broad and far-reaching forest face on the screen. If you stand outside the forest and shoot, you can only see a dense forest with strong colors, which is not only out of harmony with the tone of the sky, but also has no sense of depth of the scene. Yuan Ye is a flat land. If you don't stand in a suitable height and shoot from above, you can't fully show the life phenomenon in Yuanye.