Review and comment on film assembly number

On Thursday, the teacher showed the film assembly number, and I sat there from beginning to end. At the beginning of this film, it should be said that it is quite routine. A group of people for the great victory of the China revolution and their own beliefs, shed their blood and resolutely carry out orders. In the end, under the enemy's iron hoof, they were outnumbered and wiped out.

It should be said that the plot of the film is too conventional. I can only think that they are very tragic, and I can really realize that they really have a patriotic heart, but they will never reach the point of touching me. After all, I have seen many such movies. The focus of the story should be Gu, the "immortal". Gu is really ill-fated. A person can get away with so many enemies, and he can also help the head of the regiment survive a mine when he resists US aggression and aid Korea.

What really moved me about this movie is that so many people who have dedicated themselves to the motherland were not treated accordingly. Although it is the traditional virtue of the Chinese nation to do good deeds without leaving a name, even fame and fortune are fleeting. However, people can't recognize such a great contribution, or even remember it at all. It seems that the opportunity to carve "XXX come here" in stone in this world has been ruthlessly erased. In particular, the company commander Gu was treated unfairly as a mental patient, just as I saved the world and mankind, even at the cost of my life, but I was still spurned by people; Loyal, but someone stepped on it.

I think this film is controversial. What people preach without asking for anything in return conflicts with people's own selfishness. So choose straight here.

Then, unforgettable examples infinitely magnify this contradiction, so that even a very patriotic, very true, very kind and very beautiful heart will be surrounded by humiliation and unwillingness that cannot be made strong and explained clearly.

The most important thing for a soldier is honor. In my opinion, the efforts made for his reputation are what a soldier should look like. Whether it is fighting for honor or after the struggle, it is an act worthy of recognition.

Gu, the protagonist in the film, constantly demands his own troops, the original organizational system. There is a small clip in the film that is very intriguing. The martyr has 700 Jin of millet and the missing 200 Jin of millet. When a fellow villager asked Gu if it was unfair, Gu just replied in an understatement: "If it is unfair, you will lose it." It can be seen that what Gu really cares about is not material. What he needs may not even be the title of martyr. He even just wants the country to recognize the existence of his comrades-in-arms and their great contribution to the country. I think his "fame and fortune" is worthy of respect. For himself, it is not only a resentment against unfairness, but also a self-blame for not letting his comrades retreat in time. When he heard that he didn't play the assembly number at all, he might really be relieved of the burden in his heart, or he might really be moved by the belief that his comrades can protect themselves with him.

At the end of the film, when the country truly recognized these 48 true warriors who were brave and fearless for the motherland, when the assembly number really sounded and three shots were fired, I think people watching the film had a touching feeling in their hearts, and the director grasped this subtle feeling here.

A good movie can bring you joy mixed with tears without great sadness.

There is no exultation, just let your feelings agitate. When the assembly call really rings, when the heroism of the soldiers is comforted, how can we not be moved!

The second part: Assembly number film review 2 1800 words

I don't know whether it premiered on the 20th. Anyway, when I was on a business trip, I took time to check the schedule of the local cinema. When I saw the release of Assembly, I went to join in the fun-to be honest, before I saw it, I didn't really care whether to choose Assembly or warlords. I only choose to assemble it because I think it is better to look at ancient costumes, which is really tiring for aesthetics. ? Looking at the whole game, the actual impression is much better than expected. Based on the experience of domestic blockbusters in recent years, I guess there may be voices of "supporting Feng Pai" and "beating Feng Pai" on the Internet after the film is released ... I don't know what others think, but I think I should "support" Lao Feng this time. ? One of the reasons for being "pretty" is what Lao Feng himself said-some people said that he was flattering the outside world at the night banquet, but now he is flattering his heart, betting on whether the domestic box office can recover the cost. Domestic big investment movies have always attached more importance to overseas box office than domestic box office. Think about it and you can't blame those big names that have been scolded. Who doesn't want to make money making movies? Without overseas box office, who can believe that you can recover hundreds of millions of investments? It is commendable that Lao Feng can return to the road of facing the domestic audience and dare to gamble. I don't know the source of funds for film assembly, but I think the mode of operation should be very different from before, because it is hard to imagine that any foreigner would invest in such a film with a national war as the background, few star actors and a lack of usual selling points at overseas box office. Therefore, in response to Xiaogang Feng's words, I sincerely hope that the "Assembly" will be a full-blown box office. Because domestic movies need both a small-budget Crazy Stone and a large-scale commercial blockbuster, there is no doubt about it. Xiaogang Feng can overcome most of the shortcomings of The Banquet and previous domestic blockbusters in assembly, which is much better than the trilogy The Old Man Never Looking Back, and has made a good start for the turn of domestic blockbusters. For example, it is worth learning and thinking for other filmmakers to introduce Korean special effects, abandon the costume martial arts and find a new starting point for domestic war movies. ? The second reason for "standing up" is that Lao Feng is brave in innovation. On the one hand, compared with Xiaogang Feng's works that I am familiar with, there are indeed too many changes in this film, for example, from making people laugh to making people cry, from following the little things that people are familiar with to watching the history of war, such as holding on to Ge You and making up my mind to use Zhang Hanyu, as well as changes in language style and photography style. -I'm not saying that what Xiaogang Feng is used to can't be seen in this movie, nor that it's so perfectly assembled. On the other hand, the topic selection of this film is a surprise to me, and I still admire the fact that I can find this breakthrough point of civil war under the current policy. After watching Interview with the Creator, the screenwriter Liu Heng is a real talent. His words are classic, hehe, you can have a look if you are interested.

Look here. ? The third reason for "standing" is that the quality of the film itself is indeed worthy of recognition. For example, performance, which is a rare wonderful acting skill in recent years, Zhang Hanyu and other officers and men of Jiu Lian are competent. Zhang Hanyu, in particular, is the carrier of the whole story. Although in a sense, he is not the real protagonist of the whole story (it should be the soldiers who have been sacrificed and wronged), his outstanding performance greatly increases the appeal of the film. Some people may be flattered to say that he "played" Gu, but I don't think many people will object that he contributed to the success of the whole play. Soldiers must be like soldiers. In many films, the People's Liberation Army and the Eighth Route Army are all fat in vain, which is not the same at first glance. Fortunately, I didn't find a Hong Kong star to play, or it didn't look like it at first glance, and there were n jokes. In the characterization, it is obvious that the consistent advantages of Feng's works have been found. The character Gu is absolutely China, absolutely popular, and will never be confused with the characters in other movies ... such as stories. Although I know this is an adaptation of a novel, although it is not marked as "adaptation based on real events", I still believe that similar stories will exist, but the ending may not be so bright or so tortuous. Sometimes I even know that it is Lao Feng who is playing with emotion again. ? Of course, Assembly is not a perfect film, and it is even difficult to give it a very high evaluation. The war years in the first half are quite out of line with the peace years in the second half, and it is not good to pander by several flashbacks. I tried my best to study the war realism of Saving Private Ryan, but the shaking lens, monotonous stumps and hail still lacked Spielberg's Zhang Chi, and the scene was a bit chaotic. Obviously, the control of the big scene needs to be improved, and the depiction of the war tide is somewhat repetitive. For example, the hero killed the enemy tank twice with a small mountain gun, which is exactly the same as the counter-charge and charge war. Although the sensational in the second half was successful, it was too straightforward. The first time it worked well, but it was hard to attract people to watch it again. There is still a gap between good films that can be equally moved or find new things every time. ? Don't say anything else, save some energy to finish other tasks this month. In a word, this movie gives me a glimmer of hope for domestic blockbusters and some expectations. For such a fierce person as Xiaogang Feng, if you are really determined to accept the opinions of the audience, it is still worth waiting for.