Nikon SLR photography video tutorial-photography tutorial

Adjust your feet to choose the best composition.

There was once a photographer who taught people to learn composition by taking a

Nikon SLR photography video tutorial-photography tutorial

Adjust your feet to choose the best composition.

There was once a photographer who taught people to learn composition by taking a photo after discovering the subject matter, and then looking at it carefully to see if it could be simplified. If possible, take another picture. Come closer and see if you can narrow your field of vision. Step by step, you can often get the most exquisite picture, and you can train your own framing and composition skills.

Of course, sometimes the other way around, you can take a step back and consider composition. The former is to simplify the picture. The latter is to enrich the picture and have a more scene atmosphere. To say the least, the picture will hold more and more images and the scene will be bigger.

As for when to adopt which method, it depends on the nature of the subject matter, the environment on the spot and your own intention. In fact, these two methods are parallel. Many times, when we are taking pictures, we might as well go forward and take some pictures, and then step back and take some pictures. After the photos are printed, we will arrange them, compare them with each other and choose the most satisfactory enlargement. This practice. It will be of great benefit to beginners and can improve their composition skills quickly.

It's like photographer Steve? Bavist said that people often spend a lot of money on photographic equipment in order to take better photos. However, sometimes I am surprised to find that there is one of the most useful? Equipment? The best tool to improve your composition is yourself, and this is your foot. He said:

? Some photographers know the focus, aperture and speed like the palm of their hand, but the composition of the photos taken is loose and the subject is too small. To get rid of this most common problem, we should take two steps forward, be close to the main body, pay attention to the compact composition and highlight the details. The truth is, highlighting the details is always more interesting than covering everything. Taking a solitary flower or a tree is better than taking a panoramic view; It is better to shoot portraits of the face and shoulders than to shoot the whole body; Taking an abstract close-up can arouse people's interest more than taking a bunch of daily necessities together. ?

Bavist also pointed out:? It is impossible to take a step forward without going backwards. Sometimes, the object itself has beautiful lines, and there is no need to pursue a prominent subject. At this point, you must take a few steps back. Put them all in the picture, and the photos will be fascinating. In other words, the details around the theme can sometimes set off the theme and make the composition full and rigorous. "

Someone bought a zoom lens, thinking it could solve the problem of walking. In fact, the photos taken at 2 meters with 70mm lens are similar to those taken at 6 meters with 200mm lens, but the results are completely different. Because the viewing angle of a photo is largely determined by the focal length.

Bavist believes that adjusting your feet is the most practical way to make full use of the lens. ? People often complain that the 50mm standard lens is not enough, but as long as you simply take a few steps forward or backward, this lens will be of great use. The same is true for wide-angle lenses. Take a few steps forward to get close to the main body, and take a few steps back to get away from the main body, and the result is different. Close to the shooting, the foreground is prominent and conspicuous, and the background becomes smaller when retreating, which can obtain a strong perspective effect.

In addition, moving left and right, moving up and down, or walking around the subject, you will find that the whole composition will change obviously, so as to find the most ideal shooting angle and viewpoint. Everyone has his own special perspective on the world around him, and most photographers are often satisfied with this perspective and no longer want to look for other angles.

British photographer R. Coe believes that it is worthwhile to observe from different angles, because we can get the best effect from a good angle in any particular position. He himself often has the experience that while still keeping the vertical frame, he can improve the photos by lowering the shooting height, such as bending his knees slightly or crouching down to shoot. When shooting a distant view or a building, this method can also shoot previously unseen scenes, thus improving the foreground. On another occasion, low-angle shooting can make the leafy branches at the top of the picture less prominent, thus making the subject clearer.

? Squatting or kneeling posture is also useful when shooting children and animals. Standing up straight and taking pictures of the camera often produces an unnatural angle of view. It's much better to squat down and shoot, so that you are on a horizontal line with the subject, as if your eyes are facing your eyes. ? Many times, when we shoot buildings, trees or other tall objects from the ground, the effect is also very good. Backhand should be like this: consciously backhand makes the image neat and the composition balanced. This kind of picture can usually be shot with a standard lens or a wide-angle lens, which is especially suitable for lenses with long or ultra-short focal length. In addition, sometimes people are photographed, especially those with distinctive features? And people who are engaged in some kind of work often take a low-angle backhand shot, which will get more touching results. ?

Photographer t? Woodcock also thinks:? If a photo is taken from the height of the line of sight, its sense of calmness will be more obvious. However, the picture taken in this way is a bit dull. When you encounter a picture with symmetrical composition, it is often better to shoot at a high angle or a low angle to make the picture active. This kind of shooting can make the image have a unique freshness, thus attracting the interest of the audience. ? The effect of low beat points is often more touching. Shooting from a position close to the ground can emphasize the height, strength and contrast of the object, which is a good way to save the flat composition or similar themes. With vertical pictures, the effect will be more obvious.

Looking down at an object from a height, the viewer is in a favorable position, which makes the object appear to have limited strength. The Italian dictator Mussolini knew this before, so he never let his photos be taken from a height. A high shooting point can also produce a quiet effect, highlighting the patterns on the screen and weakening the contrast. Whether shooting at a high or low beat point, the greater the tilt angle between the camera and the vertical plane, the more obvious the effect will be. ?

How to take pictures to attract people's attention? Where possible, I call it. Up, down, big, small, far, near? Here, each overlapping phrase is regarded as a verb-object structure, and the previous word represents action as a verb, which can be understood as that the choice of plane seats is a little higher than that of ordinary planes, the objects taken are a little bigger and smaller than ordinary planes, and the perspective of choice is wider and more accurate than others. In a word, you can do what others do. That is, strive to innovate and give people unprecedented sensory stimulation. Of course, this is the reflection and refinement of my photos for many years, and it is a realm that can be pursued, which may not be fully achieved.

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