Flowers on the river under the moonlight in spring

Zhang ● Moonlight on the Spring River

Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide.

I drift with the tide for thousands of miles, and there is no moon by the river.

The river flows around Fangdian, and the moonlight shines on the flower forest like graupel.

Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.

There is no dust in the sky on the river, and there is a lonely moon in the sky.

Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year?

Life is endless from generation to generation, and Jiang Yue is only similar year after year.

I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.

The white clouds have gone, and Qingfeng is at a loss.

Who will go boating tonight? Where do you miss Mingyue Building?

Poor people wander upstairs for the moon, so they should leave someone to fill the mirror.

The curtain of the jade pot could not be rolled up, but it was brushed back on the anvil.

At this time, I don't know each other. I hope China will shine on you every month.

Hongyan flies in the sky, and fish Long Qian jumps in the water.

Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned.

In spring, the river flows away, and the pond falls in the moon and the west.

The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite.

I don't know how many people return home every month, and the moon is full of rivers and trees.

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Moon Night on the Spring River, praised by Mr. Wen Yiduo as "the poem in the poem, the peak on the peak" (the redemption of palace poems), has fascinated countless readers for more than 1000 years. Zhang Yisheng left only two poems, which were also "a lonely poem, but it was written for everyone".

The title of this poem is very attractive. Spring, river, flowers, moon and night, these five things embody the most touching beauty of life and constitute a fascinating and wonderful artistic realm.

The poet began to compete with the topic, and the topic came to life at the beginning. On the riverside, he drew a magnificent picture of a moonlit night: the river was in the sea and the moon was in the tide. The sea here is empty. The river tide is boundless, as if connected with the sea, with great momentum. At this time, a bright moon was born with the tide, and the scene was very spectacular. A word "destiny" gives the bright moon and the tide a fresh life. The moonlight shines thousands of miles away, where is it not on the bright moon river! In spring, the river winds around Yuan Ye, where flowers and plants are everywhere, and the moonlight falls on the flower trees like a layer of snow. The poet is really a unique skill of Dan Qing. With a slight stroke, he touched the strange "flowers" in the moonlight by the river. At the same time, he skillfully paid the title of "Moonlight on a Spring River". The poet's observation of moonlight is extremely subtle: moonlight washes away colorful things in the world and turns the world into a dreamy Yin Hui color. So "first frost doesn't fly" and "white sand can't be seen", only the bright moonlight. Delicate brushwork creates a mythical and wonderful realm, which makes the moonlit night by the river look extraordinarily beautiful and quiet. These eight sentences, from big to small, from far to near, gradually condensed on a lonely moon.

The clear universe of heaven and earth seems to make people enter a pure world, which naturally causes the poet's reverie and meditation: "Who sees the moon by the river?" When did Jiang Yue take the photo at the beginning of the year? "The poet leaps forward in thought, but closely connects with life and explores the philosophy of life and the mystery of the universe. This kind of exploration has existed in ancient times, such as Cao Zhi's Looking at Ying Shi: "Heaven and earth have no end, life is like frost", and Ruan Ji's "Life is dusty, and Heaven has grace", etc., but the theme of the poem is mostly to feel that the universe is eternal and life is short. Zhang is unique here. His thought did not fall into the trap of predecessors, but turned out a new idea: "Life is endless from generation to generation, and Jiang Yue is only similar every year." "Personal life is fleeting, and human existence is long-lasting, so" endless "life and" year after year is only similar "moon can be * * *. This is a comfort that the poet feels from the beautiful scenery of nature. Although the poet is temporarily sad about life, it is not decadence and despair, but because of his pursuit and love for life. The keynote of the whole poem is "mourning without hurting", which enables us to hear the echo of the voice of the early Tang Dynasty.

"I don't know who Jiang Yue treats, but the Yangtze River sends water" is closely related to the "only similarity" in the previous sentence. Life goes on from generation to generation, so does Jiangyue every year. A lonely moon lingers in the sky as if waiting for someone, but it will never come true. In the moonlight, only the river rapids are rushing away. With the flow of the river, poetry is full of waves, pushing poetry to a more far-reaching realm. There is enmity between Jiang and Yue, and running water is ruthless. The poet naturally turned his brushwork from the natural scenery in the first half to the image of life, which led to the separation of men and women in the second half.

The four sentences of Baiyun are always written in the moonlight on the riverside, thinking about the feelings of his wife and wanderer. "Baiyun" and "Qingfeng Spectrum" are lyrical. The floating white clouds symbolize that the whereabouts of the "boat" are unknown. "Qingfeng Pu" is a place name, but "Feng" and "Pu" are often used as other scenery and places in poetry. The words "whose home" and "where" have different meanings. It is precisely because of more than one place that the poet put forward such a question, a kind of acacia, which led to the separation of the two places, one after another, poetic ripples, twists and turns.

The following eight "poor" sentences bear the sentence of "where" and write about thinking about leaving people's memories. But the poet doesn't directly think about a woman's sadness and tears, but uses the "moon" to set off her nostalgia, and the sadness and tears come out. The poem personifies the "moon" and the word "wandering" is extremely vivid: first, the clouds are swimming, so the light and shadow are uncertain; Second, the moonlight lingers upstairs, pitying the thinking woman. It wanted to accompany Sifu and relieve her troubles, so it sprinkled soft light on the dresser, on the jade curtain and on the anvil. Unexpectedly, I miss my wife more than anything. She tried to get rid of the annoying moonlight, but the moonlight "rolled away" and "brushed back" and sincerely attached to her. Here, the two spoony actions of "rolling" and "brushing" vividly show the anxiety and confusion of thinking about women. The feelings caused by moonlight deeply troubled her. At this moment, isn't the moonlight shining on the lover in the distance? * * * Looking at the moonlight, we can't know each other, so we have to rely on the moon to send love to you from afar. Looking up to the sky: Hongyan flies far away, but without the light and shadow of the moon, flying is futile; Looking at the river, fish jump in the deep water, just causing ripples, and jumping is useless. "The feet are in the fish intestines, and the heart is full of goose feet." I can't send a message to the fish goose who is in charge of delivering letters now-it's time to add some worries!

In the last eight sentences, the poet used fallen flowers, flowing water and waning moon to set off homesickness. "Flat Boat" even dreamed of going home-flowers fall into a secluded pool, spring will be old, people are still far away, what a pity! Rivers flow in spring, not only the natural springs, but also the youth, happiness and longing of wanderers. The moon fell on the pond, setting off his miserable and lonely mood. Thick sea fog hides the falling moon; Jieshi and Xiaoxiang are far apart, and the road is so far. The word "heavy" aggravated his loneliness: "infinite road" also deepened his homesickness infinitely. He thought: I wonder how many people can take the moon back to their hometown on this beautiful night by the river! His secret love, accompanied by the light of the waning moon, was sprinkled in the Woods by the river. ...

"The falling moon shakes the trees all over the river", the "shaking feelings" in this sentence-endless thoughts, intertwined with the feelings of moonlight, wanderers and poets, fell on the trees by the river, and also fell on the hearts of readers, which is fascinating.

"Moonlit Night on the Spring River" transcends the previous landscape poems that simply shape mountains and rivers, the philosophical poems that "yearn for the infinity of the universe and mourn the moment of my life", and the love poems that express the feelings of children leaving. Poets have injected new meanings into these common traditional themes, blending poetry, painting and philosophy. With the help of the description of the moonlit night on the riverside, they praised the wonderful scenery of nature, eulogized the pure love among the people, expanded their sympathy for the wandering women, and combined it with the pursuit of life philosophy and the exploration of the mysteries of the universe, thus integrating it into a kind of love, scenery and management. The poet deliberately hides the profound and beautiful artistic world in a vague artistic atmosphere, and the whole poem seems to be shrouded in an ethereal and confused moonlight, attracting readers to explore the true meaning of beauty.

The whole poem takes spring, river, flowers, moon and night as the background and the moon as the main body. "Moon" is a mixture of scenery and scenery in poetry. It beats the pulse of the poet, and it is like a bond of life in the whole poem. It runs through ups and downs, touching the scene, and poetry fluctuates with the birth and death of the moon. The moon went through the process of rising, hanging high, setting in the west and setting in the sun overnight. Under the moonlight, rivers, beaches, the sky, Yuan Ye, maple trees, flower forests, flying frost, white flowers, boats, tall buildings, dressing tables, anvil stones, flying geese, diving ichthyosaurs, sleepless homesickness and wandering wanderers form a complete poetic image, showing a picture full of philosophy and life interest. The color of this picture scroll is light and rich. Although sketched in ink and wash, it is "ink in the colorful", showing colorful artistic effects from the complementary of black and white and the coexistence of reality and reality. It is like an elegant China ink painting, which reflects the beautiful artistic conception of the moonlit night by the river.

The rhythm of poetry is also very distinctive. The poet's emotional melody in his poems is extremely tragic, but it is neither a sad bamboo nor a complicated string, but a serenade or dream like a violin, which is meaningful and meaningful. The inner feelings of poetry are so warm and deep, but they are natural and peaceful, as regular and rhythmic as the pulse, and the rhythm of poetry fluctuates accordingly. The whole poem has 36 sentences, four rhymes and nine rhymes. It started with the level of Geng rhyme, followed by the level of Yue rhyme, Zhen rhyme, Paper rhyme, You rhyme, Grey rhyme, Wen rhyme and Ma rhyme, and ended with Yu rhyme. The poet mixed Yang rhyme with Yin rhyme, alternating high and low tones, and the order was loud (Geng, Shuo and Zhen)-subtle (paper)-soft (especially, gray)-loud (literary, hemp)-subtle (encounter). The whole poem changes with the change of rhyme, and the use of flat tones is staggered, singing three sighs and calling around, which is repetitive and continuous, with a strong and beautiful sense of music rhythm. This change in pronunciation and charm is in the same strain as the ups and downs of poetry, which can be described as a harmonious combination of sound and text.

Moonlit Night on the Spring River is a lyric poem in Yuefu in Qing Dynasty. Wu sheng's song. Who is the creator? Opinions vary. Or "not detailed"; Or what Chen Houzhu did; Or what the Emperor Yang Di did. According to Guo Maoqian's Yuefu Poems, besides Zhang, there are two poems, one by Zhuge Ying, two poems and one by Wen. They are either narrow in structure or too rich in content, far less than Zhang's articles. This ancient topic, in Zhang's hands, made generate shine brilliantly and gained immortal artistic life. Today, people don't even ask who is the original creator of this old topic, but the real creative right of the poem "Moonlit Night on a Spring River" belongs to Zhang.

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Flowers on the river under the moonlight in spring

Author: Zhang

Lian Haiping is in the spring tide, and the bright moon is born in the sea.

In spring, the river tide is mighty, connected with the sea, and a bright moon rises from the sea, as if spewing out with the tide.

I drifted thousands of miles, where there is no moonlight by the river! ◆

The moonlight shines on the river, and it shines thousands of miles with the waves. There is no bright moonlight somewhere on the river.

◆ The river flows around Fangdian, and the moonlight shines on the forest. ◆

The river winds around Yuan Ye, where there are many flowers and plants, and the moonlight shines on the blooming trees like fine snow beads.

The frost flows in the air, but it is not visible on the white sand. ◆

Moonlight falls from the sky like frost, and I can't feel its flight. It makes the white sand by the river invisible.

◆ There is no dust in the sky, and there is a solitary moon wheel in the sky. ◆

The river and the sky are the same color, there is no dust, only a bright solitary moon is hanging high in the air.

Who saw the moon by the river for the first time? Photo taken by Jiang Yuehe at the beginning of the year? ◆

Who first saw the moon by the river, and when did the moon on the river shine on people for the first time?

◆ Life is endless from generation to generation, and Jiangyue is only similar every year; ◆

Endless, endless, only the moon on the river, year after year, always similar.

I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water. ◆

I don't know who is shining the moon on the river, and the Yangtze River is constantly conveying running water.

◆ White clouds are gone, and spring maple is endless. ◆

The wanderer slowly left like white clouds, leaving only the homesick woman standing in the parting green maple.

Who is the boat tonight, and where is the Mingyue Building? ◆

Which vagrant is drifting on the boat tonight? Where is someone lovesick upstairs in the bright moon?

Poor people wander upstairs and under the moon. You should leave someone to repair the mirror table. ◆

The moonlight that keeps moving upstairs should shine on the dressing table of people who leave.

◆ The jade curtain cannot be rolled up, but it can be brushed back on the anvil. ◆

The curtain of the beautiful boudoir can't roll away the moonlight, but it blows away the moonlight on the stone, but it comes again.

At this time, I don't know each other. I hope China shines on you every month. ◆

At this time, I look at the moon but I can't hear each other's voice. I hope to shine on you with moonlight.

The swan goose flew too far and the ichthyosaur dived into the water. ◆

The swan that delivers letters can fly far away, but it can't fly to you with moonlight. The messenger fish, Long Qianchen, can swim far, but it can't reach you. Can only cause ripples on the water.

◆ Yesterday, I dreamed that the idle pool had fallen, and the poor spring had not returned. ◆

Last night, I dreamed that the flowers fell into the leisurely pool, and the spring did not return.

◆ In spring, the river flows away, and the pond falls in the moon and the west. ◆

The river flows away the spring water, and the spring water will run out. The moon sets late in the pool, and now it's slanting west.

◆ The slanting moon hides sea fog, and Jieshi Xiaoxiang Road is infinite. ◆

The slanting moon slowly sinks and hides in the sea fog, and the distance between Jieshi and Xiaoxiang is infinitely far away.

◆ I don't know how many people return to the moon, and the moon shakes the tree. ◆

I don't know how many people can go home by moonlight, only the sunset is swaying away from love, and the river is full of trees.

Interpretation of Zhang's A Moonlit Night on the Spring River

Late at night, I read Cheng's Notes on Zhang Chunjiang's Flowers and Moonlight Night, and I was amazed and encouraged by many wonderful comments of predecessors' poetics. But on closer inspection, although there are different opinions about pearl jadeite, there are still disadvantages. So, at the risk of being laughed at, I interpret this eternal swan song with my humble opinion. Maybe one or two sentences are desirable, so I won't waste my midnight study.

Flowers on the river under the moonlight in spring

Only these five words are listed here, just like colorful tapestries. Spring, river, flowers, moon and night are all beautiful and affectionate in China's literature and in the hearts of China literati. Although it is called Jinxiu Brocade, it is not red and gorgeous, luxurious and decadent. Imagine first and see what good poems he can dig up below.

Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide.

The first sentence points to the spring river and the moon, hiding the night This river is connected with the sea. We don't care where the river is or where the sea is. The river tide connects the river and the sea, and it can't tell the Qingjiang River from the sea, and the sea from the sky. The spring river is connected with the sea, which shows the great weather. The tide rises and falls, and the bright moon comes out. This scene is unseen by the world. Is Zhang Fei in the sky? People can't help but think of "the moon is now full of the sea" in Zhang Jiuling's "Looking at the Moon and Thinking about the Distance", which is good, but without the support of the tides, the bright moon will naturally be less dynamic and artistic.

I drift with the tide for thousands of miles, and there is no moon by the river.

What's the point? The dictionary of applied Chinese explains it very well-"the light color of water." (3) "So Su Shi said," The water is bright and sunny. What do you mean, "."Go with the flow for thousands of miles "? The bright moon, of course. Let's look at the colors flowing on the river waves. Who can tell whether they are water waves or light waves? This is not the realm of heaven. What is it? And look at the endless moonlight, drifting with the waves, all the mountains and rivers are shrouded in the moonlight in spring, so it is not Zhang Jiuling's "Tianya * * *" at this time. These two sentences once again spread the scenery of the moonlight and flowers on the riverside.

If the bright moon in Zhang Jiuling is a scene of the world, then the bright moon in Zhang is a scene of the sky, which is even more wonderful for the world.

The river flows around Fangdian, and the moonlight shines on the flower forest like graupel.

The title of the article is "Moonlit Night on a Spring River". The first four sentences only talk about the benefits of moonlight on the riverside, and you can't see flowers without flowers. The river turns around, bypasses Tingzhou, and the moon shines on the flower forest. What are these flowers like? Flowers are like ice beads, crystal clear. This flower is no ordinary flower. This metaphor is fantastic and wonderful.

Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.

Xu Zeng said, "Is there frost in the spring night? ⑤ "I asked: How do you know there is no frost in spring night? In fact, from the beginning to here, poets are creating a broad, big, clear, cold, quiet and illusory realm. As the old saying goes, "spring is chilly", it is not surprising that there is frost, so there is no need to imagine it. Frost is white, sand is white, why is it white? Some people say that frost sand confesses. I said: Without the moon, can you see the whiteness of frost and sand? Therefore, although the poem is frosty, it is actually written on the moon. These two sentences are secretly writing about the moon.

There is no dust in the sky on the river, and there is a lonely moon in the sky.

These two sentences are written on the moon. In the above ten sentences, the word "month" appears four times, but actually each sentence contains one month. "I drift thousands of miles", "the river flows around Fangdian", "the frost flows in the air but I can't feel it flying", "there is no white sand on the pavilion, and there is no dust on the river sky" and so on. There is no "bright" moon in the sentence, but there is a hidden moon. "There is no dust on the river", only the moon can be seen, which shows that the moon is the essence of poetry. However, the poet said-this month is a lonely month, saying that the moon is lonely and people are lonely. So I think the poet spends so much time talking about the moon, in fact, to talk about people. Let's talk about people below.

The above is the first major part of poetry. Writing about the moon in the sky from the boundless sky, the cold spring night and the dreamy river flowers to express the moon in the vast universe is actually paving the way for writing people below.

Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year?

Who saw the moon for the first time? At the beginning of the year? The poet is not sure whether people see the moon or the moon sees people. The moon? People? Man, the moon. This is the unity of man and moon. Poetry also transferred from heaven to earth and entered the world.

Life is endless from generation to generation, and Jiang Yue is similar year after year.

Life stretches from generation to generation for thousands of years. However, Jiangyue is eternal, and how small and short-lived people are compared with Jiangyue! But from the point of view of human reproduction, it is long.

I wonder who Jiang Yuezhao is? But see the Yangtze River send water.

Compared with the eternal moon, it is even more rare for a short life to shine in the moonlight. So who can be photographed from the perspective of Jiang Yue's eternity? I saw the river rolling, and the water was just soup.

The above six sentences should be said to be the second largest part of the poem. The poet turned his eyes from the vast universe to the world, lamenting that life is too short, "I don't know who Jiang Yue shines on", but he also saw the continuous development of mankind-"Life is endless from generation to generation, and Jiang Yue is similar year after year." Life and the moon seem to be eternal, and this philosophical thinking shines with optimism, self-confidence and initiative of human beings. This rational thinking on life seems to deviate from the following theme of "lovesickness and sadness", but it is actually unified. Man's greatness lies in emotion. It should be said that it is natural to sigh excessively to "lovesickness and sadness" in life.

The white clouds have gone, and Qingfeng is at a loss.

What is the use of drawing white clouds? White clouds are long, but long. When you think of love, there must be sad words. There is really a "green maple is hard to worry about." But why is it worrying?

At this point, the poem has another meaning, and the end is the third part of the poem, which means "emotion"

Who will go boating tonight? Where do you miss Mingyue Building?

I think the river is rising, the moonlight is like frost, the horizon is hovering, and a boat is moored. Can you not be lonely and depressed? This "whose home" and "where" is a good question, which has changed from a lonely boating on the river to a woman upstairs in the bright moon. What about the woman upstairs?

Poor people wander upstairs for the moon, so they should leave someone to fill the mirror.

Wandering on the moon? What is it wandering about? Why are you wandering? Is the moon a journey to the end of the world? Has the end of the world become a month? Otherwise, what is wandering upstairs? The moon shines on the dresser, isn't there another month in the mirror? Hehe, the moon in the sky is in the mirror. I can't help thinking of the "romantic mirror" in A Dream of Red Mansions. When I took a photo, the beautiful Xifeng waved to me.

The curtain of the jade pot could not be rolled up, but it was brushed back on the anvil.

This month, it's really interesting, "I can't roll it up" and "I'll pay it back." Is it a month? Or the soul of a traveler? So dependent and in love.

At this time, I don't know each other. I hope China will shine on you every month.

We can see that the word "Xiang" has finally appeared. Although the poet doesn't say the word "love", he keeps talking about love. Isn't the moon that can't be rolled away and brushed back full of love? Love for the moon is love for people. People can't be alone in love. I think this two of a kind is the word "phase" of love, and it will appear sooner or later. Let's look at "looking at each other" and "listening to each other". The woman on the bright moon upstairs is far away from the man on the boat. Naturally, you can't see each other or hear each other. Why does the poem say "I don't know each other"? Why? The key is this month. This month is not another month, this month is not that month. The month is a journey, the journey is a month, the month is a person, and the person is a month. The moon is in the sky and has entered the mirror. Can't we look at each other? It faces each other. But the moon is silent, and the Jewish soul is silent, so it is said that "the other shore does not smell."

"I don't know each other at this time" is like a man's language, and here is a woman's lens. The man imagines himself in a boat in the river, and the bright moon in the sky enters the stage of the woman. A man looking at the moon is looking at people, but looking at the moon is a dream. Between dreams and non-dreams, he imagined a woman upstairs in the bright moon. What about women? Of course, so do women. two of a kind is so nice. So the woman said, "May China shine on you month by month".

Hongyan flies in the sky, and fish Long Qian jumps in the water.

However, Yuehua doesn't seem to follow the wishes of women and doesn't see her lover. The woman looked up at the sky, and there happened to be a swan flying alone. Naturally, she wants Hongyan to bring her deep love for men, but I'm afraid Hongyan won't fly for long. The woman looked down at the ichthyosaur in the water again. I'm afraid the fish and dragons jumped into the bottom of the water, leaving only a ripple of the river for women. The woman gawked at the ripples. Her heart seems to be rippling with the waves. Where did her heart go?

Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned.

She was dreaming, too. I don't dream every day, do I? I met a man in my dream. However, the flowers in her dream had fallen last night, and the woman thought, am I old? Why didn't he come back, or didn't want to come back at all? But the poet doesn't say "falling flowers" directly, but dreams, dreams, and the word "leisure" first. Idle dreams and falling flowers expose women's fear of aging to seemingly nothingness, just like Feng's "Lonely Dreams of Yuanyang Fragrant Path" in Southern Tang Dynasty. The flowers have fallen, and spring is already over half. You, you, why don't you go home? It's time to order flowers again Let's see how the poet gathers the spring, the river, the flowers and the moon in the night step by step.

In spring, the river flows away and the moon sets in Hechi.

In the middle of spring, the hateful river keeps running, and spring will not be exhausted. Therefore, Li Zhongguang, the queen of the Southern Tang Dynasty, said, "Out of the water, spring comes." . Note that the word "spring" was pointed out twice above. First, it is said that spring has passed halfway, and then it is said that spring is about to run out, which shows the heart of leaving spring. However, the water is ruthless, and spring can't stay. Flowers are gone, spring is gone, and the moon is also oblique to the west. Will it be far from the setting? At this time, the woman, holding the railing, looked at the moon, and the moon was about to fall. Is she looking at the moon? What a look at people! Regrettably, the moon, which contains the soul of the journey, will also leave. Alas, alas! Even if you pat the railing all over, what can you do! It was given to Jiang twice.

The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite.

No matter how much a woman yearns for the moon, she sinks into the sea bit by bit and goes with the flow. At this point, the woman's heart is not broken. The moon was counted twice. The moon sank to the bottom of the sea, and the flowers, spring and moon were gone. At this time, with the ups and downs of women's spiritual sustenance, women will naturally think: What is the way to meet? From the coast of the sea to the water of Xiaoxiang, "the road is long, and it is Xiu Yuan, but Xiu Yuan." . There is no moon, but there is no road. Moon, moon! You all go, go! Women can't help shouting in their hearts.

I wonder how many people will return every month. The falling moon shook the trees by the river.

The moon has set and people have not returned. But the feelings in my heart are highlighted as the flowers fall, the spring goes and the moon sinks. On the river, there are no flowers, no spring, no moon, only deep feelings-ripples. ...

The last sentence also points out two months. The moon is gone, and it becomes affectionate. So spring, river, flowers, moon and night are the most obvious words. The moon is not the moon, the moon is the human soul, and the moon is human love. The last sentence says that "the moon sets and shakes the mood" is not just a stroke, but contains profound meaning. Flowers fall first, spring goes and comes again, and the moon is heavy. The sinking of the moon is not over, but it is obvious. This is the general idea, this is the gist.

Cheng's Zhang Chunjiang's Notes on Flowers and Moonlight Nights lists 19 predecessors' comments, all of which are wonderful, and only one person can win them, and points out that the essence of poetry is the word "love". He said: "This will destroy the flowers and the moon on the Chunjiang River, but it will produce love words, indicating that the moon can fall, the spring can be exhausted, the flowers can be absent, and love can't be obtained without it." ⑦"

And Tan mentioned love twice, but they only used love as a common way to explain this poem, without using "love" to point out the theme of this poem. Mr. Gai Hu Yinglin, Tang Ruxun, Zhong Xing, Tan, Zhou Jun, Wang Fuzhi, Wu Changqi, Guan Shiming, Chen Zhaokui, Wang Daokun, Jiang Yikui, Wang Shimao and Huang Jiading are all great poets. This is the "shortcoming" I mentioned at the beginning, which shows that this poem is difficult to solve.