The fate is cruel and the feelings are disappointed. What did the "pine nuts" experience?

Since childhood, my father only loved my sister on his deathbed. The lively and lovely pine nuts always made ugly faces to please his father without thinking. When he grew up, pine nuts were beautiful and dignified music teachers. In a muddle, he took the charge of stealing for Long Yang, a student. As a result, he was bitten by Long Yang and was expelled from the school. The unexpected death of this right path made the life of pine nuts irreversible. The film unexpectedly conjures up a kind of credibility from the absurd narrative structure and the fast montage of parallel crossing. This credibility comes from our original song. There was a time when everyone was so pure and fearless, with empty trust and affection for the world and others. However, with the gradual growth of age, I gradually accepted all kinds of blows and barriers, became discouraged and indifferent, knew how to measure and distance, and retreated to my own position. The truth of feelings is cruel, not as warm as the legend at all. The truth is that it often turns into a master-servant relationship, and often one party falls in love with the other, which means that it always needs to bear hard labor and patience in this relationship. The one who is loved is above it, and the feelings are used as a bargaining chip to control another person. This variation and imbalance eventually crush love. Megumi Mizusawa is the woman opposite to the image of pine nuts. She served her sentence in prison with Matsuko and became good friends after she got out of prison. Megumi Mizusawa is very strong and has a strong determination to life, especially in choosing men. She has reason and insight. But her will is based on a stable partner. After she got married, she took her husband's surname and became a famous AV actress for the sake of her husband and wife's career. Megumi Mizusawa's amazing old-fashioned, strong sense of humor, and pine nuts' plain and decadent, formed a sharp contrast. In the same similar and cruel fate, their postures and endings are so different. Why can't pine nuts live like her? Is it because Matsuko didn't have a fixed and active partner in the end, or is it because life in Megumi Mizusawa is just as miserable? Behind Hui's tenacious struggle, it is the unsightly reality of doing sex trade in front of her husband and shaping herself into a simple sex doll to please the male society. No wonder Megumi Mizusawa couldn't help sobbing behind the glamour and success. The biggest difference between Megumi Mizusawa and pine nuts is that pine nuts live for feelings, while Megumi Mizusawa lives for life. In this film, women are programmed as a toy whose fate is dominated by men. Pine nuts are as humble as Megumi Mizusawa, but Megumi Mizusawa still struggles to survive in many insults and fetters; Pine nut has more difficulties than Megumi Mizusawa. She lacks faith in herself and is finally swept out of the house by life. Men become a passport for women to be accepted by the world and life. They should live humbly, as sex symbols or grimace dolls, which is their deserved fate. But if they want to gain a foothold in this world, these dignity and physical efforts are far from enough, and they must get help or encouragement from men. Among these lowly and exaggerated female characters, the film author ponders over women's right to live and their unavoidable gloomy dependence. Where is their way out? They can live on their own ability, but their spirit still depends on the shoulders of men. One day, when they find that they can still stand up without this crutch, their future really appears in front. The strong color processing of the whole film, the rapid switching of parallel and cross montages, the characters are sometimes serious and sad, and sometimes ridiculous, and the rapid reversal of the story reveals a cynical temperament; However, the ferocious grimace, excellent and decisive music configuration, and some sudden and sad details show a kind of bitterness and true feelings. The whole film is laughing at this blind and infatuated girl. However, Miss Matsuko has stubbornly come from the image of a cohabiting girlfriend who endured domestic violence, a little mistress on Wednesday, a bathing massage girl, a miss midnight, a murderer, a good wife and mother, an eight-year prison life, a self-reliant hairdresser and a virgin. She can die for any man, but men don't care if she can live. In the end, men have been defeated or abandoned her, and she is still alive. The more she lives, the more paranoid she is, the more crazy she is, and the more desperate she is. At the age of 53, she was able to stimulate the desire for rebirth and wanted to start over. Dragging a heavy and old body everywhere looking for vitality. Unfortunately, fate no longer put up with her foolishness, and when she wandered alone on the river bank, she instructed the child's stick to kill her.