On the urgency of writing to Xin Qiji

The first one to enter the hospital: the shirt is fluttering, body of work.

On the afternoon of June 5th, the reporter took a bus to four winds Zhacun, Yao Qiang Town, Xin Qiji's former residence. Xin Qiji was born here on 1 140 (the tenth year in Shaoxing, Song Gaozong). On the southeast side of Zhacun village in four winds, there is a magnificent imitation Song architectural complex, which stands out in a large wheat field around. Looking from the road at the head of the village, it really feels like a big house in the Song Dynasty. This complex is the newly-built former residence of Xin Qiji. Under the leadership of Zhang, the stationmaster of the town cultural station, the reporter walked along the village east highway and arrived at the buildings facing south in 5 minutes.

Zhang told reporters that Xin Qiji's former residence covers an area of 29.3 mu with a construction area of more than 4,000 square meters. The whole building adopts the architectural style of Song Dynasty, which is simple and dignified. The layout of the building is three courtyards, and the pavilions in each courtyard are patchwork, which complements the landscape in the courtyard.

The reporter saw that the gate of this group of imitation Song Dynasty buildings is the majestic four-poster and three-door stone workshop with five big characters inscribed by Wu Zhongqi, a famous calligrapher in China. The whole archway is magnificent. Passing through the stone square is a hexagonal pavilion. The front of the stone tablet is engraved with Jia's portrait, and the inscription below is "Xin Gong Jia Xuan, whose real name is You 'an, was born in Sifengzha Village, Licheng County, Jinan, and was born in May Mao 1 1, a native of Shaoxing, Song Gaozong." On the back, it is engraved with "the whole story of the assistant minister of Song Bing Department giving Zijin fish bag Jiaxuan". Meditate on the inscription, and the tragic course of the poet's life will be vivid.

Behind the pavilion is the center of the first courtyard, where stands the majestic statue of Xin Qiji, 2.8 meters high, which is made of granite sculpture featuring Xiuchuan Green, a specialty of Xin Qiji's hometown Licheng. Surrounded by green trees and flowers, I saw Xin Qiji in the statue wearing a Confucian scarf, wearing a shirt and holding a treasure knife, staring at the distance with his head held high, and the patriotic feelings of a generation of poets who were loyal to the country were vividly portrayed.

The second admission: synonymous with righteousness, courage and loyalty

Entering the Second Hospital, the first thing I saw was the tablet of Jiaxuan Hometown, which is about 3 meters high and engraved with four gold-plated characters of Jiaxuan Hometown inscribed by the famous calligrapher Ouyang Zhongshi. The base of the monument is a high platform, and the periphery of the platform is carved stone pillars.

Bypassing the monument of Jiaxuan's hometown, the magnificent main exhibition hall comes into view. The main exhibition hall consists of three exhibition halls, namely, the middle, the east and the west, all of which are wooden buildings with carved beams and painted buildings. There is a plaque of Xin Qiji Memorial Temple in the exhibition room, and couplets are hung on the pillars: "The real pipa sings Dongpo and does not return to the river, the beautiful piano mourns the Southern Song Dynasty, and yan zhen flies south". The plaque and couplets were written by Mr. Guo Moruo in 1959. Stepping into the exhibition room, the bust of Xin Qiji at the entrance is awe-inspiring. The exhibition room is surrounded by calligraphy, painting, photography, woodcut, sculpture and other artistic means, forming a 62-meter-long exhibition belt, which vividly shows Xin Qiji's bold and tragic life. Journalists and other tourists stopped to watch, and admiration came into being.

"Xin Qiji is a fellow in Jinan!" Zhang told reporters. Xin Qiji is a native of Licheng, Jinan. He was born in the occupied area of Kim. In the 31st year of Shaoxing (1 16 1), he joined the uprising army led by Geng Jing and served as the secretary in charge. The next year, he was ordered by Geng Jing to go to Jiankang to contact the Southern Song regime. On his way back to the north, he heard that the traitor Zhang Anguo killed Geng Jing and paid the gold, so he led fifty riders into Jinying, captured Zhang Anguo alive and led the people to the Song Dynasty. After Du Nan, he successively served as a judge of Jiankang Prefecture, a prisoner in Jiangxi Province, a transshipment ambassador in Hubei Province, and an ambassador in Hunan, Jiangxi and Fujian. He went to the countryside many times and tried his best to plan the Northern Expedition. He resigned twice because of disagreement with the peace faction, and lived in Shangrao and Qianshan for nearly 20 years. Ning Zong Jiatai four years (1204), Han? Zhou, who was preparing for the Northern Expedition, was once a magistrate in Zhenjiang and was soon removed from office. He fell ill because of anxiety and died on 1207.

According to the traditional orientation of "Wen Wudong Xi", the East-West Exhibition Hall consists of statues and murals. Among them, the west exhibition room is "loyal to the soul". In the middle of the room, there is a group of statues of Xin Qiji. He wears a shirt and inspects the enemy's situation. It vividly depicts the heroic demeanor of Confucian generals in conquering the army on the pommel horse and fighting against nomadic people, and reproduces the poet's dream of "watching the sword after drinking". Eight hundred miles down the main pipe and fifty strings across the Great Wall. Murals from "Teaching of Medicine" to "Capturing the Rebel" depict the vivid scenes of Xin Qiji crossing the river on horseback, breaking into the military camp and capturing the traitor alive, which are both physical and mental and breathtaking.

The East Exhibition Room is a "pronoun family", and the statue of Xin Qiji is in the middle of the exhibition room. The momentum is compelling and the brow is locked, which reproduces the depression and melancholy that the anti-Golden hero has no way to serve the country and his ambition is hard to pay. Murals, from "Ten Treatises on Meiqin" to "No Way to Serve the Country", show the patriotic poet's pure heart of serving the country.

Third, into the hospital: charity is rare.

"Xin Qiji is not only a national hero, but also a generation of literary masters!" Pointing to the mural, Zhang said that his ci has a wide range of themes and rich contents, among which patriotic ci and pastoral ci are the most prominent. Most of his patriotic words express his ambition to serve the country, expose the shameful acts of the capitulators and express his grief and indignation. They are far-reaching in artistic conception, magnificent in momentum and heroic in style. His poems describing rural scenery praised the mountains and rivers of the motherland, and also used the pride of mountains and rivers and lingering poetry and wine to relieve his mental depression. Picturesque scenery, light style, delicate and indifferent style.

On the east side of the East Exhibition Room, under the shadow of a bamboo forest, a wooden door was gently pushed open and came to the backyard-the third yard. The backyard is a courtyard imitating the folk houses of the Song Dynasty, which reproduces the flavor of the times of the poet's life. Antique buildings such as pools, library pavilions and discussion kiosks slowly came to our eyes, and reporters seemed to stroll by in the era of 800 years ago. The reporter noted that all courtyards are surrounded by gardens, flowers and trees, quiet and elegant.

Liu Naichang, a professor at Shandong University, believes that Xin Qiji is a hero with both literary style and martial arts. Although he enjoys a high reputation and great influence in the field of ci poetry, it is not comprehensive enough to regard him as an outstanding patriotic poet. Many of his existing more than 600 poems are famous, such as Nian Nu Jiao, Shui Long Yin and Bodhisattva Man in the Banquet Pavilion by Deng Kang, all of which are his works in military and political positions. Therefore, Xin Qiji can basically be called a hero's words. "Xin Jiaxuan, the dragon in the word."

In history, Xin Qiji was a national hero who devoted himself to the reunification of the motherland, and also a versatile writer. His poems and essays were quite influential in the late Song Dynasty, but it is a pity that Jia was lost after the Ming Dynasty. There are only 120 poems in this edition, which is far from the whole leopard. Jia Xuan's creation takes ci as the highest achievement. There are four volumes of Ji Gu Ying Ge Song Edition Jia Xuan Ci, and Yuan Edition Jia Xuan Long and Short Sentences 12. Deng Guangming's Annotation on the Chronicle of Jia Xuan's Ci has more than 620 words, which is the most complete.

As the leader and banner of the patriotic ci school in the Southern Song Dynasty, Xin Qiji inherited Su Shi's bold and unconstrained ci style and the tradition of patriotic ci writers in the early Southern Song Dynasty, expanded the scope of ci expression, broadened the realm and diversified techniques, and incorporated poetry, prose, ci fu and hundreds of idioms in history. His language is rich and colorful, and he is a master of bold and unconstrained ci, which has promoted the change of ci style and is of great significance in the history of ci. There are also a large number of beautiful and graceful works in his ci, which reflect the author's spiritual life and artistic attainments in many ways. It can be said that Xin Qiji's meritorious service and literary contribution are rare among ancient historical figures.