Cinema of the Wind

After watching this movie, the main feeling is that I found that I seem to like Hana Kuroki. She is only a supporting role in this film. I always look at her and feel familiar, but I can't remember where I have seen her. After watching it, I found that she is Hana Kuroki who plays Every Day is a Good Day.

She is not the beauty she first saw, but the kind of beauty that looks better and better as she looks. Jonah, who plays Asada, has always been obsessed with Asada's political ambitions and silently supported him, which is also the appearance of my favorite girl.

Ok, let's not talk about Sister Hua. Let's go back to the movie.

Mao Asada's films are based on Mao Asada's Mao Asada and The Power of Album.

So, basically, these are two stories. Although the story as a whole is indeed connected and clear, the sense of separation is still obvious. And you don't have to taste it so carefully, but you can feel that because there is no focus, both sides are a little worse. It's like I can knock me down with one punch, but the strength of one punch is replaced by two punches, and I'm still standing well.

The first half of the film is very relaxing and enjoyable. I thought political ambition would be the climax of his story after he went to Tokyo, because he had to face two lines: career and love. Just when I was full of expectations, the plot took a turn for the worse, the political ambition was "relaxed" and the love part was not mentioned at all, and then the story was dragged into the second half of the 3 1 1 earthquake.

What follows is another story, and what I want to express is the lack of motivation caused by some unfocused things. Whether Xiao Ye volunteered to clean up the displaced photos in the earthquake or took a family photo for Lizi, people felt that the scene was not so beautiful, and even felt procrastinating.

Moreover, the screenwriter should also consider the relationship between the content in the second half and the Asada family in the first half, so as to become a whole. At first glance, it really seems quite coincidental. When Zheng Zhi recalled his father taking photos of himself and his brother, he suddenly thought of how to help Richard who lost his father in the earthquake to take a family photo. However, this still can't be refined …

In my opinion, there are many problems in this film, so I won't spit them out one by one. But it doesn't affect my love for it at all. Perhaps because of my love for it, I found many problems more sensitively. I subconsciously think it can be better, so that it can be more liked.

Besides movies, Asada's photography concept also inspired me. There are many people who like photography now, and the threshold for photography is very low. No matter who you are, you can take photos by picking up your mobile phone, and there are many "teachers" who teach you mobile phone photography. In addition, uncles and aunts carrying long guns and short guns in the garden are also in droves. Either way, how many can really be called photographers?

I like photography and often go out to take pictures. At present, it is the kind of general flow that prides itself on taking beautiful sugar water tablets. However, slowly I am also thinking about how to make it different and how to make it more content and meaningful.

Asada Masahiro's Asada family must be a model worth learning. I look forward to making some different works with content one day. Besides, I don't know why. I think I can do it.