Traditional Culture Encyclopedia - Photography major - Fine brushwork peony-bean green coloring steps (transferred to Li Xiaoming)

Fine brushwork peony-bean green coloring steps (transferred to Li Xiaoming)

I once encountered a problem in the group, why is bean green dirty? In fact, the painter used ink.

This is Li Xiaoming's work and his steps.

1, Douqing is a representative variety of light-colored flowers in peony. The color is white with green, the petals are crystal clear and have a jade-like texture. Hook the center line, the flower head line should be light and the leaves should be straight.

2. Flower heads should be painted with pale white powder as background color, greenhouse juice green as background color, leaves with turquoise (grass green+a little phthalocyanine blue), reverse leaves, stems, branches and tender leaves with yellowish juice green, and background with navy blue (phthalocyanine blue+ink+a little azurite). Among them, the background color should be Tu Ping several times, and the color should be thickened layer by layer, which takes about 7-8 times to be uniform.

3, the flower head dyed three green+a little green color, deep roots and shallow edges. The reverse leaves and stems are dyed grass green, and the front leaves are dyed dark blue.

Color (cyan+ink) is dyed separately, leaving a waterline at the edge. The tip of stipules was dyed to the root by Zhu.

4. The flower heads continue to be dyed light green. In this step, we should pay attention to the light and shade relationship between petals, not just describe the change of inherent color. The positive leaves continue to be dyed dark blue, and we should also pay attention to the light and shade changes of the large group. The edge of sepals is stained with light vermilion, and the tip of stipules is stained with slightly thick vermilion. The reverse leaves are dyed light grass green, and the waterline can be left at the edge of the main reinforcement. Spores are also dyed with Zhu Qing, with dry and light old ink in the middle and waterlines on both sides. The young leaves are dyed light blue and green.

5. The flower head is dyed with dark green (grass green+a little ink), then the bright side of the petal is dyed with white powder, and then a little light green is carefully dyed from the tip of the petal to the root, leaving a waterline on the edge to carve the transparent jade texture of the petal. White powder dotted the core, outlining the outline of filaments. After the front leaf cover is dyed with light grass green, the main reinforcement is restored with medium concentration rouge, and the veinlets are outlined with light dark green. After the branches are slightly dyed with light rouge, they are re-tied along the center line with light dark blue. Sepals, stipules and reverse leaves are gathered again with light rouge, and the veinlets of reverse leaves are outlined at the same time. The tips of young leaves were dyed thin green to the roots, and they were dyed with faint rouge again. Finally, in order to achieve color harmony, three strong cyan colors can be used to inscribe on a dark background.

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