Cartier Bresson's masterpiece.

1954, dozens of Bresson's early representative works were rearranged, and an anthology entitled "The Decisive Moment" was published. Designed by Amway Matisse, it has become a very advanced collection of works. Another book, Europeans, designed by Miro and explained by Sanotel, is an excellent collection of works that fully shows the European character. During this period, he also visited Egypt, China, India, Indonesia, Myanmar and other places for interviews. 1955 published two China, and Paris Island and other collections.

2. A large solo exhibition was held in Paris.

From 65438 to 0955, Bresson held a large-scale solo exhibition in the Louvre Art Museum in Paris, which was an unprecedented move in Paris. It can be seen that Bresson's position as a photographer is getting higher and higher. However, after the war 13, the surroundings of Bresson began to change: Kappa died in Zina, India, and Seymour fell on the battlefield in Egypt. Two former best friends passed away. However, photographers can't take into account the fluctuation of personal feelings. Since they are still alive, they should perform their duties as witnesses and exposers of world events. This is Bresson's outlook on life. Of course, while performing his duties, he also included the memory of his dead comrades. He regards any fame and position as vanity.

3. Hold Bresson's solo film exhibition in Japan.

1957, Bresson's solo film exhibition (daily news) sponsored by Japan opened in Japan. At that time, it was widely rumored that Bresson would attend in person, but failed to do so. Because the world situation is unstable, Egypt is in turmoil, and events in Hungary are one after another. As a news photographer, his sense of responsibility does not allow him to leave the battlefield.

The Japanese Film Festival was completely designed by Bresson himself, and the exhibition hall was arranged according to his requirements. A single film festival is meaningless if it can't reflect its own style. An exhibition should make people feel the temperament of an artist. At that time, many admirers of Bresson were looking forward to it and opened their eyes wide. However, Bresson failed to leave Paris. Perhaps, for a photographer, past achievements are fleeting. Bresson put his life on the future forever. I'm afraid this is the mission of photography artists.