studio camera

1839, 19 In August, the French Academy of Sciences officially announced to the world that the French painter Daguerre invented the silver disc photography. Since then, this year is usually considered as the year of photography. The appearance of photography frightened the painters at that time, because photography could be as realistic as the original, and it subverted the traditional classical painting, and the painters began to reflect. If photography can be the same as painting, it seems extremely inappropriate to follow the traditional practice. It is for this reason that photography liberates painting and makes it develop in a new direction. It can be said that impressionism is a watershed between medieval art and modern art, and the birth of impressionism is closely related to photography. The influence of shadow play art on painting can be seen in general. Photography not only extends people's horizons, but also makes the moment eternal, which in a sense realizes people's desire to stop the passage of time. Because photography has the characteristics of realistic pictures, it has a great impact on the western classical realistic painting art with imitation as the mainstream. Before the publication of Daguerre's Silver Plate Photography, the western painting art has been a classical realism with imitation as the mainstream since the ancient Greek and Roman times. Especially during the Renaissance, the three Renaissance masters, represented by Leonardo da Vinci, applied the knowledge of human anatomy, perspective and chromatics to painting, pursuing the vividness of the picture, just like imitating nature. For example, in Leonardo da Vinci's oil painting Mona Lisa, photography has promoted the change of painting art concept from reproduction to expression, and brought new horizons, new ways and new feelings for painters to observe the world. Its unique techniques have provided reference for modern painters to break through the empirical painting method. In particular, it is pointed out that photography and painting should maintain their own independent characters, each with its own value and significance. People are always discussing the problem that photography draws lessons from painting. In fact, what we can learn from should be the most fundamental, especially those basic principles and methods. Although they have nothing in common, they can be used for reference in parallel. A profound and fundamental aesthetic principle of art can also be applied to another art. Impressionism, also known as impressionism, is a painting school that rose in France in the 1960s and 1990s. It was named after claude monet's oil painting Impression of Sunrise and was ridiculed by a reporter. 1874 the first exhibition of impressionism was held in Daguerre studio, and 3 1 impressionism participated. From an artistic point of view, impressionist painters opposed the classical academic school which occupied the orthodox position at that time. But under the impetus of realistic painting styles such as Crowe, barbizon school and Courbet, he absorbed the nutrition of paintings from Holland, Britain, Spain, Japan and China, and was inspired by modern science, especially optics. They think that all colors are produced by light, so they mix colors according to the seven colors of the spectrum. Among them, they inherited the tradition of Courbet, a senior French realist painter, to "make art face contemporary life", which further freed their creation from the dependence on historical, mythical, religious and other themes and the traditional painting procedure of storytelling. Artists go out of the studio and go deep into Yuan Ye, villages and streets, putting their freshness and vitality to nature in the first place. Carefully observe the natural scenery bathed in light, seek and grasp the cold and warm changes and interactions of colors, accurately grasp objects with seemingly random methods, record the changing light and color effects on the canvas, and leave an instant and eternal image. Impressionist art movement has influenced all countries and made brilliant achievements. To this day, their works are still the most popular artistic treasures of mankind. Someone once said, "Impressionist painters are very obsessed with photographic expression". We can see the remarkable influence of photography on painting from the following aspects: 1. The contrast between light and shade of the object represented by the camera. 2. Free composition. 3. Simplification of background description. All these come from 1, the impressionist painter's scientific attitude towards the essence of light; 2. Planarization distance method; 3. unaccustomed angle; 4. The clear processing of the picture end is shown in the figure. After Impressionism, the relationship between painters and photography became increasingly close. It is said that French painters and sculptors Edgar Degas Sille germain and Edgar (1834- 19 17) were fascinated by the pictures taken of animals. The critic Mr. Longkou Xiusan (1903 ~ 1979) said: "If Monet is an impressionist in the daytime, then Degas is an impressionist at night." There are many materials showing that there are many examples of being a painter and a photographer. For example, Manley admits that he will take pictures of objects he doesn't want to draw and draw things he can't draw. May Ray: "I photograph what I don't want to, and I paint what I can't photograph." French artist Toulouse Henry (1864- 190 1 Henri de Toulouse Lautrec) has a photo of him holding a camera happily, and many other celebrities are also keen on photography. My favorite is a photo of Been Aert Sala (1844-1923), and its content seems to be eternal at any time. From the end of Tokugawa to the Meiji period in Japan, a large number of foreigners took photos of Japanese customs in Yokohama at that time, which were about the size of postcards now, but were deeply engraved with history. The painter Tadashi Asai's work The Farmer is obviously a photographic image of Japanese native products. In Japanese painting circles, there are many photo posts such as flowers and birds and maiko, which are used as painting materials. In modern times, Mr. Takehisa Yumiko's photo collection was published by Xinchao Society. The difference is that Sakutarō Hagiwara, as a poet, shot many works and included them. In addition, interestingly, Lycra cameras often appear in Mr. Junichiro Tanizaki's novels. The influence of photography on painting is well known, but whether photography draws lessons from painting or painting draws lessons from photography, the influence of photography on painting and its contribution to painting liberation are completely indelible! Note: The influence of photography on art mentioned in this article is mostly based on impressionism.

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