How does the photographer drive the mood of the model?

Good communication and arousing the mood of the model can make the model show the most beautiful side. Generally, try to communicate with the model before taking pictures, and try to treat the model as a friend. I believe that your sincere model can also feel it. If conditions permit, it is best to communicate with the model from the beginning of the order, which is really not acceptable. You should also have a good talk with the model when you make up. Don't wait for the model to enter the shed to communicate. You can learn about the model's preferences and personality through chatting, and probably infer the shooting style of the model. In addition, assistants should also play the role of communication. They can communicate by checking their makeup before taking pictures. If you meet a nervous model, don't rush to shoot, and don't let the model think you are in a hurry. You can play some relaxing music, pour the model a glass of water, and sit down and chat. It's all digital now. You can take a few pictures of Shoot first to show the model and find the feeling. Sometimes, the model feels awkward. At this time, we must stop. Don't ignore the opinions of models. If there is resistance, it is not easy to shoot. You can demonstrate the movements yourself to help the model find a comfortable posture. Of course, not all beautiful postures can make people comfortable. You can encourage them verbally and usually do it. Sometimes, the model is poorly expressed. What should I do? Adjusting the atmosphere of the studio, the work of assistants, assistants are generally young and lively, and a funny action and a joke can have an effect. Newcomers are rarely serious, so it is more effective to let the more lively gentleman/lady mobilize his/her other half. As for temperament, it is related to personal cultivation, and it is barely fake. When designing actions and plots for models, we should take into account the personality of the guests and other factors. If models are shy, we can encourage them. If the models feel influenced and have resistance, we can change our style and deepen communication. There are many situations to mobilize the emotions of the subject, and the answers are divided into the following examples: 1, autonomous type: What we often say here is that people with strong subjective initiative are more likely to mobilize emotions, because such people usually take the initiative to ask for filming, and it is easy to achieve the purpose of emotional mobilization under reasonable requirements, but they have no time to pay attention to it. Although I am voluntary, I must depend on the effect, purpose and goal required by the photographer. 2. Auxiliary type: the concept of independence is weak, but it does not refer to patients with physical and mental diseases such as paralysis, but refers to specific people who need to shoot, such as models. Although this person has ontological consciousness, he often needs to give up his ontological emotion and cooperate with the photographer to replace his own emotion because of the need of shooting. What should be noted here? When traveling abroad, you often need to take photos with continuous shooting, because the emotions expressed by people who don't know are the most natural. Here, we can take the following steps to mobilize the mood of the crowd: verbal communication, reminding the object with conversation, expressing ideas, and letting the object know the state he wants to achieve. Body language, in mobilizing emotions, sound is the second element, and image is the first element. The human eye is the first organ to receive external information. Using body language can strengthen the expression of shooting purpose, accurately express shooting needs, and pay attention to the combination of action and language. With the help of props, here are the steps to strengthen body language. Only complain that the body is monotonous, and you can use the props you need at that time to guide and mobilize. Psychological suggestion, combined with language and action, makes psychological adjustment to the object. If you need a happy mood, you need to think happily, while a sad mood needs to think sadly.