Visual Channel

During the period of 1997, in Buenos Aires, which enjoys the reputation of "Paris in South America", the famous director Wong Kar-wai made a movie that shocked the world at Cannes Film Festival. The film depicts a love life of the same sex, with strong colors and soothing emotions. Wong Kar-wai showed the feelings of the two leading actors on the verge of collapse incisively and vividly with delicate montage. Let's enjoy the "Spring in a Foreign Land" and this "Waterfall" under the lens of Wong Kar-wai royal photographer Du Kefeng!

The film breaks through the prejudice or negative rendering of general films with the same theme, and looks at two men in love from a fair perspective. Revival dialogue design and plot arrangement, depicting the feelings of secular characters. Wong Kar-wai handled the emotional entanglements, joys and sorrows between the two men just right and touched people's hearts.

Under Du Kefeng's lens, same-sex love is no different from ordinary opposite-sex love, sweet, noisy and on-off. Same ups and downs, same joys and sorrows.

This seemingly biased film is actually a semi-popular alternative film type of homosexuality to describe feelings themselves. It's easier to be in love than to get along. Many times, two people who clearly love each other face each other mercilessly and firmly, enduring separation and loss again and again.

After reading this group of photographs, the film studio can't help but want to enjoy the "spring scenery in a foreign land" again, and can't help but realize that watching movies may not only be a photographer's patent, but photographers who shoot still works can also get a lot of lessons from movies.