Traditional Culture Encyclopedia - Photography major - What is Kabir Khan's occupation?
What is Kabir Khan's occupation?
Kabir Khan, 1969 was born in Hyderabad, India, and is an Indian director and screenwriter.
In 2000, he filmed his first documentary "The Forgotten Army", which won the jury prize of the South Asia Film Competition. In 2002, the drama "MechanicsofChange" directed by him won the Best National Film Award and the National Film Critics Award at the Mumbai International Film Festival. In 2006, the thriller Kabul Express directed by him was released and won the National Film Award of India. 20 12, director of the action movie Tiger Action. In 20 15, he directed the drama Uncle Monkey of Little Loli and won the Best Story Award of 6 1 Indian Movie Audience Award. 20 19 directed the drama film "The Wonderful Journey of Brother A Xin".
Chinese name: Kabir Khan.
Mbth: kabir Khan
Nationality: India
Place of birth: Hyderabad, India
Date of birth: 1969
Occupation: director, screenwriter
Representative works: Forgotten Army, MechanicsofChange, Kabul Express, Tiger Action, Little Loli's Uncle Monkey.
Main achievements: jury award of South Asia Film Competition
Best National Film Award at Mumbai International Film Festival
6 1 Indian film audience award for best story award
Performance experience
In 2000, he filmed his first documentary "The Forgotten Army", which won the jury prize of the South Asia Film Competition. In 2002, his feature film MechanicsofChange won the Best National Film Award and the National Critics Award at the Mumbai International Film Festival.
In 2006, the thriller Kabul Express directed by him was released and won the National Film Award of India. In the same year, he worked as a photographer for the documentary "Journalists and Holy Soldiers". In 20 12, he directed the action movie "Tiger Action". The story tells that Tiger is an excellent agent of Indian intelligence agency, and his excellent working ability makes him escape from dangerous tasks again and again.
In 20 15, he directed the drama Uncle Monkey of Little Loli, co-starring salman khan, Karina Kapoor and Harshaali Malhotra, and won the Best Story Award of 6 1 Indian Movie Audience Award; In the same year, he directed the war movie Phantom starring saif ali khan and katrina kaif.
20 16 plays the advertising director in the action film Sudan. 20 17 directed the war movie Ladakh before Dawn starring Salman Khan. 20 19 directed the drama film "The Wonderful Journey of Brother A Xin".
Main work
Director works
Screenplay works
photographic work
Assistant director
Participate in movies
Sudan -20 16, as advertising director.
Winning record
Personality assessment
In the film Little Lolita's Uncle Monkey, director Kabir Khan kept the suspense of conflict resolution until the end of the film. The strong core contradiction gives the director the opportunity to display his talents. He constantly changed his narrative style, inserted growing memories in the process of looking for his hometown, or asked reporters to track and emotional clues at the same time, plus humorous scenes and cheerful songs and dances that appeared from time to time, which added a lot of visibility to the movie-watching process (Review of Pu 'er).
In Kabir Khan's films, the director thinks about the way people get along with the world, society and people. Anti-war, anti-terrorism and advocating religious tolerance are not only India's inner prayers in the face of the India-Pakistan conflict, but also the harmonious world pursued by human beings all over the world. Equality between men and women and elimination of differential treatment are the gender rights that men and women have been pursuing in human society. Mutual respect and firm belief are the humanistic spirit conveyed by movies in various countries. In this sense, the narrative theme of Kabir Khan's films has universal value and brings reflection to all mankind. At the same time, the use of image language in Kabir Khan's films once again collided with human thinking. Movies make the visual symbols visible to human beings subtly invade the vision with their nationality and repeatability, and the universality of visual symbols once again realizes people's participation and recognition of the culture represented by images (film reviews).
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