Theme photography theory

All the characters and stories are summarized by a main line.

Some people say that theme photography should look for the logical connection between photos, and the tightness of the logical relationship is the key to the structure. Some photographers know the collocation of the long-range, middle-range and close-range of a topic, but ignore the details and logic. For example, in a manuscript, there will be two photos with different compositions but telling the same thing and the same details. There is also the problem that the same picture tells different things.

About shooting thematic photography, it brings great creative and imaginative space to photographers. Almost all photography methods can be applied to thematic photography, and the photographer's visual creativity can be brought into play. The most important thing is to form a personal style. The beauty of Salga and the unstable composition of Eugene Richard are unforgettable.

A few years ago, some people in photography suggested that a visual interest point should be developed into multiple visual interest points. I understand that many interesting points are not only the unity of interesting points, but also the strong contrast. The problem with our photographers is that their vision is not bold enough.