Traditional Culture Encyclopedia - Photography major - Greta garbo's unknown love life
Greta garbo's unknown love life
I have never been a fanatical groupie. Nevertheless, like most girls, I once had a love for stars in my youth, perhaps because people instinctively worship perfect things. There were many favorite stars at that time. Greta garbo (starring La Traviata and Anna Christina) and Audrey Hepburn (starring Roman Holiday, My Fair Lady, etc.) impressed me the most. ), Vivien Leigh (starring Gone with the Wind, Broken Blue Bridge, etc. ) and Mel Streep (. Humphrey bogart (starring in Casablanca and maltese falcon) and pierce brosnan, the fifth Irishman to play James Bond. Even now, in this indifferent age, I still choose French stars Sophie Marceau and Mel Gibson to love and love because of my likes and dislikes. But my love for stars is limited to watching movies starring them. I only appreciate and revel in their charming style and charm in movies, and I have never been addicted to infatuation. Just like enjoying a landscape, you can see it more comprehensively because you stand far away.
Time flies, the state of mind I dreamed of as a teenager has already been shattered by the ups and downs of the world, and all the characters are gone, dusty in the net. Re-looking for the traces carved by the years, those stars that have been loved have long been integrated with the original past, and they can't tell who is who. Looking at them will remind me of every corresponding time period in the past, and the touch of a certain situation in reality will also remind me of them. When I met Vivien Leigh, I sat in the lecture hall with my classmates and watched Gone with the Wind vividly, as if it were yesterday. When I saw Audrey Hepburn, I remembered the first time I saw her play Roman Holiday, my heart was pounding-then I suddenly realized that women would be moved by their beauty! Every time I hear the song Casablanca, I think of the movie of the same name I saw in high school. That guy humphrey bogart is always holding a cigarette that looks like it will fall at any moment. A long gray shook anxiously in the air, wearing that famous double-breasted raincoat and reading the famous line: "There are so many bars in so many cities in the world, but you just walked into mine?" The strings of life are accidentally plucked, and the old songs are still so beautiful, but when I fall into the whirlpool of reality, it is hard to remember all this.
The past has hobbled away, and the feelings of the past are like water under the bridge. However, some things have not been forgotten because of the growth of life and the changes of the world, but have always occupied an important position in our hearts. Greta garbo is a name that I will always remember. I don't forget her, not only because of her extreme beauty, but also because of her loneliness and simplicity all her life.
I first met Garbo because of her Anna Christina. Maybe I didn't have much experience at that time and my readers were limited. Most of the beautiful women I meet exist in movies. So when the prostitute played by Garbo first appeared, I couldn't find the right words to describe the shock of seeing her. Her beauty is completely different from Hepburn's. Hepburn's beauty and purity are the crystal dew on the lotus leaf. It was the first snow on a winter night, and it was a baby that had just been carried out from its mother's womb. The beauty of Garbo does not seem to belong to this world. She is so beautiful that it makes people feel like a religion and annihilates all vulgar desires. Her beauty is so outstanding that it not only charms all men, but also relieves all women from being jealous of her beauty. Her beauty can't be described in concrete words. Someone commented on her like this: "In front of Garbo, the word' beauty' showed semantic poverty for the first time. If the word' truth' is not destroyed by history, the beauty of Garbo can be said to be a truth: it is not influenced by time and human beings, and it symbolizes an ending order. It is said that all the directors and photographers who have worked with her think that she is the Renaissance goddess in her dreams, saying that she has the most beautiful eyes in the past and in the future. At that time, Hitler was also a fan of her and loved her La Traviata. A British journalist said: "Her face is the acme of human evolution. "
The better things are, the rarer they are, and the harder it is to resonate. Garbo's incomparable beauty pushed herself to the edge of loneliness.
Jiabao has no outstanding life experience. She was born in September 1905 in a poor family in Stockholm, Sweden. Her original name was Greta Lovisha Stason. Before she was discovered by the great Swedish gay director Stiller at the age of 20 and brought to Hollywood, she only played small roles in two films. It is this national treasure director who gave Garbo this world-famous name in the future. He took her from Stockholm to Berlin, from Berlin to new york, and from new york to Hollywood. He is also the most unforgettable person in Garbo's life. After filming in Jiading, when someone asked her who was the best director she met in her film career, Garbo thought seriously and said, "Stiehler."
Hollywood first accepted the little-known Garbo in order to keep the famous Stiehler. But it turns out that Stiehler's eyes are not blind at all. A few months later, Garbo starred in the movie "Riptide". Later, in Hollywood 16, she starred in stunner, Queen Christina, La Traviata, Anna Cochinsti, Legend, Ninochika and so on. Although she missed the Oscar several times, as the famous director clarence brown said, "She has never won an award, but she will always be the most immortal woman on the screen." 1954, the Oscar jury seemed to want to make up for their "mistakes" and set up a special prize for Garbo in recognition of her outstanding performance achievements, but the lofty Garbo didn't accept the prize at all.
Jiabao was a shy girl since she was a child. She didn't think of changing her fate with her outstanding looks. She later recalled her girlhood and said, "I don't remember when I was young. I have never been really young like other girls. " She often stands on the edge of taking photos with classmates of the Royal Academy of Drama, looking lonely and vicissitudes. Later, even though she became a star with an enviable aura and glory, she still liked being alone. "Please leave me alone." This is a classic line of Garbo in every movie. Only she can interpret all the contents of this line with her unique face, expression and voice. In a later interview, she said, "I think the happiest moment is being alone, or being with a few friends." During her 16 years in Hollywood, she moved 1 1 times. She doesn't want anyone to disturb her life and mood, even though she is a public figure who can't completely belong to her, all she wants is a simple peace of her own.
Garbo's detachment won relative peace for her life, but it also embarrassed many people, even her young compatriot ingrid bergman. It is said that when Bergman first arrived in Hollywood, he wanted to see Garbo. Garbo watched her get off the bus from behind the window, closed the curtain and said, "Tell her I'm not here." What she said in a rare interview was quite interesting and seemed to reveal some secrets in her heart: "I am like a ship without a rudder-confused, lost and lonely." I am clumsy, shy, nervous, afraid and too sensitive to English. That's why I built a depressed wall around me and lived behind it forever. "But if she doesn't say all this herself, who can tell? She had an affair with john gilbert, the "great lover" of Hollywood at that time. Every time Gilbert proposed to her, she refused. When she learned the news of Gilbert's marriage, she said coldly, "I hope he is extremely happy." "She has never been married in my life, and there are not many scandals. Her life fulfilled her famous saying in Queen Christina: I will be single all my life.
Garbo suddenly announced her retirement at the age of 36 after starring in 194 1 The Double-faced Woman. It seems to be a mystery that she retired from the screen at the peak of her career and the golden age of her life. Some people say that she was influenced by World War II, but others attribute it to the failure of starring in The Double-faced Woman. As for the real reason, it seems to me that it is not a single event that can be explained clearly. With Garbo's unique personality, it is reasonable for her to make such an inexplicable move.
Stars are the focus of attention at any time. Ordinary people envy flowers, applause and life in the spotlight. It is the eyes of the public that send the stars to the distant clouds. From a distance, the stars are so perfect. But few people have thought that stars are also people with flesh and blood, thoughts and feelings. And spiritual things are not the exchange between material and money, fame and glory. Garbo is said to be "the most melancholy Scandinavian after Hamlet". Jiabao's heart is lonely and melancholy. This kind of loneliness comes from the depths of the soul and will not change because of the change of environment, identity and status. It has been firmly entrenched in her heart, but sometimes it is covered by the superficial prosperity and busyness. When all the prosperity is gone, loneliness will jump out and scratch hard in her heart, reminding Jiabao that she belongs to it. Jiabao's inner loneliness doomed her to leave the camera and film that countless people yearned for.
Beauty is unlucky since ancient times. This is China people's summary of the fate of those ill-fated women, especially beautiful women. However, Garbo, the woman with the most beautiful face in the world, just got rid of this model. Garbo later emigrated to new york after leaving the cinema and lived in seclusion. She briefly introduced greta garbo, planted vegetables and flowers, and spent the rest of her life safely. 1April 1990 15 died at the age of 84.
In fact, women's misfortune really can't be attributed to beauty. It seems that the reason for bad luck should be more personality factors. Human weaknesses such as impetuous soul, endless desire and extremely inflated vanity are fatal disasters for a "beauty". If Garbo is obsessed with the vanity fair in Hollywood and the colorful and illusory stories under the camera all her life, then her fate in the second half of her life may be rewritten. It is Garbo's lonely and simple ideal of life that makes her "live a long life".
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