How to shoot TV special effects? How do actors shoot when they are in contact with special effects objects, or do actors empty their imagination? !

In the current film production process, the idea of special effects has been reflected from Storyboard, and the film and television special effects have changed the original traditional film production process and mode. In script planning and narrative arrangement, film and television special effects make the creator jump out of the traditional linear thinking mode and completely break the concept of time and space, so some pictures limited to shooting technology can be realized, and the creator can let go of his hands and feet and give full play to his imagination. In addition to traditional scripts and storyboards, film and television special effects also need their own special effects scripts.

In the early stage of shooting, in addition to field shooting, there are more and more scenes, blue screens, models, digital skylight paintings and other lenses. In order to meet the requirements of key making, actors are required to shoot in the blue screen studio, because there is no scene in the blue screen studio and it depends entirely on the imagination of the actors. It is also required that the emotional movements of the performance match the scenes in the composite picture, which is undoubtedly a challenge to the actor's experience and performance skills.

Moreover, the requirements for lighting and props are different from those of traditional shooting: the lighting staff should design the lighting in the studio in combination with the background light to be synthesized and the environmental changes including wind, rain and lightning, and some parts of the props will be hidden in the blue cloth, which also needs to be seamlessly combined with the props to be synthesized in production. The requirement for people who set up scenes and props is not only to make some physical models, but to draw the necessary scenes and props in the computer for later synthesis.

After the preliminary work is completed, the post-synthesis processing completely uses computer technology, and replaces the original traditional special effects methods such as masking and superposition with some functions of computer software.

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