Sony A7 Three Musketeers gently pat the scenery.

Who said that in the camera industry, Sony is not as good as Canon and refuses to accept Sony? After the launch of Sony A7 series, there are many supporters, and Sony Three Musketeers have been sucking powder. Below, I will talk to you about Sony A7 series and its Three Musketeers!

Since Sony A7 series was released in Quan Huafu, I have taken it as the main force of my travel creation and shooting. First, because the Quan Huafu micro-single Sony A7 series is light enough and there is no extreme shooting demand, I can give up the bulky SLR; Secondly, although the A7 series has only been released for nearly two years, the number of lenses that can be replaced is very large. Among them, my most commonly used are Sony Three Musketeers-Vario-Tessar T * Fe16-35mm F4 Zaoss, Vario-Tessar T* FE 24-70mm F4 ZA OSS and Fe 70-200mm F4 GAOSS. These three lenses are all constant aperture F4.0, covering the mainstream focal length 16mm-200mm. Most importantly, the weight and volume of these three lenses are obviously smaller than that of SLR, which is very suitable for shooting when traveling with Sony A7 series in Quan Huafu.

Vario-Tessar T * Fe16-35mm F4 Zaoss-Chiang Mai Tour

Zeiss vario-tessar t * Fe16-35mm f4zaoss is the most commonly used lens in my travel creation, which can easily capture both scenery and humanity. 16mm has a wide viewing angle range and can accommodate many scenes, so it is the first choice for taking landscape photos. 35mm is a humanistic perspective, which is very suitable for shooting people and things around you when traveling. For example, during my previous trip to Chiang Mai, many photos of my whole trip were taken with vario-tessart * Fe16-35mm f4zaoss. Because Sony A7R and Vario-Tessar T * Fe16-35mm F4 Zaoss are both very light, even if Vario-Tessar T* FE 24-70mm F4 ZA OSS and Fe 70-200mm F4 OSS are put in the backpack, they will not feel too much burden during shooting for several days.

Vario-Tessar T * Fe16-35mm F4 ZA OSS

Sony A7Rvario-Sonnar T *16-35mm F2.8ZASSM; 1/60s； F5.6ISO 400

When filming the White Temple in Chiang Rai, Thailand, the gate of the temple was closed at 6 pm. If you want to shoot the twilight of the White Temple, you have to shoot it outside the wall. At this time, the advantages of the ultra-wide angle of Vario-Sonnar T *16-35mm F2.8 Zassm and the folding screen of Sony A7R are revealed. Because you have to hold the camera high when taking pictures, you can capture as many reflections in the water as possible, which has played a lot of roles in enriching the picture.

Sony A7Rvario-Sonnar T *16-35mm F2.8ZASSM; 1/ 160s； f 1 1； ISO 640

Sony A7Rvario-Sonnar T *16-35mm F2.8ZASSM; 1/200s； f 1 1； ISO 640

When I visited the temple in Chiang Mai, I learned that the monks in the temple, old and young, go out for alms in the morning, and their daily food comes back by alms in the morning. We all feel that this self-reliant lifestyle is very touching, so we came to the temple early to film the first thing that monks do every day: giving. Because of the rain, I found several pools of water on the side of the road, and immediately felt that I could take a reflection with a folding screen. At the same time, the wide angle at the 16mm end of Vario-Sonnar T * 65438-35mm F2.8 Zassm can make a square meter of water into a small pool, which increases the visual effect of the picture.

Sony A7Rvario-Sonnar T *16-35mm F2.8ZASSM; 1/200s； f 1 1； ISO 640

Zeiss vario-tessar t * Fe16-35mm f4zaoss can not only take pictures of scenery and people, but also take some interesting photos with it. In Baixian, Thailand, we were waiting for the sunrise. A cat caught my attention because it was also staring at Xia Hong in the east. I couldn't help saying "meow" to it, and it stared back at me. I'm sorry if I didn't press the shutter, so I have this interesting photo.

Vario-tessar t * fe24-70mm4zaoss-dancer series

Dance has been my creative theme for many years. In recent years, I have often photographed dancers in beautiful and moving environments, so that the human spirit cultivated by nature at that time was so wonderful. When I created this project, I used Vario-Tessar T* FE 24-70mm F4 ZA OSS, one of Sony's Three Musketeers, and I liked its slight deformation and excessively rich layers best.

Sony A7R with Vario-Tessar T* FE 24-70mm F4 ZA OSS

Sony A7Rvario-Tessar T * Fe 24-70mm F4 ZAOSS; 1/800s； F6.3ISO 800

Sony A7Rvario-Tessar T * Fe 24-70mm F4 ZAOSS; 1/ 160s； F6.3ISO 800

Sony A7Rvario-Tessar T * Fe 24-70mm F4 ZAOSS; 1/ 160s； F6.3ISO 800

In order to create a harmonious and natural environment, when I create in Shanwei seaside, I almost shoot with Vario-Tessar T* FE 24-70mm F4 ZA OSS. Because I want to show the harmony and unity of the sky, people and the sea, and the focal length of 24mm-70mm won't make the environment appear obvious exaggerated deformation when shooting at a super wide angle, and there won't be the performance that the super telephoto puts too much emphasis on portraits and ignores the environment, so Vario-Tessar T* FE 24-70mm F4 ZA OSS can completely satisfy my method of shooting at a plain angle.

Sony A7Rvario-Tessar T * Fe 24-70mm F4 ZAOSS; 1/320s； f 1 1； ISO 500

This is the third time that I created the big island of Hawaii. Sometimes I like to wander around and discover some scenic spots by myself, so that I can make some more meaningful films. Near Oshima Airport, I found that these big trees were evenly arranged and distributed, which had a dramatic stage effect, so I asked a few beautiful students to find a space station. Fortunately, they all have basic skills and took this picture of harmony between man and nature.

As a standard zoom lens, Vario-Tessar T* FE 24-70mm F4 ZA OSS, one of Sony's Three Musketeers, is also very suitable for shooting scenery. If I travel with only one lens, I will choose this one, because its angle of view can be competent to shoot almost all subjects, and the picture quality is excellent, and its size and weight are also suitable for long-term shooting.

Fe 70-200mm F4 OSS-Japanese cherry blossom

FE 70-200mm F4 G OSS is the only G-series lens among Sony Three Musketeers, which is relatively large, but it has the most beautiful Jiao Wai effect among the three lenses.

Fe 70-200mm F4 G OSS

Sony A7RFE 70-200mm F4 GOSS; 1/400s； F4； ISO 80

Sony A7RFE 70-200mm F4 GOSS; 1/320s； F4； ISO 125

Sony A7RFE 70-200mm F4 GOSS; 1/320s； F8； ISO 125

When traveling, I will take some special photos with the Fe 70-200mm F4 OSS, one of Sony's Three Musketeers. Fe 70-200mm F4 OSS inherited the perfect background blur of G series, and even turned the ordinary scene into a beautiful fairy tale world. Japanese cherry blossoms are something I've always wanted to photograph. I filmed them in Tokyo for ten days this spring. Many backgrounds in the city are chaotic, so I need a long zoom lens to make a careful composition. The lens FE 70-200mm F4 G OSS is the best choice. For example, when I was shooting cherry blossoms in Japan, I took many beautiful photos with a 200mm aperture and F4.

The biggest feature of Sony Three Musketeers is portability, with a total weight of only 2kg. In addition, a Quan Huafu micro-single Sony A7 series fuselage will not bring too much burden even if it is carried for a long time, which is also the main reason why I bring their creations when I travel. As three constant zoom lenses of Sony at present, they are fully enough to meet various shooting needs in practical use. I've heard that many photographers and users need F2.8 constant aperture lens for feedback, but in my opinion, Sony Three Musketeers have reached a balance between image quality and volume. At least for me, I won't expect the so-called "big three yuan" any more.