Argumentative essays in the Forbidden City

Splendid palace, majestic mid-range shooting. In the Forbidden City, a building complex that embodies the painstaking efforts of countless craftsmen is displayed in front of us. I have always enjoyed watching this documentary full of humanistic flavor. I'm glad to see the Forbidden City this time, and I realize that I have benefited a lot.

Simple architecture will not bring any feeling to people, only after the baptism of time and personnel changes can it shine. The documentary "The Forbidden City" fully explored its special features. The whole documentary is divided into 12 episodes, introducing the architecture of the Forbidden City, the architectural layout of the buildings, the etiquette system of China for 5,000 years, and the cultural relics of the Forbidden City. It is unrealistic and undesirable to watch twelve episodes in one breath. The humanistic connotation in each episode needs to be precipitated. It is not only a building complex, but more importantly, more than a dozen emperors have lived here, which witnessed the rise and fall of the Chinese nation.

Referring to some information on the Internet, I think the analysis is very reasonable. For example, looking at the whole film of the Forbidden City, we can easily find that, as the general director Zhou Bing emphasized, the creative concept of the Forbidden City is innovation. He said: "Whether a movie is good or not depends on how many original factors there are. Lies in the innovation of ideas and information; Lies in the innovation of artistic creativity; Lies in the use of new technologies. " Indeed, after seeing the Forbidden City, the people who are most impressed may be those who used computer stunts to recreate the scene of that year. "The Forbidden City" adopts international advanced animation technology and draws lessons from various shooting techniques of movies. 3D production combined with real-life shooting, time-lapse shooting (such as clouds over the Forbidden City) and fixed-point shooting has laid a good foundation for improving the quality of the entire Forbidden City. Similarly, in the Forbidden City, computer stunts show us such a scene of the Forbidden City: moving rapidly from the front door to the north, passing through Tiananmen Square, passing through the whole Forbidden City along the axis of the Forbidden City, then moving the lens up to show the panoramic view of the Forbidden City, or walking backwards. This breakthrough in the sense of space undoubtedly shows the whole picture of the Forbidden City in a more three-dimensional way.

In the Forbidden City, this technique can be seen everywhere. When showing the Millennium changes of Beijing, the original picture description and explanation can only give the audience an abstract impression. But through the processing of computer technology, the historical changes of Beijing are displayed in the form of animation, which is true and intuitive. It left a very deep impression on the audience. When showing the structure and construction process of the Forbidden City, it is also very intuitive and easy to understand to use three-dimensional animation to show the structure and construction process of the main hall of the Forbidden City. It is also the main hall. When he experienced a fire and was burned down, he did not use traditional but boring explanations, nor did he use real fire scenes to increase the cost, but used simulated scenes, which was more real and economical. With the more application of technology, the above problems can be revealed implicitly, and the personalized style of documentaries is becoming more and more obvious. In general documentaries, personal opinions always lack individuality for one reason or another. The display of the picture also lacks individuality and pursues truth. The application of technology not only lightens the function of understanding and speaking, but also increases the expressive language and personality characteristics of the picture. The Forbidden City is showing such a personality. The cloudy sky highlights the heavy sense of history, and the rolling dark clouds and the instantaneous changes of seasons show the changes of history. The overall tone of the picture is dark yellow and black, solemn and profound.

I admire the TV workers who created the Forbidden City. What they want to shoot is not only a documentary, but more importantly, they want to explore the details of humanity. At the same time, unlike news, documentaries show more than just results. For those precious history and missed important events, it is impossible to photograph them, except through interviews and dictation, and another way is "real reproduction", also called "scene reproduction". This will not only make the story complete, but also make the story ups and downs and leave a aftertaste. The true reproduction should draw lessons from the narrative techniques of drama and film and the freehand brushwork techniques of TV prose, and on the premise of ensuring the historical truth, render the atmosphere and mobilize the audience's emotional participation.

Before watching the documentary, my impression of the Forbidden City was only obtained from those dramas that told the story of the Qing Dynasty. What hall of mental cultivation? The Hall of Supreme Harmony is known only by its name but not by its source. Now, through the Forbidden City, I can see the political and historical changes in China in the past 500 years. I also know what the society was like in Ming and Qing dynasties, especially the first episode about how to build the Forbidden City. The intelligence of ancient people made me feel guilty as a modern person. Of course, I am also saddened by the disaster brought to the Forbidden City by the decline of China after the Opium War. China is a country of etiquette, and the people of China are the most industrious people in the world. A magnificent building like the Forbidden City is the fruit of labor.