It's a love movie in Shunji Iwai. It's smooth and silent, and the literature and art don't lose the smell of fireworks?

The love movie Hello, China is not only a break of perspective (from China to Yin Chuan), but also a break of story (trying to tell three generations with a regretful first love). Full of music, rambling to chaotic rhythm in the second half, all announce Shunji Iwai's acclimatization. As soon as Shunji Iwai left Japan, his plays were always unaccustomed. But at least two things are valuable: the script was written by him personally, and it was a stumbling little love letter he wrote to China movies; The emotional expression in the image is quite in place, which makes up for the lack of line design.

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At first, I really felt a little unaccustomed to speaking Chinese like Japanese movies, but after all, there are differences between Chinese and Japanese actors and environments, so many places will be particularly awkward, with lines and clouds, but after the story develops, these problems are no longer problems, because they have been replaced by stories. The director deliberately omitted what happened in these 30 years, and only let us see a short story after the beginning and the end, that is, more hope that we can understand this feeling of letting go of the past, rather than chasing what happened in these 30 years.

Many people like this movie because it has regrets, but it is more about healing. Start with a sad ending, trace back the half life that flowed unconsciously, and finally continue to walk the road of life with the gift of the past. Style is very Shunji Iwai, except that some lines are redundant, and there is no acclimatization. Zhou Xun looks light, but her acting skills are superb. The little girl in Zifeng Zhang is really smart.

The movie is like a romantic love letter, wonderful music photography and performance? An imperfect story, but the lines in it are so lovely and bright, and things are so quiet! Acting without trace in the film is life. Although the whole movie is very literary, it is full of fireworks. Like all Shunji Iwai's works, it has become a classic in my mind. What I love and know, and care about teenagers, is still Shunji Iwai. It is still a fragmented youth, or a beautiful composition picture. I have a deep-rooted feeling for him, and I can't extricate myself. Decorate sad literary stories with ease and truth. My tears are flowing, but my heart is not sad.

It can also be said that Hello, Zhihua is a love letter for middle-aged and elderly people, and it is also a rare story in which Zhou Xun plays a supporting role from beginning to end. If the love letter gives us the impression of pure love, then this movie gives me the impression of helplessness. In the adult world, letting nature take its course may be the best arrangement. Shunji Iwai still maintains the double standards of music and emotion. The bridge in the story is exquisitely designed, and the graduation declaration runs through it. In different situations, the same sentence seems to have life and different meanings.

The name is "Hello, China", but the real protagonist is Nan, who hasn't appeared as an adult. This hidden narrative adds a different sense of mystery. There are not only fetters of sisters and admirers, but also thoughts about death and life. What impressed me the most were the lines of children and old people. Although there is not much pen and ink, the implication is worth pondering.

Essentially, it's a movie whose era and background have disappeared. You will look forward to seeing a romantic movie. There may be ethics or puppy love, but it is actually a farewell to life and an encouragement to life. Shunji Iwai and Chen Kexin did a good job. They filmed another possibility for China actors. Shunji Iwai's films are different from those directed by China, which can be said to be China's love letters. The picture and soundtrack are good, in line with the director's style. The lens conversion is also very simple. Besides, Hugh and Zhou Xun's acting skills are really good. Now middle-aged, Zhou Xun is as easy and free as he wishes.

In fact, the whole story is told around the south, probably because China led to the whole story, so it has the current title; A very literary film, the picture and soundtrack are small and fresh, the story is simple, the feelings are delicate, and it looks smooth and comfortable; Before the role of Juck Zhang appeared, I was disgusted with this violent man. Suddenly I found out that it was actually off-duty, and I understood why Nan ran away with him. Most of the story goes back to the past in the south, but after reading it, I have been thinking about China. China, like the sky blue nail polish she painted when she wrote letters, quietly covered all my feelings about this story.

Polishing the vulgar and ugly side of reality, only extracting the essence. Shunji Iwai is very civilized, holding down the pat, extending the pat, letting the characters lie quietly, helping each other, leaving blank space and being decent, which also makes the film itself reveal a high sense of alienation, although the technique is genetically modified grafting. Not that much? Missed it? , not? Lost? And then what? Regret? This story. In this movie, which still begins with a funeral, almost everyone is in the process of loss and regret, but instead of the heavy snow, it is the bright sunshine outside, and sometimes you can almost feel the touch of Zhihua sweater.