Does the "Apu Trilogy" contain humanity and humanistic feelings without gorgeous songs and dances?

This has changed my prejudice against Indian films, which are no longer just synonymous with gorgeous songs and dances and cheap moral dramas. Great in film history? Apu trilogy? Different from the Indian movies in the impression, the human nature and humanistic feelings contained in the clear narrative context are extremely touching. The protagonist's life became attached by mistake, and he met the love of his life, but the impact of sudden changes was equally unforgettable. The sadness of Apu is the sadness of the viewer to some extent. This kind of emotional resonance requires the director's profound emotional control ability. In this respect, ray can be called? Does Joe Joe not work? .

The first song: "Song of the Earth" eclipsed all the local films in the future, and the people watching it were very depressed. It seems that Rey was intentional? Step aside? Like the father, it is even more sad to let the child Apu face this kind of poverty and death. The only time I feel relaxed is before the heavy rain: the perfect combination of cheerful music and dragonfly water. India with flowing life is equally beautiful without colorful colors. Rai was able to shoot such a great work in 55 years, a documentary of trivial daily life of an ordinary Indian family with a heavy texture. Impressionism? Light and shadow music, the world in the eyes of the little boy Apu, is an elder sister who left early, a lonely aunt, a barren hot land, a poetic fragment and a melancholy mother. All nostalgia is in silence, just looking back, only hate being in a hurry.

In the Indian countryside under the lens, there is only the ordinary life of ordinary people suffering. Is this movie composed of Apara, Guitto and Song of the Tree? Apu trilogy? In the picture, from baby to teenager and middle age, Apu experienced a life course that the audience had met, but outside the picture, there was a pure sadness. Apu's life has become the epitome of the lives of countless Indian civilians. At that time, the most popular commercial film in India was Hindi song and dance, which realized the dream on the screen with beautiful set and the same sitcom. However, this film is the opposite. There is no strong song and dance, and there is no legendary plot. The whole movie characters are placed in an original ecological situation by the director.

Through the dual themes of man and nature, man and society, the director captures the pulse of Indian society and the extremely profound changes experienced by Indian society in seemingly casual scenes in daily life with a long and slow narrative rhythm. Black-and-white images filter out the filth and smell in the miserable life, and the display of the characters' hearts understands people's humbleness. The imprint of time and fate on Apu's ignorant memory is real, but it is not the heaviness imposed by the adult world. I can't forget the scene where the wind blows the lotus leaves and the birds fly in fright, so the life of the poor in rural India has a universal power that leaves a deep impression on people.

The second song: aparajito cancels the critical presentation of multiple clues, multiple perspectives and riffraff in the first movie. The affection between mother and son became the main thread. The emotional separation and alienation between people brought by studying abroad and stepping into the society, the loneliness and despair of the mother who is far away in a foreign land, the coolness of the shadow cast by dusk, the streamer of eyebrows, the fantasy worn out by years, the clothes on your body and the tangled clues are interrelated.

Finally, the mother watched her son return alone in the twilight, but no one was there, only fireflies flying in the night. She finally went with regret. Apu was destined to be a sad passer-by, but this scene remained in my heart forever. The hardships of life have honed a gentle and mean woman into a great unyielder. When you are looking forward to your son's return, have you ever thought about your aunt sitting in the wild? Maybe when Apu collapsed on the ground and cried, he felt that his life was completely over. Maybe when he packed up his mother's belongings and set off for Calcutta, he also understood that losing his parents is only a part of life, and he has just set foot on the journey.

Every movie in the Apu trilogy is mortal. At least one person is a woman. Grandma, sister, mother, wife, is this the legendary Dreadwind Lone Star? The schedule is better than the first one, and I have the deepest understanding and cognition of the life difficulties of poor families. The transition from childhood to adulthood is also a process in which the components of death, responsibility and choice really precipitate in Apu consciousness. People can't change the environment, they can only leave passively. From rural India to Calcutta, a big city, Apu's choice between family and study, old society and new ideas made him mature and change a little, and the push and pull of the camera while waiting and leaving broke people's hearts.

The third song: What is the song of the tree? Apu trilogy? The last part of adding tragic meaning is the connection with lover and children. After experiencing the best love in his life, Apu satisfied the grief of losing his wife in middle age. The most prominent part of the whole film is the commonality between human beings and natural life from the sight of a teenager under the age of ten. The countryside is a dusty place, and the moment of lovesickness is exquisite. There will be endless meetings and Ren Woxing will be destroyed in one round. The trilogy tells one thing in a vulgar and minimalist manner: the epitome of life.

The Apu trilogy is like a promise about the possibility of movies. It has created a fashionable trend and a convincing world. The time, place and culture it involves are so different from ours, but it directly and profoundly touches our human emotions. It is like a prayer, telling us clearly that this is what movies can achieve, no matter how deeply we get lost in cynicism. It is definitely different from the general Indian song and dance or comedy type, but there is a kind of realism, that is, find a job, get married sweetly, sink after losing his wife, and find a son to get a new life. Coupled with the appropriate soundtrack, the characters are vividly portrayed.

Indian Neo-realism, like gentle, delicate and slow brushwork, gradually outlines a picture of all beings in Indian society. After reading it, I was crying. Such stories can hit people's hearts through time. Shiva seems to have never cared for Apu, and his relatives and lovers passed away one after another, leaving him completely desperate for life and even having no courage to face death. Even the novel he has been fighting for has been thrown into the valley. However, life goes on, and my five-year-old son, who has never met before, rekindles hope. This film is about adult life and love. Personal feeling is the most enjoyable one in the trilogy, and after reading it, I feel more than the first two. The last scene was also quite touching.