How exquisite are the details in "Frozen 2"?

1. Hair processing

Elsa and Anna’s extremely meticulous hair processing can be said to be the world’s top CG level. For ordinary animated movies, the processing of smooth hair and real fine hair are two completely different levels of difficulty. To simulate a real feeling requires delicate technology and a lot of time to process the details. In "Frozen 2", the long hair of the two sisters is blowing in the wind. What I see is the natural flow and realism of being blown by the wind.

2. Color and scene

For the first part, in the vast white cake-like scenery, the main creator was able to use such monotonous and rigid cold colors to present the scene. Colorful images are no longer a small challenge. Compared with the silver-covered winter scenery in the previous film, there are two main tones presented in this movie: the first is the autumn scenery with piled red maple leaves, dominated by Princess Anna; the second scene is Elsa in the The main color of blue in the deep sea and the two lines match each other and complement each other. The brown cloak, red coat, brown-red clothes worn by Princess Anna, the fiery red maple leaves, and the jungle full of autumnal mood. In the animation, the dynamic colors of the four "creatures" can help the audience clearly identify the object.

The water spirit is blue, representing the agility of water; the fire spirit is orange, representing the warmth of flames; the wind spirit is red, representing the willfulness of wind; the earth spirit is gray, representing Native simplicity and sincerity; under the director's superb control, these colors have become conventional identification symbols for the audience. Regardless of the scope of animation, these elements have their own social implications. Blue represents vitality, gray represents stability, and red and orange represent impulse and hope. These colors not only bear the function of shaping the space in the play, but can also shape the perspective of the space through its light and shade, contrast, lines, etc., guide the audience's sight movement, and be used to distinguish levels. For example, Elsa and Shui Ling are both blue, but Shui Ling tends to be dark blue, and Elsa tends to be light blue. In the dark blue sea, there is a certain sense of layering and dislocation. I have to admire the team's color application level.

3. Main story line

Like the previous film, the movie mainly uses a two-line narrative in presenting the story. The first line is Elsa's search for the source of the sound, which is also the main line of the story. The second line is Princess Anna's awakening of the sleeping giant to destroy the stone bridge and save the residents of the North.

It was the joint efforts of the two sisters that successfully cracked the secret of the mystery of the sound, saved the residents of the Northland, and allowed them to see the sunshine, smell the fragrance of the grass, and see the sunset melting gold. The little afterglow below.

In the elaboration of the story, it is in line with Disney’s consistent narrative style and theme of happy reunion. Although there is suspense in the middle, it is still inseparable from the theme of “love” and “harmony” that it has always promoted.