Look at the answer to Feng Qiyong: Getting to the bottom without regret.

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Mr. Feng Qiyong is the inheritor of national academic tradition and spirit, and his academic career embodies the self-improvement and integrity of traditional intellectuals in China. Mr Feng Qiyong is also a scholar who grew up with the Republic of China. We can see the distinctive characteristics of the times in him. With simple academic research and profound philosophical thinking, he faithfully and clearly recorded the magnificent cultural history and expressed lofty feelings with strong feelings.

Indulge in academics

Born in poverty, Mr. Feng Qiyong knew the importance of hard work in life from an early age. Whether as a farmer in Mu Zhi or as a member of academic circles, he has maintained a diligent character all his life.

He also specializes in literature, literature, redology, calligraphy, photography, painting, archaeology, opera and so on. , far beyond the limits of extraordinary people, is an outstanding generation of literary and historical painters. What is the reason? Looking through many of Mr. Feng's collected works, we can see that many of his works were written around the clock, and some even conceived and started writing during the trip, while his poems and paintings were mostly created between academic studies. Because I am in the same unit as Teacher Feng, I often visit him. On one occasion, Mr. Feng was ill in hospital. When I walked into the ward, he was lying in the hospital bed and resting. He was unable to move because of illness, but he was still absorbed in reading with a book in his hand. Now, Mr. Feng, who is 90 years old, is still writing incessantly, and his new works emerge one after another. The newly-edited "Hanging Fan Lou Cong Manuscript" (35 volumes) has just been published by Qingdao Publishing House. It can be said that without the spirit of hard work and self-reliance, perseverance and diligent pursuit, it is unthinkable to complete the manuscript of Guafanlou170,000 words.

Mr. Feng said: "I used to be who I am today, I used to be a shepherd boy, I used to be a farmer, and today's academic circles are the same." Without this kind of calm and open-minded feelings, how could you become an academic master today?

Seeking truth and beauty

Another feature of Mr. Feng Qiyong's academic life is seeking truth and beauty. Feng Lao has been studying for more than 60 years, and he is not the only child. What belief supports his persistent spirit of exploration?

1963, he saw "Wuqingtang Rebuilding the Pedigree of Liaodong Cao Shi" in the Wenhua Hall of the Forbidden City, and he remembered it once. Later, by chance, he saw the manuscript of Old Biography of Wuqingtang, and followed it all the way, thus obtaining a large number of documents and materials, enriching the historical basis of the study of Redology. In order to research Cao Xueqin's ancestral home, he went to Liaoyang four times and found Cao's grave in Shenjiaan Village, Zhang Fang Town, Laishui County, Hebei Province. He said: "Real historical materials can often stand the verification of any details."

When we browse Feng Lao's collected works, we can often feel that there is a spiritual temperament on the paper, which is his love for truth and intoxication of artistic beauty. Looking at Feng Lao's achievements, there are not only rigorous and passionate truth-seeking words, but also artistic creations with unique personality and distinctive style. The academic value lies in seeking truth, and the artistic value lies in promoting goodness and seeking beauty. Feng Lao once again demonstrated the value of combining academic and art with his own practice.

Empirical knowledge seeking

Mr. Feng is also a scholar who is good at seeking truth from facts. Feng Lao thinks that learning can't be done only in the study, especially when encountering historical and geographical problems, it needs to be investigated in a down-to-earth manner, and it needs a certain empirical and reductive spirit. When studying a certain social or cultural trend of thought, it is especially necessary to analyze its specific economic relations under certain social and historical conditions. According to Records of the Historian, Xiang Yu inspected the place names and their geographical positions recorded in it, so as to increase his historical grasp of ancient books. He once took A Dream of Red Mansions as the research object and Marxist historical materialism as the model, and profoundly explained the ideological implication of A Dream of Red Mansions.

Feng Lao also has his unique and incisive understanding of learning. In Feng Lao's view, reading should be classified and read in series. Classification means reading through specialized history books and reading vertically. Links are general history reading, general history reading and horizontal reading. "Every book has its own uniqueness and shortcomings. We take its uniqueness and know what it can't do. If we take its uniqueness as an example, we will only get what we get. If we know that it is not everywhere, we will make up for it. " Feng Lao really won the essence of reading. Therefore, whether it is the textual research of Jia's metaphysical thought in A Dream of Red Mansions, the textual research of Xiang Yu's death, and the determination of Xuanzang's way to return to the east, it is a serious historical investigation or field investigation. He said he wouldn't rest assured if he didn't experience it. After the experience, he felt at ease. It is this spirit of not being superstitious about classics and full of yearning for historical truth that made him go all the way from consulting Cao Shi's footprints to visiting Xuanzang and returning to the east.

"There is no difficulty, no holy monk. If you can do this all your life, you won't get far. 1 Mr. Feng likes Xuanzang, so he traveled to the western regions again. Mr. Feng admired Xu Xiake, so he traveled all over the southeast and northwest. Mr. Feng believes in Marxism, so he insists on seeking truth from facts and obeying the truth. Mr. Feng's life experience on foot makes people realize his scholarship.

Mr. Feng once said: "The sea is flowing day by day, and the scholar has a strong spirit. Shi Naian's life and creation can be summarized as "three inches of pen, wind and rain touched China". We can also take this opportunity to give back to Mr. Feng's academic persistence and pursuit of artistic beauty.