Traditional Culture Encyclopedia - Photography major - What is the literary film and television work that you can't forget?

What is the literary film and television work that you can't forget?

Wong Kar-wai's film, as a film that has been grinding a sword for n years, and as a film with stars such as Tony Leung Chiu Wai, Zhang Ziyi and Zhang zhen in the cast, there is no reason not to expect it. And if we don't consider the changing process of the general audience's acceptance of this film, this film is undoubtedly a success. Because Wong Kar-wai's movies, as fans say, will naturally understand what you like, and there is no need to force what you don't like. This explains the snoring in the cinema well. After all, it's just like many people don't like the explosion of Hollywood popcorn blockbusters. They all have their own advantages, but they don't need to be enlarged to completely replace them to question the quality of the film.

For this film, the biggest advantage is that the team before and after the film is excellent enough. I don't agree with the split evaluation method, and I can't directly compare movies with IP Man series. In addition to the distribution of the scene, this film still has doubts, and the sense of rhythm still belongs to the exquisite literature and art that makes good use of sunglasses. Martial arts and literary dramas are excellent, without any sense of contradiction. As the lines in the film say, people live all their lives, some become face, and some become lining. But once it is made into a movie, the face and lining of this movie are very good.

The Grand Master is unique and unrepeatable in the ranks of Chinese, both from the audio-visual perspective and from the performance of the actors. Let's talk about photography first: In fact, there are not many empty shots interspersed with fighting scenes in the film, and there are favorite sunglasses frame images. There are excellent props everywhere, which are quite textured: whether it is the exquisite luxury of Foshan Golden Pagoda or the northeast station in ice and snow, people feel the sense of the times and the old taste. Zhang Shuping's role modeling is worth the ticket price, and the costume of the role is more suitable for the role: after In the Mood for Love, women in Wong Kar-wai movies can't live without cheongsam.

I was played by Song Hye Kyo Jing as Zhang Yongcheng, wearing a cheongsam and lighting a lamp at my door, waiting for the picture of Liang Sheng coming home every second. I don't have the strength to fight back and parry. Take Miss Gong Er, played by Zhang Ziyi, as an example. When going out, the dark style frequently fits her tough personality, and the fur coat with excellent texture adds elegance against the snowflake. As for music, Shigeru Umebayashi is not the best candidate, but he is enough to fight against japanese pop people who have gradually become the mainstream in China blockbusters in recent years. Before the fight, the aura was exaggerated, and the dense drums easily reminded people of Kawai Kenji in the Ip Man series, and the East was equally nervous. Moreover, every time IP Man competes with his opponent for internal strength and fights from a distance, he uses the super bass effect to test the influence of the cinema in his creativity, which can be described as a stroke of genius.