Li Yizhou

Note: In the old days, scholars often used this word to join the association.

Horseshoe, autumn water, refers to chapter 9 of horseshoe and chapter 17 of autumn water in Zhuangzi Waipian. In a word, Bole's good management of horses killed them prematurely; In a word, autumn water fills the river and rivers flow into the sea. Well frogs can't talk about the sea, summer insects can't talk about ice, and there is an infinity beyond heaven and earth.

Tiger tail, spring ice, from "Shang Shu Jun Ya"-"If you are worried, if you follow the tiger tail, you will be involved in spring ice." It's like stepping on a tiger's tail and walking on the ice that will gradually thaw in spring.

The human heart is only in danger, and the heart is only small.

Guess it should be Zhu's taste in the words "horseshoe" and "tiger's tail" of Taoist school. I misappropriate it here just because it looks good, borrowing metaphors from the two ends of art and utensils in Song and Yuan Dynasties. One is the freedom of beauty, such as the knives and axes of Cizhou Kiln and Yaozhou Kiln. One is the beauty of dancing in chains, such as the humility and introspection of Ding Kiln and Ge Kiln. Then they are intertwined, infiltrated, overlapped and unreal.

Tiger hoof, ponytail, spring water, autumn ice.

"A guest asked about the floating world, and he was speechless."

-Inscription on kiln pillow in Cizhou, Song Dynasty

At the beginning of Song Taiping's old title "Brocade in Sleeves", there is the 28th kind in the Song Dynasty:

"Book supervisor, foreign wine, Guangdong inkstone, Luoyang flower, Jianzhou tea, Shu brocade, Ding porcelain, Zhejiang lacquer ware, Wu paper, gold copper, Xima, Dongsi, Qidan saddle, Xia, Koryo secret color, Xinghua army fish, Fuzhou Liyan, Wenzhou jacket, Linjiang yellow bird, Jiangyin puffer fish, Jinshan salty black bean, and so on. 」

Judging from the writing at the back of the book, the author's time should have entered the Yuan Dynasty, but it is true that the whole article is filled with a strong atmosphere of Song people.

This smell is to mix the feminine flavor of Bianjing with the puffer fish flavor of Jiangyin, to mix the scholar-bureaucrat flavor of Jiangnan with the pickled fish flavor of Donghuamen in Kaifeng, to mix the wine flavor of Ouchi with the salty lobster sauce flavor of Jiaojiao country, to put the secret color of white porcelain of North Korea and Dingzhou on the tea bed, to straddle the golden saddle of Qidan and to put the iron sword of Xixia on the waist.

In a word, the fusion of senses and reason, jumping around at both ends of elegance and vulgarity, is very uncoordinated and not contradictory, inadvertently tempting you and capturing you, in the middle, with a trace of sadistic blushing lip fat. This kind of interest is also common between Song Ci and Song Painting.

Therefore, anyone who admires the Song Dynasty to the extreme will be called "Song Song", and the bibliophile Huang Pilie calls himself "Master Song Song", and the only one who can make a perfect melody is to collect Song editions all his life. Wu Hufan, a painter, wrote a poem "The Trace of Song Ci" in an isolated island in Shanghai, carved the Plum Blossom in the West, mourned his wife Jingshu Pan, and sang with his confidant Zhou Lianxia.

Song is a kind of doting, which makes you suffocate slightly.

However, in the heart of our motherland, we dare not expect anything from WeChat. How dare we call it "Song Song"? In a secluded place, there is only a turquoise "utpala" in Zhongshan Park, which was forcibly moved from the old site of Deshou Palace in Lin 'an. Qionghua Island in Beihai really started with gold. However, Jin's great achievements made "Liao inclined to Song Ben", which was a bit disappointing in destroying Song Dynasty. In addition, in recent Beijing, the world is in chaos, and the obedient local natives in Beijing are also ashamed. Such as reading 1 10 years ago written by Manchu revolutionaries "Yanjing Travel Notes":

"Yan is known as a generous elegiac, and heroes come forth in large numbers. Today, many people are ashamed to bow their heads. Do you think people from the five lakes, the Jin people in Qidan and the Donghu people in Mongolia stole it and then mixed it up? Repressing Yan people is the closest to being suppressed by outsiders, so it is natural to get used to cultivating the roots of slaves. 」

The author appeals to Jing Ke and other "people who kill dogs and attack buildings" to rise up and get angry. My generation, Hu Hua, felt a little ashamed, so they went back to the hutong to eat Ren Hu wine and meat, dried meat and wine, wash their feet and go to bed, regardless of the sunset outside.

Looking south at Kaifeng, Bianjing Song Cheng, which has been flooded and destroyed many times, has already been buried deep underground, and a newly opened one has turned into a snack town in the Central Plains. Looking south at Hangzhou, the West Lake is still singing and dancing, but the fireworks in the famous e-commerce city are not well combined with the bookish atmosphere of "paradise on earth". It's only 150 steps from the West Lake, which makes people feel impetuous. Vashe Garden, which is full of clouds, is still elegant, but the contracted hangzhou dishes restaurant is not flattering. So which metropolis can we go to on this planet to pursue the homesickness of the Song people?

After thinking about it, I checked the cultural relics collected in this book and found that about half of them are old Japanese collections, and the boxes of paulownia are in the list. Another friend, Mr. T, set up a new old house in Kyoto, next to Jingu Temple, with an ancient wall covered with moss and beautiful scenery, and warmly invited guests to stay.

It's better to speak from the heart-it's better to cross the East.

Du Dong, go to Kyoto.

In a short message to my colleagues in the shooting team, I wrote:

About taking photos in Japan, the theme is to go to Kyoto to find the color, sound, smell, taste and touch between Song and Yuan Dynasties. Because Kyoto from Heian to Muromachi was deeply influenced by Song and Yuan culture and Zen Buddhism, especially in the Southern Song Dynasty. During the main road and the years, Zen master Rong, the ancestor of the Japanese school, went to Song for dharma twice and returned to Kyoto to talk about Zen. During the Song and Yuan Dynasties, China monks and businessmen from Ningbo and Tianmu Mountain also traveled eastward, bringing Buddha statues, Buddhist paintings, ceramics, lacquerware and even tea ceremony, incense, flowers and geisha music. Looking back on more than ten trips to Kyoto, I feel that its temple architecture, mountain water system, wood and stone gardens, street layout, rivers passing through the city and restaurants opening along the river are really Song Feng. So we can take some photos. Monk Simi, an energy music master in Muromachi era, said: "Hidden flowers are real flowers", and he also said: "If you want to show the turbulent trend, you must have a soft heart." We don't have to photograph flowers, fruits, fallen leaves, water, ink, tea, wine, snacks or even tofu or shark fin noodles. We combine several utensils to photograph autumn scenery. For the layout of fruit still life, please refer to six persimmon pictures of Monk Muxi. Express a kind of maturity, laziness, silence and reincarnation in late autumn. Of course, the big stone fields and dry mountains and rivers of Long 'an Temple are indispensable, because they smell the same as our Geyao porcelain. Good luck, autumn and peace.

So, photographer Cao and his colleagues Fox, Niu and Nan split up: they went to the pigeon house on the street next to Beno Temple, gently lifted the warm curtain and bought ink and incense; Buy brilliant red rouge from Yojiya, a famous shop in Kyoto since Meiji thirty-seven years; Then buy persimmons in front of Isetan Station and pick the best and purest ones. The flower shop at the intersection of Heyuan Town carefully selects red Tianzhu and hairy chestnuts; By the way, take pictures of the water features between the three or four rivers in Yachuan; Then buy some fruits at Kuanyongtang. At sunset, I went to Baiwanzhu Chopsticks Building in Yuanji Town to eat the famous shark fin noodles.

After dinner, everything is ready.

"Zhou Chi will be enough, and Song porcelain is porcelain."

-Qianlong's "Yongguan Kiln Plate"

When it comes to the artistic taste of the Qing emperor, people always praise Yongzheng while belittling Qianlong. But as far as the appreciation of Song porcelain is concerned, Qianlong was undoubtedly an outstanding connoisseur in Ming and Qing Dynasties. His grandfather Kangxi was more innovative than the old porcelain, and even said in "Sage Courtyard Motto": "The old porcelain was used by the ancients, and its furnishings were unknown. It doesn't look clean Therefore, you can't keep it, you can only buy the desk as a temporary reward. Father Yongzheng is both innovative and retro. When he arrived in Qianlong, he turned out to be a fanatical "retrospective" retro.

Gan Long's "Song Dynasty" is clearly described in the book Dejia Qu by the National Palace Museum. Gan Long wrote about 200 imperial poems to appreciate ceramics in his life, among which 13 1 was inscribed on the five famous kilns of Song Dynasty porcelain known in the Forbidden City and British Museum on both sides of the Taiwan Straits (including those mistaken for Song Dynasty porcelain), and Beijing Baoli once worked as the official kiln Little Square. It can be said that nine times out of ten, Emperor Qianlong put all his energy into the appreciation of ceramics in the Song Dynasty. Therefore, although Zhushan Imperial Kiln Factory's ingenious new work is "the new bottle system is better", it is obviously not very distracting for Emperor Qianlong, and he, like modern scholars, has dealt with the core issues of Song porcelain in Tan Zhai Bi Heng, Negative Xuan Zalu, Essays on Spring Breeze Hall and Eight Chapters of Respect for the Sacred, such as repairing the inner division, suburban altar, Geyao and Longquan kiln. And 230 years before the excavation of Phoenix Mountain kiln site, he firmly believed that Xiunei Temple kiln was produced in Phoenix Mountain in Lin 'an.

"Repairing the inner pottery, the imperial kiln is different from the outside.

It is difficult to divide generations into generations, and Phoenix Mountain always comes out. "

-Qianlong's "Sunflower Plate in Yongguan Kiln"

"Earn nails or remains of Song kiln, and the cracks in the ice are full of water.

A case of burning earth under the mountain is not as precious as edifying? "

-Qianlong's "Yong Guan Yao Cai"

This volume is fortunate to include two famous products of Ge Kiln, one is Fang Xi of Japanese corner of Ge Kiln, and the other is a pot with a royal inscription on the bottom, and it is labeled with the yellow label of "Jing Zi Hao" of Qing Palace, which seems to have been hidden in Jingshengzhai of the Forbidden City. Ge kiln ware is also a famous instrument that Qianlong often recites. There is a saying about the Ge kiln plate: "Chuzhou is exquisite and good at decoration, and the plate was once used by Pan Suosheng. If the new law doesn't look at all kinds of rubbish, it's hard to know the figures, brother. " What Qianlong values most about Ge Kiln is its glaze layer, which is called "100 pieces of garbage", which is different from the special aesthetic feeling of Guan Kiln. The so-called "Geyao is full of garbage, and its iron feet are absolutely dead." It's like marking a bad picture, but it can completely calm God down. "("Ge Yong kiln sunflower bowl ")

According to Qianlong, the porcelain of Geyao is better than "the ancient color is faint", but the glaze color is not as good as that of the official kiln, that is, "pure green is the shame of the official kiln". However, Qianlong, as bright as a torch, actually found that Ge Kiln was second to none among the five famous kilns: politically correct. The poem "Laughing at sunflower leaves is like a martyr's reputation", that is, the layers of "debris" of "all kinds of garbage" symbolize the heroic spirit of "martyrs"; And its commonly used sunflower mouth shape symbolizes the loyalty of courtier sunflower to Japan.

It was a wild dream for Qianlong to see Wen Tianxiang in Geyao's broken trip. Therefore, Wen Tianxiang and Shi Kefa were also honored as sages and loyal ministers of the Qing Dynasty, while Hong Chengchou and Qian, who contributed to the establishment of the Qing Dynasty, were shamefully included in Biography of Two Ministers. So "Song", but some of them went to Song and Yuan Dynasties, right?

After paying tribute to loyalty, have a tea break and return to the color, sound, fragrance, taste and touch of Song porcelain. The five desires are offerings before the Buddha, including mirrors, pipa, incense, fruit and clothes, which correspond to people's eyes, ears, nose, tongue and body respectively, and then to people's five senses-color, sound, fragrance, taste and touch. On the negative side, five desires make it impossible for people to have six clean roots and four empty ones. On the positive side, the five desires are also the driving force of human life. Indian Buddhism has five desires and Aristotle has four senses, but taste is subordinate to touch. Roman Julius also divided the senses into these five categories in the second century. In Britain after the Middle Ages, the five desires also became a common sense concept.

However, which is earlier or later between East and West is another case-solving. The five human desires are also embodied in ceramics.

Color, you can see the kiln's "white all over the world", showing the early green of plums in Longquan glaze; Voice, you can pop up the "golden fastener" dishes clank, you can listen to the dumb hum of Guan Ge's fragments, as if the new opening continues to grow. You can touch the "butter luster" on the glaze of Ge kiln, which is as soft as silk and as soft as a virgin's sweaty cheek. Cizhou kiln, on the other hand, carved plum bottles in a bold way, as comfortable as massage scraping. It's delicious and delicious. You can look for it in Jianzhan rabbit hair and Jizhou tortoise shell. Little Square of Ge Yao was washed on the long corridor of the stone court of Long 'an Temple, filled with clear water, photographed in the afternoon sunshine on the first frost day, and paid tribute to An Erlang with a low-angle and horizontal composition lens. The scene of this frame of work really blends the boundaries of color, sound, fragrance, taste and touch.

Leave and give up, or drown and hug? It's your choice.

The beauty of Ru Ci, official porcelain, elder porcelain and Jun porcelain has always been regarded by connoisseurs as the caviar pattern, crab claw pattern, wicker pattern, eel blood pattern and earthworm mud pattern in glaze and bubbles, which makes you linger in the patterns. However, all kinds of glaze bubbles produced after thin glaze, thick glaze, secondary firing and repeated glaze hanging are like "gathering foam and accumulating beads", and some are as rare as the morning star, or opaque or crisp. These stripes and bubbles are an impression with the naked eye, an impression under a magnifying glass of ten times, an impression under a magnifying glass of twenty times and an impression under a microscope. Using the traditional visual method, it can be seen that the alkali metal and oxygen escaping from the matrix in the kiln have become suffocating empty and beautiful bubbles in the glaze layer.

The method of identifying ancient ceramics with bubbles is really a very torturous tantric method. Just like I am ignorant, I only know that the vulgarization explanation of Heisenberg's uncertainty principle of quantum mechanics comes from the play Copenhagen-that is, when you stare at a point and think it is accurate, the measurement behavior inevitably disturbs that thing at the same time, and all other quantities are deformed. Therefore, "knowing the present and foreseeing the future" is wrong, while the unknowable Zhuangzi and Zen Buddhism are correct.

Do you know that?/You know what? Do you know that?/You know what? China is like this, work is like this, and life is like this.

However, in the face of a purple mouth and iron feet, I still can't help but pick up a magnifying glass and watch it for ten times, holding my breath and watching it carefully over and over again, looking like an expert. Admittedly, I still can't understand it. I can only remember the teachings of my predecessors. If you want to see ancient porcelain, you have to look at the bones. By the way, I haven't seen the fetal bone yet, so I will stick it on those iron Zhi Ding marks until my eyes ache. In a trance, it seems that the glaze has been removed and the bone is seen, and then the bone is patted to absorb the bone marrow. You seem to have strayed into the "Wulidun" of the "Skeleton Illusion" in the Song Dynasty, and the big skeleton hung silk as a puppet for the little skeleton. The viewer can see the bones, but can you see the true face of life?

In the China world of Liao, Song, Jin, Yuan, the porcelain pillows of Cizhou kiln system in the north often use calligraphy and poetry to express thoughts of home and country or kinship, which is often touching. Several porcelain pillows recorded in Mr. Ye Zhemin's Outline of Chinese Ceramic History are representative.

For example, the pearl pillow of "Home Country Yong 'an" in Lushan Kiln in Xining, Song Shenzong, north of the British Museum was properly carved and decorated, and the Northern Song Dynasty was in its heyday. On the other hand, the long article on the pillow of the three-year Cizhou kiln in Shaoxing, Japan, describes the homesickness during the Song and Jin Wars.

"When times are tough, my career is empty, and my brothers and sisters are running around. After the war, the countryside was deserted and the flesh and blood fled to a foreign land. ..... When swimming in Yingchuan, I heard that Jin Bing jumped south and looked at both sides of the road, which was deplorable. Because the road was blocked and it was not convenient to go, I returned to the original county. When I heard another voice, I felt flustered, I felt sad and lamented. It's good to be at home for a thousand days, but it's difficult to go out for a while. Only by writing poems can we feel less at ease. Trapped in the cold city for half a year, my classmates repaired more than 20 pillows. After three years in Shaoxing, I was quiet and looking forward to the sunshine. 」

The author writes sincerely, and the situation of panic and lament is very real. However, this made him a little relieved. He didn't write a poem "just a poem", but copied Bai Juyi's poem. It is inevitable that the "low-end" intellectuals in villages and towns pretend to be lofty and use information asymmetry to copy experts, and they are exempt from customs among their own flesh and blood. However, it is really good to say in the vernacular that "it is good to stay at home for a thousand days, but it is difficult to go out for a while".

Cizhou Kiln at the turn of Jin and Yuan Dynasties, the wine bottle with black flowers on a white background is another representative. The plum bottle in the calligraphy of Selling Fine Wine in this volume is an example. When you write quickly with Mi Fei calligraphy, which was popular at that time, you can still smell the wine of 1000 years ago. Another white jar with black flowers hidden in the Xiangtangshan Cultural Center in Pengcheng wrote a little song "Mountain Slope Sheep": "Which one doesn't make trouble in the world of mortals?" The road is far away, the water is far away, and celebrities are on Chang 'an Road. Today's teenagers will be old tomorrow. Yi Shan is fine. People are gone. The title of the border section is "Zhang Renzhi". This kind of interest is reminiscent of Fang Lijun's bald and ruffian paintings, and he is also a Handan native after one thousand years. It seems that the root of "cynical realism" is also in the Song Dynasty.

One of Mr. Ye's favorite poems on porcelain pillows is a white pillow with black flowers unearthed in Linshui County, Pengcheng County, Hebei Province:

"I often remember the day when I left home, my parents brushed my back. When you meet a bridge, you have to dismount, and you can't sail if you have a road. Find a place to live early, and the crow will see the sky. People who were wronged in ancient times were on the edge of the road. 」

Song and Jin left troubled times, religion flourished, Buddhism flourished, and Taoist immortals came to the world like immortals. In the arts and crafts of the Song and Yuan Dynasties, there were a lot of such fairy tales. In this book, there is a small portrait of a white jade carving female fairy in Shanshui Hall. At first glance, from a normal point of view, it was named Shennong Herb Collection. A closer look at Jade Man is indeed a female image, and Shennong's name is really wrong. Looking up Mr. Yang Zhishui's textual research on the story of Miss Mao, we can know that it should be the image of the immortal "Miss Mao" in The Legend of the Immortal, which was quite popular between Tang and Song Dynasties. Miss Mao, Yujiang, with green hair, lives in Huayin Mountain. After being seen by hunters, the Hairy Maid of the Western Han Dynasty claimed to be the maid of honor of Qin Shihuang. When Qin died in the mountains, she met a real person. She is not hungry or cold, and she is as light as a fly. In the mountains, it has been 170 years. Immortals are not old. In another book, Bao Puzi? In Fairy Medicine, the hairy girl finally died. Because she was forced back to live in the city by a busybody and ate fireworks in the fourth ring road. Miss Mao's hair gradually fell off within a year and died two years later. "Who knows if the past is right or wrong?" And "it's too vain to laugh and twist the mountain flowers." Therefore, it is not easy to be a fairy, and it is even harder to be a man.

Fang Yue, a native of the Southern Song Dynasty, wrote a poem "Spring Dishes", which described the scene of Song people eating spring cakes. There is a sentence in it:

"Green red reflected plum willow, purple cui invited drunk pine and bamboo. Qing dynasty will crisp the full moon color and chew out poetic palace merchants. 」

Fang's poem about leek shredded pork burrito is too elegant, but it makes people lose their appetite. Chewing spring cakes makes you sound like a palace merchant. It's really difficult to eat with poets. However, it is also appropriate for the five secrets of the palace and the business to correspond to the nose and mouth. "Bite Spring" can bite out the voice of the palace merchants, which shows that people in Song and Yuan Dynasties were sensitive to temperament, so the Song and Yuan Dynasties were also the heyday of China's singing. The production and performance of "Guqin", regarded as the highest pleasure of literati, reached a peak in the Song, Yuan and Ming Dynasties.

After the penultimate object of this book, the copper fuming furnace with flowing water in the mountains, I really want to find a Qin Song as the ending of the whole audience, so as to satisfy the dream of "becoming a blessing" of the sages. However, Qin Song was hard to find in the world for a while, and eventually he was short of money. At the last deadline, a Xie Feng piano suddenly appeared in the office. This piano belongs to Mr. Wang and is now in the old museum. It is one of the nine Qin recorded in Zi Zhen Ji, and its style is transformed from Fuxi style, with a round plane and quite ancient style. It was written by Mr Guan Pinghu at the end of Yuan Dynasty and the beginning of Ming Dynasty. This piano is characterized by solid paint and delicate and vivid lines. Mr. Zheng Minzhong once pruned it, so Wang and his wife often play with it. I don't know the piano skills, but I'm curious about the sound of this piano. Feng Wang distinguished professor Zhang Fuzhi said that its sound is "quaint and smooth, with a long rhyme", and it is a very good piano.

In the Republic of China, this phoenix piano was collected by famous artists. It was first collected by Puxiyuan, the owner of Hongdou Pavilion, and then returned to An Shilin, the abbot of Baiyun Temple. 1946 This piano survived the phoenix nirvana after the Taoist priest burned it alive. It will be returned to Mr Guan zhongxing and then to Wang. It is also a kind of luck that this piano can be released again in the tortuous century. Dong, the owner of the Red Bean Pavilion, is a master of temperament, a famous ticket in Beijing and Kunming, and a master of Milan. The composer of Gong Jin Gull, the national anthem of the Qing Dynasty, became the elegy of the Qing Dynasty when Wuchang Uprising broke out six days after the song was published. According to Mr. Wang's memory, every spring day in the1920s, Dong often invited guests to other businesses in Xishan Otter Garden to enjoy flowers and tea. He invited people to sit under the apricot tree in the yard and drink tea, while he played the piano for the guests in the curtain of the study. But when he heard the ethereal sound of the piano, he didn't see the piano player. At that time, the book case in the house was a famous case in which Song Muzhong inscribed rosewood, and the piano music he played was "Mountain Flowing Water". Soon after Yaji, the owner of the Red Bean Pavilion went bankrupt, and calligraphy, several cases and guqin were scattered on the market. 1952, Puxi Garden died in Shanghai. Master Milan braved the heavy rain to attend the funeral in Shanghai and met Wu Ye for the last time before the coffin of Nanmu was covered. Those who don't know the melody, like us, caress the round pool and swamp of the Phoenix piano, and hear the low voice of the phoenix from the throat at the foot of the Western Mountain in the endless running water.

But playing the piano is fun, so why play it on the strings?

An American neuroscientist said that playing back music in the brain is very different from listening to the actual performance. Playing back a song in your mind only takes half or less of the actual playing time. Kazuo ishiguro's short story Cellist tells the story of a young man who plays the cello in a Venetian cafe and meets a mysterious middle-aged lady. The lady only listens to the boy and gives him pertinent guidance, but she never demonstrates herself. It turned out that this young lady had a strong intuition about music since she was a child, but suddenly gave up playing like obsessive-compulsive disorder in her teenage years. From then on, she only listened and spoke, but never played the piano by herself. The depth of the young man's performance has advanced by leaps and bounds under this abnormal mental strengthening training. But while introducing the boy as a bosom friend, the lady also made a playable prosthesis for him. This relationship also confuses talented boys. The lady finally returned to her normal life. After she married China, she became an ordinary bar player, and her talent disappeared into the air.

? In September of early autumn, I went to Venice to see an exhibition in the best sunshine. After nightfall, walk to St. Kyle's Square to find kazuo ishiguro's cellist. As expected, three outdoor cafes on the west side of the square set up their own stage and took turns to attract tourists. As he said in his novel, because the square is big enough, tourists "will hear one tune fading away and another tune getting louder and louder, just like he is tuning the radio channel." Various famous classical arias come and go, and then some old movie theme songs are played intermittently. Of course, the godfather was indispensable, and then it turned out to be the violin version of Molly.

St. Kyle Square, the reception room in Europe, was built from the 9th century to14th century. Except for the ballroom with corridor built by Napoleon the conqueror at the beginning of19th century, it remained unchanged in the 20th century, as always. This time is also the time of our Song Dynasty, Liao Dynasty, Jin Dynasty and Yuan Dynasty, and our Song Chengcan is only buried underground and in theme parks.

The night is getting deeper and deeper, just like the full moon in the sky and the high tide at sea. I saw a stream of lagoon water mixed with seawater gushing out from the Shi Zhuan crevice in the square, as if it had accumulated grievances and tears for a thousand years. Tears for a thousand years can't be covered from the ground when the moon is full. Until it is piled up in front of the Byzantine facade arch covered with golden mosaics, it forms a mirror like a small lake, just like a cathedral floating and calm in the water. In the strong wind, the band in the cafe began to play again. It is not Debussy's piano music Silent Cathedral, but an episode of Mascagni's opera Country Knight. Quiet and spacious, like a breeze and running water, a narrative memory slowly flows, which seems to be music that everyone will like. So in Angry Bull, it is this piece of music that accompanies Robert De Niro who punches alone. In Godfather II, it was the same song when Don Michael Corleone died alone in his chair. This piece of music also brought us back to Beijing, bringing us back to sunny days. When I climbed up the tin roof of Duan Fu like a big cat, this melody also sounded in the backlight of the sunset.

The smell of the sun, the smell of hay, and the smell of Malan white sheets hit my face ... making people feel homesick.

The night is deep, the lights are dim and the wind is cold.

Let's go back to the Song Dynasty and end with a sentence on the porcelain pillow of Cizhou Kiln:

"There are not many words in the crowd. If you have nothing to do, you will return early."

2017.11.27. Make the rich

? Beijing xingfu 2 nd village