Is there any good way?

1 Lesson 2 Camera and lens Lesson 3 How to use the camera Lesson 2 Film Lesson 5 Exposure Lesson 6 Black and white film development Lesson 7 Filter unit Lesson 3 Cultivate your eyesight Lesson 9 Natural light Lesson 9 Living light Lesson 6 1 1 artificial light 12 strong point/kloc-. 4 Darkroom Unit 4 15 Basic Portrait Lighting 19 Lesson 20 Wedding Photography Lesson 20 Fashion Photography Lesson 2 1 Lesson 22 Color Film Processing Unit Lesson 5 Camera with Camera on the Back of Machine Lesson 24 Advertising Photography and Still Life Photography Lesson 25 Architectural Photography Lesson 26 Remake, Low-magnification Photography and Microfilm Color Magnification Final Revision Unit News Photography (1) Lesson 1 The photographer's eyesight. The photographer's eyesight. A good photo should have a theme. A good photo should have a theme that can attract attention. The picture of a good photo should be concise. The application of the three cardinal principles. Find the best one. Observe the world around you. A photographer's eyesight You may have seen hundreds of wonderful photos in books and magazines. Perhaps, like most people, you are longing for: "I wish I could take that level of photos!" " "However, just looking at other people's photos can't actually help you make your own good works. What is the reason? Because you don't know what to look for. When you see a wonderful photo, you will think it is really beautiful. However, you can't tell why it is beautiful or how the author created it. Perhaps books and magazines will explain in detail what camera and lens the author uses, and may even tell you the aperture and film. However, these are technical details, which can't help you make a good work, just like a painter knows what pigments and brushes Leonardo da Vinci uses, but he can't draw a famous painting like Mona Lisa. One of the important factors is the need to know what to pursue. This is exactly what our textbook wants to teach you. So at the beginning of the lecture, we will tell you some concise guiding principles and explain what to pursue through beautiful photos in the textbook. In the process of getting to know these guiding principles through photos, you will develop a sense of self and know what the world around you wants to pursue. This ability to find and capture beautiful pictures in the surrounding world is what we call "photographer's vision". Now let's begin to cultivate your vision as a photographer. Let's review some photos you have just seen, and then tell you what to pursue with a few concise guiding principles. The basic principle of "what to pursue" When discussing these photos, we will only focus on three basic principles. 1. A good photo should have a distinct theme (sometimes called a theme). Or show a person, or show a thing, or even show a story of the theme. The theme must be clear and definite, so that any audience can see it at a glance. A good photo must attract people's attention to the subject, in other words, let the viewer's eyes turn to the subject immediately. 3. A good photo must have a simple picture, including only those contents that are conducive to attracting the subject's attention, and excluding or compressing those contents that may distract attention. As long as you start to think according to these three basic principles, you will find that your life as a photographer begins to change. You will look at a beautiful photo with a new standard. More importantly, you will observe the world in a new way and capture the picture in a new way. You will start to see the world through the viewfinder with the photographer's eyes! The three basic principles mentioned here are the basis for your progress and growth as a photographer. So we need to discuss them in detail one by one ... A good photo should at least show what the theme is-we call it the first principle-and make sure that the viewer can see it at a glance. This is a basic goal you must set when taking pictures. There are further requirements for real masterpieces. It should not only have a clear general theme, but also express a general theme. Although this goal is difficult to achieve, it is this that distinguishes famous books from famous books. At the very least, every shot must have a distinct theme in order to strive to become a masterpiece. You won't be surprised once you find yourself shooting a masterpiece that can express a general theme. This photo of an old woman peeling an apple is such a work. All the factors in this photo combine to show a common theme. This is not just a woman peeling apples, she represents all these women-they are hardworking, simple, practical, strong, kind and strong. This is simply a typical American ideal mother. How many such women have you photographed? Maybe it's your mother, aunt Alice or your neighbor. How many photos have successfully expressed the universal theme? If not-or not at all, then ask yourself why. Do you honestly think that they are not real models? Do you think beautiful models can take pictures? Or because you are too familiar with the subject, and only regard her as a specific jane smith or mary jones, instead of "woman", "mother" and "girl"? Maybe you don't think she has performed such a feat as skydiving, nor has she run for important government positions? Or you may think, "How can I take a picture of an interesting woman peeling an apple? "? Yves arnold, the photographer of this photo, realized the special feature of this scene-the universal theme, so she pressed the shutter. This woman is her mother? Sisters? Or her neighbor? We don't know about it and we don't care. And this woman belongs to the world now. Every one of us, as long as we see her, can understand some of her experiences and touch our own lives-this is universality. In this textbook, we will train your photography skills. We will try our best to guide you to learn every important content of photography technology and equipment. After you have learned all the "how to do it", you can take every photo correctly and make beautiful works. But we should cultivate your ability to observe, discover and choose various themes in the world around you in your study. This textbook provides you with many beautiful works, and we will train you to ask questions seriously: "What is the theme of this work?" "What kind of universal meaning can we get from it?" "What can show morality? "Don't expect to see a few works and suddenly realize it." Ah! I see, this is the mystery of universality! "No, it's impossible. However, when you follow this textbook step by step, you will slowly, step by step, accumulate over a long period, but you will actually find that you can not only find common themes from the works in the textbook, but also find them through your camera viewfinder and express them in your works. It takes time. Although many people are professional photographers, after years of commercial photography, they still have not gained this awareness. Many people are photographers who specialize in taking pictures of children. After shooting-even selling hundreds of photos of jimmy smith Darling Jr. and Lisa Johnson Jr., they failed to capture "childhood", "innocence" or "youth". There are many wedding photographers who have never photographed "love", "affection", "life" and "happiness" after filming-even sold hundreds of "Taylor's wedding" or the wedding in the marriage certificate office. Of course, we will teach photographers like you photography skills to make a living. But we should train you to go to a higher level to capture topics of universal significance. Because this is the quality that must be possessed to win the prize in amateur photography competition and become a first-class professional photographer. In a sense, all the basic principles and skills mentioned in this textbook combine to strengthen this goal: to enable you to express the theme of each photo most powerfully-with universal significance, just like the photos taken by yves arnold. So, whenever you are going to press the shutter, you must remind yourself of the first question. 1. What is the theme of this photo?