Traditional Culture Encyclopedia - Photography major - Niuhong photography
Niuhong photography
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Dadaman Lehman USA 1890- 1976
The founder of Dadaism, pioneer photographer, poet, sculptor, pioneer of surrealist film. He was also the first artist whose photographic works were far more valuable than other art forms.
Started painting and sculpture creation from 19 1 1. As one of the earliest abstract painters in America, he had frequent contact with avant-garde artists in Europe at that time. Photography started at 19 15. He advocates the exploration and innovation of art forms and opposes the imitation and repetition of old forms and old themes. He once conducted photography experiments with a relaxed game mentality, and invented techniques such as midway exposure and shadow photos of objects, which were later called "thunder photos". These explorations are not only unique in language skills, but also in line with the anti-artistic spirit of Dadaism and surrealism in concept.
Eugene Ajie Eugene Atget 1857- 1927.
I used to be an actor and studied painting, but I didn't succeed. I started photography at the age of 40, 1899 became a photographer. His photography style is unique. He doesn't like taking regular portraits, but he is good at taking pictures of people on the street. He used a 7×9.5-inch wooden camera to shoot in Paris for 30 years, and completed 1053 artistic photos of old Paris, 1568 unique photos of Paris, and two grand thematic photo collections. 1927 died in obscurity in poverty. A large number of works he shot established his position as "the father of French documentary photography".
Eugene Ajie is a photographer who has a great influence on Man Lei and is also a photographer full of contradictions. On the one hand, he is regarded as a documentary photographer in the history of photography; On the other hand, many of his works are characterized by constructivism, emphasizing history and respecting places. At the same time, his photographic works are full of mystery and are often classified as surrealism.
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