Traditional Culture Encyclopedia - Photography major - What Japanese photographs are there in Miyazaki Hayao?
What Japanese photographs are there in Miyazaki Hayao?
The following are introduced separately.
Miyazaki Hayao:
Miyazaki Hayao (Miyazaki Hayao) is a famous Japanese cartoon director. 194/kloc-0 was born in Tokyo on June 5, 2008.
Miyazaki Hayao can be said to be a legend in the Japanese animation industry. Without him, the Japanese animation industry would be greatly inferior. He is the first thinker who raised animation to the humanistic level, and also the spiritual pillar of three generations of Japanese animators. While breaking the shadow of Osamu Tezuka giants, Miyazaki Hayao set an example for later animators with his strong character and never-say-die struggle.
Personal profile
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Early experience
Miyazaki Hayao was born in Tokyo on 194 1. Their family originally lived in bunkyo-ku, Tokyo. Later, due to the evacuation during World War II, the family moved to Utsunomiya and Kashima. His family runs an aircraft factory and belongs to a military enterprise, so he can still maintain a fairly adequate life in the late war. However, Miyazaki Hayao, who grew up in this environment, unexpectedly doubted the privilege of the family.
When Miyazaki Hayao was a child, he liked reading books and cartoons. When I was in middle school, I planned to be a cartoonist, and then I began to practice cartoons actively. In the third year of high school, he met his first love object: the White Snake in the first Japanese full-length color film "Legend of the White Snake" of Toyo Animation.
After that, Miyazaki Hayao entered the political and economic department of the college. There was no comic book club in the university, so I joined the children's literature research society nearest to it. It is said that Miyazaki Hayao is the only member. During this period, I created a lot of cartoons, and I also contributed to Lending Comics Publishing House, but there seems to be no finished works. At that time, Miyazaki was only a bystander in the turbulent security movement, and only participated as a non-partisan at the last minute.
At this time, Miyazaki Hayao made a lifelong employment decision: to show animation in the East.
As Miyazaki Hayao is the second son and the eldest son inherits the family business, he can choose his own career at will. According to myself, I chose animation instead of comics because others said that my works were imitating Osamu Tezuka, but I didn't think so at that time. Realizing that he couldn't surpass a cartoonist like Osamu Tezuka, he chose an animation that didn't matter if it wasn't original. The time value is 1963.
Dongying Animation was established by Dongying Film Co., Ltd. 196 1 Before Bug pro was established in Osamu Tezuka, it was almost the only Japanese animation company with a strong humanistic atmosphere and a long tradition. Worm pro was influenced by low-cost TV animation, but in that era, animated films with high cost, fine pictures and strong tradition were still dominated by oriental reflections. When Miyazaki Hayao entered Japan, he was only the original painter at the bottom. At that time, there was a left-leaning trend of thought in the post-war literary and art circles (don't forget that the security movement had just ended), and the society was full of democracy. Many things in the work are decided by everyone's discussion. Miyazaki, who is diligent and highly educated, therefore stands out from the discussion. From 65438 to 0964, the club began trade union activities, with Yasuo tsuka as the leader, Gao Tianxun as the vice chairman and Miyazaki Hayao as the secretary.
Yasuo tsuka, an old member of the club, discovered the talents of Gao Tianxun and other Tokyo University graduates. 1965, this group of trade unions began to do the adventure of Prince Sun Hall together. Otsuka is the director of painting, and Gao Tianxun, a newcomer in fashion, is promoted to the director by him. Miyazaki Hayao played such an important role in his works that everyone invented a position for him: scene design. The talented Gao Tianxun has brought a brand-new concept to this work, adding a deeper connotation and rich expression techniques. It can be said that this is the first Japanese full-length color animation not only for children. It is also worth mentioning that the production of this animation was interrupted in June 1966 10, continued in June 1967 10, and was officially released in July 1968. During this period, Miyazaki Hayao married his colleague Ota Zhu Mei in 1965, and his eldest son was born in 1967. Due to the producer's spirit of Excellence, this work was postponed and budgeted. However, although this work received rave reviews later, it did not break even at the box office at that time. After finishing this work, Yasuo tsuka left Dongying Animation and joined A-Pro, which had made trade unions suffer losses.
Miyazaki Hayao, together with Gao Tianxun and Yoichi Oda, continued his animation work in Toyo, and his position is still the original painting. 1969, he began to serialize the short cartoon "People in the Desert" in the newspaper under the pseudonym of Minjin Saburo. This may be the embryonic form of the later "Valley of the Wind".
197 1, the three of them jumped from Dongying Animation to A-Pro of Yasuo Tombs. To digress, it was at this time that I met Givan Condas, who later directed Listen to the Ear and served as the painting supervisor in many of Ghibli's works. This group of people have cooperated for twenty or thirty years, which is really a terrible fate. As one of the main creations of the new project Pippi in Socks, Miyazaki Hayao visited Scotland for the first time. However, due to the reasons of the original author, this project was finally abandoned. Originally, Miyazaki Hayao liked the scenery of European villages and towns, and this experience left a deep impression in many of his later works.
Next, everyone participated in the production of the TV series "Lubang III" led by Yasuo tsuka. Today, almost every year, there is a TV special or theatrical version of Lu Bang III, and Lu Bang has changed from a thief living in a mansion to a familiar civilian image. Gao Tuan and Miyazaki Hayao had a far-reaching influence on the unauthorized adaptation of the original works.
After that, the combination of Gao Tianxun, Little Sheep and Miyazaki Hayao, who supervised the painting, created many works, the most noteworthy of which was Panda Family. This work mainly describes daily life for the first time, which is the first attempt of Gao Tianxun's new style. In the panda craze, this adventure was well evaluated.
1974, the three of them jumped ship to drunken tour image, the parent company of Japanese animation, which later became famous for its series of "world famous theaters". The first animation "Girls in the Alps" co-produced by the three people can be said to be a work that lays the whole series of styles, and Gao Tianxun's directing style, which mainly describes daily life and emphasizes action time arrangement, is thus formed. This brand-new animation style has achieved great success. Miyazaki Hayao's positioning this time is the layout and picture composition, and it is also a new positioning invented to match the new painting form. For Gao Tianxun who can't draw, Miyazaki Hayao, like his hands and feet, turned his idea into a composition.
In the world-famous drama series, Gao Tianxun also served as the producer of Searching for Mother in Three Thousand Miles (1976) and Anne with Red Hair (1979). Later, after practicing for a long time, Miyazaki Hayao, who has a lot of experience in leading TV dramas, got the position of producer for the first time on 1977, that is, the future young Conan (1978). Compared with Gao Tuan, who respects the original work and has a calm style, Miyazaki Hayao is characterized by his rich imagination and expressive force of action. The original pessimistic book was changed into a clear story of a girl by Miyazaki Hayao. This story can be seen in the shadow of later stories such as City in the Sky.
1979, in order to make the theatrical version of the animated film "The City of Cariostro of Lubang III", it was transferred to Tokyo Film News Agency, and the painting director was Yasuo tsuka, the original creative member of Lubang Animation Series. If you feel good about Ghibli's work, please be sure to have a look at it. He has the same quality and charm as Ghibli's later works, and it is still a legendary classic. However, it was a better work at that time. After that, Miyazaki Hayao worked in the telecom of Newcomer Development Company of Tokyo Film News Agency, and continued to produce the TV series "New Lubang". Here, Miyazaki Hayao put forward a plan to become the predecessor of My Neighbor Totoro Ghost Princess. However, it was definitely not adopted.
Turning point in life
198 1 year, another turning point in Miyazaki Hayao's life appeared. Toshio suzuki, editor-in-chief of Animage, a new animation magazine founded by Japanese and German bookstores, wants animators to visit this album. It is estimated that he originally planned to visit Gao Tianxun, which is famous for its world famous series, but the result was rejected by Gao Tuan and Miyazaki Hayao. Finally, I don't know why, it became an interview album of Miyazaki Hayao, who was very young and didn't have any fame. This seemingly chaotic move can be said to have brought a hen laying golden eggs to a German bookstore.
Animage has also discovered and funded other young and talented animation producers, such as Mamoru Oshii, and made efforts to make them famous, but the cooperation is not as smooth as that of Miyazaki Hayao.
Led by toshio suzuki and German bookstores, Miyazaki Hayao began to create his own animation. At first, the planning of the theatrical animation "Nausicaa in the Valley of the Wind" was rejected because there was no original, so in 1982, Miyazaki Hayao serialized his cartoons on Animage. Intensive painting and profound and multiple reflections have made this intermittent comedy epic quite successful. After finishing the production of Sherlock Holmes, Miyazaki Hayao left the Tokyo Film News Agency to prepare for the new work.
1983, the legend begins. People who have worked together since the great-grandchildren's time got together again, and the animation of the Valley of the Wind began to be made. Miyazaki Hayao is responsible for all the work of supervision, script and mirror table. From the bottom to the top, Miyazaki Hayao has the ability to lead most of the work from stories to painting and animation. The film ends in religion. Although the producer was not satisfied, the screening was unexpectedly very touching. Against the background of its success, Studio Ghibli was founded in 1985. The name comes from an Italian reconnaissance plane (a family-run hobby) during World War II, which means "hot air in the Sahara desert". Miyazaki Hayao is here to supervise the works, which is a trip to repair the picture books.
With the production of the new animation "City in the Sky", the cartoon "Valley of the Wind" was closed. After that, Valley of the Wind was closed and reopened intermittently with the production of Ghibli animation until 1994. City in the Sky is still a solo performance produced by Miyazaki Hayao. Miyazaki Hayao's fantasy world style, full of action and drama tension, real touch and details, has been fully exerted.
The background of City in the Sky is the industrial revolution in Europe 19. Accompanied by the kind and brave boy Pazu, the lovely and innocent little girl Hita is looking for her lost hometown. At the end of the journey, Sky City finally understood that no matter how science and technology progress and how human beings develop, people can't live without land. The theme of man and nature is further reflected here, and the ultimate destruction of La Plata, a great city floating in the air, seems to warn the world that in the century of machinery and steel, it is actually facing an uncertain future. ))
The next step is the strength of Gao Qi's supervision. 1988 "My Neighbor Totoro" produced by Miyazaki Hayao and "Tomb of Fireflies" produced by Takada were released at the same time. Although the latter has been widely praised by literary and art circles and touched countless audiences, the former is one of Ghibli's most popular works. After Ghibli, a system of two producer taking turns making animated films was formed.
Mamoru Oshii:
Today's Japanese animation industry can be described as a group of heroes, including the moderate and steady Miyazaki Hayao School, the radical and innovative Hideaki Anno School, the bizarre and bold Big Friends Winning Bo School, the tepid Toyo Foreign Firm, and a person we should not forget, Mamoru Oshii, who also created a miracle.
Many animators and cartoonists introduced in the past are people with stunts, so they can be independent when they put down their animation work and hold a brush. But this Mr. Mamoru Oshii is different. He is a real animator and knows nothing about comic creation. I believe that any reader who is reading this article will draw better than him.
However, it would be wrong to despise this master who can only talk on paper. You know, it's not necessarily a good thing that a producer can pick up all the 18 martial arts and put them down. Too much ability makes him confidently undertake many tasks, which leads to overwork, affects personal health and affects the process and level of production (of course, this is not the same thing). Can't the feeling of art really be distinguished by such a simple argument as "can this person draw?" Mamoru Oshii has created many amazing masterpieces over the years, which truly prove that he is indeed a painter who can't draw and a sculptor who can't carve. Compared with many of his peers, he prefers art to business, so his works are more artistic than business, and there are few traces of axes. For most readers, his works are difficult to understand, and only those who like to chew carefully can really understand his true meaning.
195 1 Mamoru Oshii, born in OTA, Tokyo on August 8th, joined the famous Longzi Animation Company after graduating from Tokyo University of Arts in 76 (this company should be familiar to domestic audiences, and many cartoons they made, such as Knight of the Universe, have been shown in China). Representative works include Revival Boy, Mobile Police and Ghost in the Shell. In 2004, he won the Japanese Science Fiction Award for his dramatic animation Innocence.
He is famous for producing the TV of "Revival of Teenagers". This work has won a lot of praise in Japan and even many countries in East Asia. In addition to the style of the original comic book, he also added a lot of his own production techniques to this work, which successfully demonstrated his unique personal thoughts, lens segmentation techniques and atmosphere treatment, and attracted wide attention from all walks of life.
1982 The theatrical version of "Revival Boy Only You" is Mamoru Oshii's first film work, which has better content than the TV version, and lyrical performances can be seen everywhere, which fully embodies Mamoru Oshii's talent.
Although the performance of 1984 theatrical version of Fuxing Kid 2 ~ Beautiful Dreamer is not as good as its previous work OnlyYou, it gives full play to Mamoru Oshii's talent and becomes a bet.
Shou's masterpiece in his career as a director has also become a work in which his personal style has been fully formed. A large number of still pictures with strong contrast between light and dark are used in the film, which adds a little artistic color to a very commercial animation. The strange world of "Reviving Teenagers" made his name known to the public at once, and it was also an excellent work for him. Thoroughly analyze the original works with concise cinematic expressions and plots, and recombine them in the fictional world of animation. Mamoru Oshii's works of this style inevitably have some parts called "out of control", which are not loved by the original supporters. However, he did not violate the original work on the fundamental issue, and the original world outlook was gradually and naturally introduced into the "different world" where gambling wells did not lose money. No matter what kind of "runaway" is released, it must be derived from the love of the original. This balance between "love" and "running away" is the unique and wonderful feeling of the betting well world. "Reviving Teenagers" has been animated repeatedly, and only this work can be called the ultimate.
1983, Mamoru Oshii's The Angel's Egg was released. This is the first set of OVA in the history of Japanese animation. A total of 10 episodes of "Dallos" also opened the market of OVA, giving animation circles and animators another way out (a new generation of animators should provide Mamoru Oshii's name after Osamu Tezuka, because he added a piece of fat to everyone's white rice bowl in Osamu Tezuka). This film describes "Is this my dream?" In the depths of Mamoru Oshii's works. Who am I in my dream, a moment in my dream is not only a vivid expression of Mamoru Oshii's deep psychology, but also the most important work about the world of Betting Well.
1988, Mamoru Oshii, famous illustrator Akemi Takada, screenwriter Itou Kazunori and original author Yuuki Masami jointly launched the OVA version of the classic animation Mobile Police. This famous work certainly needs no introduction, and its success has long been obvious to all. After this work, Itou Kazunori really became the royal screenwriter of Mamoru Oshii, starting with Mobile Police. As long as it is directed by Mamoru Oshii, the role of Akemi Takada's ex-husband is the executive screenwriter. In the following six years, Mamoru Oshii, Ito and others have been making related works of mobile police.
1989 "Long live the ancestors", the carefully selected background, lines and actions run through the whole story in the form of stage play. As a technology, this is very interesting. The whole article revolves around The Laughter of Irony, which is one of Yasui's most outstanding works.
In addition to OVA, 1989 and 1993, their invincible group released two theatrical versions of Mobile Police. However, the endings of these two works are "although they are very successful, they are also mixed." After Mamoru Oshii's gloomy and consistent style was brought into Mobile Police, the lightness and philosophical flavor of its TV version disappeared. Although the scene of airborne soldiers and mobile soldiers flapping out-of-control mobile weapons like fallen leaves shaking in the wind and rain is highly praised by American commercial films, the over-emergent Mamoru Oshii style is far from the essence of mobile police. Giving up the most popular heroine, Quan Quan, and choosing the silent Nan Yun and Goto is obviously an adult route, but creating another form that is inconsistent with the original work will certainly not make the audience sell. Both films give people a cold feeling in the use of lens and tone atmosphere. Both stories are biased towards the so-called feeling of being prepared for danger in times of peace, accusing human beings of indulging in the present false peace without self-reflection.
1993, the ultimate imaginary real world in pursuit of true feelings, "mobile police Patlabor2TheMovie" appeared. As the second work of the theatrical version, the content is more serious than the previous work anywhere. The mobile police in the movie and the weapons in the near future should not appear until several years later, but the story based on them is full of reality. In the film, everything you can see gives the maximum information, and all the information is related to the puzzle as the center of the plot. This is the highest level of gambling supervision. As the mystery is solved, we are gradually addicted to the works.
From 65438 to 0994, Mamoru Oshii got his hands on the comic industry, and cooperated with Jin Min, a cartoonist highly praised by Dayou Shengbo, to create the sci-fi comic Seraphim, which was serialized in the animation magazine ANIMAGE. However, due to the need to take care of the film version of Masamune Shirow's animation "Conquering the Mobile Team", Mamoru Oshii was forced to give up the comic cooperation.
The Ghost in the Tortoise Shell, released by 1995, is Mamoru Oshii's famous work in the world animation field and the forefront of Japanese animation, depicting the boundary between fiction and reality. The world-famous "Japanese animation style" has a very prominent performance in this work. This book was released in Japan, Britain and the United States at the same time, and soon topped the list of Billboard magazine in the United States. Even the director of Yuan Tan Nick wrote an article for the Japanese LD version of this film, which shows how impressive the performance of this film is. Soon, the film even entered Hollywood and won favorable comments. Since then, it has become a masterpiece of Japanese animation. Although the original cartoon is an important topic around ghosts, in the movie version, as the main topic of gambling, the "boundary between reality and fiction" is more clear. The charm of Mamoru Oshii is that he always has his own topic and reflects it objectively. In addition, it is also reflected in his sense of balance with the original work, which is different from others.
Since the victory of "Conquering the Mobile Team", Mamoru Oshii has got a bigger production budget, and since then it has embarked on the road of big budget and big production, and luxury has become more prominent. Now, Mamoru Oshii is brewing a new film, that is, the all-digital film "G R M", which is aimed at Hollywood again and is scheduled to be released on 200 1.
G. magnetic resonance
According to the records of g. r. m. garmwar(ガルム), a project with a budget as high as 8 billion yen (say 4 billion yen) was supervised by Mamoru Oshii, but the budget was drastically reduced and the project was frozen so far.
Dayou wins Bo:
If Miyazaki Hayao is the pioneer of Japanese animation going to the world, then Tomoto Toyo is his successor. From 1980s to 1990s, his works attracted international attention like Miyazaki Hayao. The cartoon creation of Dayou Shengbo is much earlier than animation and has achieved good results. He won several comic book awards, the most special of which was 1983 Meng Tong's "Fourth Japanese Science Fiction Award". In the past, this award was only given to science fiction writers, and Dayou Shengbo became the first cartoonist to win this honor. Katsuhiro Otomo made his debut in 1973 with Gunfire (published in Comic Action). Later, he concentrated on publishing several short stories in the same magazine. Since his debut, his meticulous description and ingenious story development have been highly praised. "Akira ︵ ︵ ︵ ︵ ︵ ︵ ︵ ︵ ︵ ︵ ︵ ︵.
Dayou Shengbo said that his cartoons are very different from others'. He said: "My cartoons are very realistic in the details of characters and backgrounds, and animation also continues this feature. My works will not give people a flat feeling like ordinary comics, but have a deep space and produce a frightening sense of reality. " But the work is too real, and Dayou Shengbo also realizes that it may not be widely accepted by fans, so he insists that "the story and protagonist should be highlighted to attract readers." As a result, as he had expected, the protagonists in Akira and Meng Tong had outstanding personalities, which brought new horizons to the animation and comic circles. The theme of the work is profound. Dayou Shengbo extended the vitality of comics to animation, which caused a greater shock, which may be influenced by Miyazaki Hayao. Dayou Shengbo once said that his new work "Steam Boy" is similar to the animated film "Detective Dog" directed by Miyazaki Hayao in art and style of the times.
In fact, even if their works are completely different in style, they will show their dissatisfaction with reality in their works. Dayou Shengbo had a profound experience when shooting akira. At that time, when his son was in primary school, he took part in the sports meeting. Parents are following a small game with cameras, and the school can't stop him. Dayou Shengbo sighed, "The Japanese don't even have a sense of public morality. Although the protagonists Jintian and Tiexiong in Daiyou Kebo's masterpiece Zhang are both bad elements who disturb the order, they do it consciously, which is much better than those who break the rules unconsciously. The theme of the work is profound, which makes the influence of Dayou Shengbo's works spread all over Europe and America. Akira, the masterpiece, broke the Japanese animation record, with a total number of paintings of 65.438+0.5 million and a cost of 65.438+0 billion yen. The film even simulated the mouth shape of a real person, which caused a topic. Since then, it has been published in six languages around the world, and the net income in the United States has reached 1 10,000 US dollars.
Memories is a 3-unit animation collection created by Dayou Shengbo and two new animators, K?ji Morimoto and Tensai Okamura, after Akira. Among them, Gun Street was directed by Dayou Shengbo himself, and the 22-minute story was illustrated by a scene and a picture. The shooting platform alone is as long as 10 meter, which is a bold breakthrough in the history of animation.
Dayou Shengbo not only creates cartoons, but also engages in illustrations and advertisements. Among them, Kabbah's paintings include his works from his debut to 1989, and some of them have not yet been published. This album of paintings was recently reissued in Japan, but the number is small. Judas doesn't do many advertising works. The poster made by Dayou Shengbo for Cannon camera is very precious.
Jin Min:
A teenager obsessed with gundam.
The audience who was born in 1960s and fell in love with TV robot cartoons in 1970s will never forget the shock brought by mobile suit Gundam. "mobile suit" broke the previous cartoon mode, no longer adopted the rigid dichotomy of loyalty and treachery to characters, and transformed the unit structure of one episode and one story into a "long serial". The character and shape of the characters change with the development of the story. The "mobile suit" revolution not only promoted animation to another height, but also attracted many young people to join the ranks of animation creation. Jin Min, born in 1963, is one of them.
Jin Min fell in love with Gundam series in high school. After going to college, Jin Min began to publish cartoons in Youth magazine. By the early 1990s, comic books such as Returnee Line and World Apartment Horror had been published.
Jin Min is not only an animation fan, but also a huge fan, which makes his comic works have a strong sense of film, and pays attention to organizing each painting through film segmentation. This feature has also been continued in his animation works, and he has taken a completely different road from today's mainstream animation.
Great friends win the game on stilts.
1990, Jin Min served as the art designer of "The Old Man Z" by Dayou Kebo, and officially entered the animation industry, thus starting his long-term cooperation with Judas. From the montage of cartoons to the bright and heavy colors of animations, Jin Min was obviously influenced by the great friends. He once said that the Judas cartoon Meng Tong and Akira had a great influence on him. No wonder the Japanese animation community has always regarded Judas as Jin Min's master, and this famous teacher who is 10 years older than him is really rare. Over the years, he has been looking for opportunities for his apprentice to cooperate with his master, and he has personally served as the planner of his apprentice Lan Afraid.
Playing is psychological terror.
In recent years, Japanese animation technology has become omnipotent, and various masters have built their own animation world on this basis: Mamoru Oshii seeks the definition of identity between virtual and reality; Miyazaki Hayao expresses humanistic care in fairy tales and dreams; Dayou Shengbo pursues a broad vision ... Only Jin Min, in his "Blue Fear", abandoned the exquisite painting style, strange scenes and other skills that are most likely to win applause, and only worked hard on narrative to produce a psychological thriller animation full of suspense.
The heroine of "Blue" is not numb and intends to transform from a second-line idol singer to a TV actress, but she suffers from schizophrenia, and photographers, screenwriters and managers around her are killed one after another. The reality and illusion in the film are intertwined through editing techniques, which brings many possibilities for the development of the story. Finally, the real murderer appeared, and the audience was shocked by all the previous discussions, which can be interpreted from a new angle; However, the numb experience also tells the tragedy of people losing themselves in idol culture.
Looking for a Millennium lover
In The Millennium Actress, Jin Min once again shuttles between dream and reality. In the film, the film company owner and photographer interviewed Chiyoko Fujiwara, an actress who suddenly retired 30 years ago. As a post-war superstar, Chiyoko traveled all over Qian Shan to find his first love after the Japanese Warring States, Shogunate, Taisho and Showa. However, the dream lover has died in the war. Chiyoko, who knew nothing about this, suffered from relatives for many years. Perhaps it is because of the romance and sadness of Japanese style that "The Millennium Actress" won numerous awards in Japan and internationally, and also attracted DreamWorks to make an exception and buy the copyright of the film released in the United States.
Makoto Shinkai: Makoto Shinkai, male, born on February 9th, 1973, lives in saitama. Studying Chinese in university, 1996 to 200 1 working in Falcom Game Club. Currently freelance, mainly doing personal animation.
Ys2 Forever's OP animation should be fresh in the memory of Falcom players. Gorgeous 2D animation effects combined with almost perfect rhythm give people a strong sense of shock. This is one of Makoto Shinkai's representative works during his five years in F Club. From 65438 to 0996, after graduating from Makoto Shinkai University, he joined the Japanese Falcom Game Club (usually appearing in the name of New Jincheng in related affairs), and was responsible for programming, art design, animation and promotional film production. During Falcom, Xinhai began to create personal animated short films. Including 1997 black-and-white short film Distant World (1 30 seconds), 1998 3D short film The Surrounded World (30 seconds) and 1999-2000 black-and-white short film She and Her Cat (5 minutes). In the early summer of 2000, Xinhai began to make personal image animation "The Voice of the Stars". However, due to the busy work, Mingxing's voice was once stagnant. In May of 200 1 year, Xinhai submitted its resignation to Falcom. After that, the production of the Voice of the Star was on the right track, which was completed in June 5438 +2002 10, lasting for 7 months. In addition, Xinhai also participated in the opening animation of Minori Games Club's games Bitter Wet Tools (2001+0) and Wind a breath of heart》(2002). In 2003, Makoto Shinkai's new film Beyond the Clouds was scheduled for 50 minutes. In terms of background setting and plot, it is more stable and natural than the blunt voices of stars. Tian Zechao became a personnel designer, which made up for the paleness of Xinhai design. As the animation film director of Minori Game Club game EF- The First Story (2006).
I won't go into details about his works. Let's talk about my personal evaluation of him!
In the Japanese animation supervision field, Makoto Shinkai is my favorite one! I first saw his work The Voice of the Stars. Although the people inside are very ordinary, they still give me absolute shock, the shock of my soul ... whether it's plot, music or production. How can you read more of his works, and you will find that the production level of most animations is beyond your eyes? :-)! But his works can definitely resonate with people! You don't even have the courage to read some of his works over and over again! Hehe, don't talk too much, there are endless things to talk about. His works:
The sound of the stars, the other side of the cloud, the agreed place, 5 cm per second, I hope you must watch it. I believe you won't be disappointed!
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